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Beadwork is the art or craft of attaching beads to one another by stringing them onto a thread or thin wire with a sewing or beading needle or sewing them to cloth. Beads are produced in a diverse range of materials, shapes, and sizes, and vary by the kind of art produced. Most often, beadwork is a form of personal adornment, but it also commonly makes up other artworks.
The visual arts of the Indigenous peoples of the Americas encompasses the visual artistic practices of the Indigenous peoples of the Americas from ancient times to the present. These include works from South America and North America, which includes Central America and Greenland. The Siberian Yupiit, who have great cultural overlap with Native Alaskan Yupiit, are also included.
The Miami Tribe of Oklahoma is the only federally recognized Native American tribe of Miami Indians in the United States. The people are descended from Miami who were removed in the 19th century from their traditional territory in present-day Indiana, Michigan and Ohio.
Juanita Growing Thunder Fogarty is a Native American, Assiniboine Sioux bead worker and porcupine quill worker. She creates traditional Northern Plains regalia.
Martha Berry is a Cherokee beadwork artist, who has been highly influential in reviving traditional Cherokee and Southeastern beadwork, particularly techniques from the pre-Removal period. She has been recognized as a Cherokee National Treasure and is the recipient of the Seven Star Award and the Tradition Bearer Award. Her work is shown in museums around the United States.
Kelly Jean Church is a black ash basket maker, Woodlands style painter, birchbark biter, and educator.
Teri Greeves is a Native American beadwork artist, living in Santa Fe, New Mexico. She is enrolled in the Kiowa Indian Tribe of Oklahoma.
Vanessa Paukeigope Santos Jennings is a Kiowa/Kiowa Apache/Gila River Pima regalia maker, clothing designer, cradleboard maker, and beadwork artist from Oklahoma.
Nellie Charlie (1867–1965) was a Mono Lake Paiute - Kucadikadi basketmaker associated with Yosemite National Park. She was born in Lee Vining, California, the daughter of tribal headman Pete Jim, and his wife Patsy, also a basket maker. She married Young Charlie, a Mono Lake Paiute - Kucadikadi man from Yosemite, and they had six children. Her Paiute name was Besa-Yoona.
Truman Tennis Lowe (Ho-Chunk) was an American sculptor and installation artist. A professor of fine art at the University of Wisconsin, Lowe also served as a curator of contemporary art at the National Museum of the American Indian. He is known for large site-specific installation pieces using natural materials.
Jeffrey A. Gibson is an American Mississippi Choctaw/Cherokee painter and sculptor. He has lived and worked in Brooklyn, New York; Hudson, New York; and Germantown, New York.
Shan Goshorn was an Eastern Band Cherokee artist, who lived in Tulsa, Oklahoma. Her interdisciplinary artwork expresses human rights issues, especially those that affect Native American people today. Goshorn used different media to convey her message, including woven paper baskets, silversmithing, painting, and photography. She is best known for her baskets with Cherokee designs woven with archival paper reproductions of documents, maps, treaties, photographs and other materials that convey both the challenges and triumphs that Native Americans have experienced in the past and are still experiencing today.
Jamie Okuma is a Native American visual artist and fashion designer from California. She is known for beadwork, mixed-media soft sculpture, and fashion design. She is Luiseño, Wailaki, Okinawan, and Shoshone-Bannock. She is also an enrolled member of the La Jolla band of Indians in Southern California where she is currently living and working.
Jackie Larson Bread is a Native American beadwork artist from the Blackfeet Reservation in Browning, Montana. Her interest in bead work was sparked from looking at her late-grandmother's beaded pieces. In awe of these objects, Bread self-taught herself how to bead when she was younger and now, she has been beading for more than 20 years. Continuing through trial and error, Bread has received numerous awards for her beading.
Joyce Growing Thunder Fogarty, is a Native American artist. She is of the Assiniboine Sioux, Dakota people, and is known for her beadwork and quillwork. She creates traditional Northern Plains regalia. The Smithsonian named her as "one of the West's most highly regarded beadworkers".
TahneeAhtoneharjo-Growingthunder, is a Kiowa beadwork artist, regalia maker, curator, and museum professional of Muscogee and Seminole descent, from Mountain View, Oklahoma.
Sandy Fife Wilson is a Muscogee (Creek) art educator, fashion designer and artist. After graduating from the Institute of American Indian Arts and Northeastern Oklahoma State University, she became an art teacher, first working in the public schools of Dewey, Oklahoma. When Josephine Wapp retired as the textile instructor at the Institute of American Indian Arts, Wilson was hired to teach the design courses. After three years, in 1979, she returned to Oklahoma and taught at Chilocco Indian School until it closed and then worked in the Morris Public School system until her retirement in 2009.
Alice Littleman was a Kiowa beadwork artist and regalia maker, who during her lifetime was recognized as one of the leading Kiowa beaders and buckskin dressmakers. Her works are included in the permanent collections of the National Museum of Natural History, the National Museum of the American Indian, the Southern Plains Indian Museum, and the Oklahoma Historical Society.
Nellie Two Bears Gates was a Native American artist whose beadwork depicted Yanktonai Dakota history and culture. Beaded suitcases and valises that she gave as gifts are now part of art collections and exhibitions.
Tyra Shackleford is a Chickasaw textile artist who specializes in various hand woven techniques. Her three most prominent weaving techniques are sprang, fingerweaving, and twinning, which all date back prior to European contact, She has opened her traditional form of art to more conceptual and wearable art.
References
- 1 2 "Katrina Mitten". Smithsonian American Art Museum. Retrieved 16 December 2022.
- ↑ Brackney, Susan (23 December 2019). "The Maker: Beaded Embroidered bags". Indianapolis Monthly.
- ↑ "Eitelijorg's Indian Market and Festival draws artists from across U.S. and Canada". 21 June 2018.
- ↑ Edge, Sami (18 August 2017). "Native Art Market 2014: Katrina Mitten". Santa Fe New Mexican.
- 1 2 3 Indiana folk arts: 200 years of tradition and innovation. Kay, Jon., Traditional Arts Indiana., William Hammond Mathers Museum (Bloomington, Ind.). [Indiana]. 2016. ISBN 978-0-692-72355-5. OCLC 960881753.
{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link) - ↑ Sandlin, Rebecca. "Three Local Lending Talents to State's 'Bison-Tennial'". The Huntington Country TAB.
- ↑ Savig, Mary; Atkinson, Nora; Montiel, Anya (2022). This Present Moment: Crafting a Better World. Washington, DC: Smithsonian American Art Museum. pp. 228–238. ISBN 9781913875268.
- ↑ "MMIW". Smithsonian American Art Museum. Retrieved 16 December 2022.
- ↑ "Ten Original Clans of the Myaamia". Smithsonian American Art Museum. Retrieved 16 December 2022.
- ↑ "Native American Cradleboards".
- ↑ "Katrina Mitten".
- ↑ Williams, Janet (21 June 2018). "Eiteljorg's Indian Market and Festival draws artists from across U.S. and Canada".
- ↑ "Native Art Market 2014: Katrina Mitten". Smithsonian.
- ↑ Article, Staffs. "Myaamia Heritage Museum & Archive Features Myaamia Artists" (PDF).
- ↑ Edge, Sami (18 August 2017). "A masterpiece 760 hours in the making".
- ↑ "Katrina Mitten". Eiteljorg Museum. Retrieved 16 December 2022.
- ↑ "Catfish bag". Smithsonian Institution. Retrieved 2020-03-18.
