Ivor Novello was a Welsh actor, dramatist, singer and composer who became one of the most popular British entertainers of the first half of the 20th century.
Albert Louis Hammond OBE is a British-Gibraltarian singer, songwriter and record producer. A prolific songwriter, he also collaborated with other songwriters such as Mike Hazlewood, John Bettis, Hal David, Diane Warren, Holly Knight and Carole Bayer Sager. Hammond's son Albert Hammond Jr. is a guitarist in American rock band the Strokes.
"It's a Long Way to Tipperary" is an English music hall song first performed in 1912 by Jack Judge, and written by Judge and Harry Williams, though authorship of the song has long been disputed.
The "Battle Cry of Freedom", also known as "Rally 'Round the Flag", is a song written in 1862 by American composer George Frederick Root (1820–1895) during the American Civil War. A patriotic song advocating the causes of Unionism and abolitionism, it became so popular that composer H. L. Schreiner and lyricist W. H. Barnes adapted it for the Confederacy.
"When Johnny Comes Marching Home", sometimes "When Johnny Comes Marching Home Again", is a song from the American Civil War that expressed people's longing for the return of their friends and relatives who were fighting in the war.
"Bringing in the Sheaves" is a popular American Gospel song used almost exclusively by Protestant Christians. The lyrics were written in 1874 by Knowles Shaw, who was inspired by Psalm 126:6, "He that goeth forth and weepeth, bearing precious seed, shall doubtless come again with rejoicing, bringing his sheaves with him." Shaw also wrote music for these words, but they are now usually set to a tune by George Minor, written in 1880.
"Sussex by the Sea" is a song written in 1907 by William Ward-Higgs, often considered to be the unofficial county anthem of Sussex. It became well known throughout Sussex and is regularly sung at celebrations throughout the county. It can be heard during many sporting events in the county, during the Sussex bonfire celebrations and it is played by marching bands and Morris dancers across Sussex. It is the adopted song of Brighton & Hove Albion Football Club, Sussex Division Royal Naval Reserve, Sussex Association of Naval Officers and Sussex County Cricket Club.
Cavalcade is a 1933 American epic pre-Code drama film directed by Frank Lloyd. The screenplay by Reginald Berkeley and Sonya Levien is based on the 1931 play of the same title by Noël Coward. The film stars Diana Wynyard and Clive Brook.
De Wolfe Limited is a British music production company, recognised as the originator of what has become known as library music. De Wolfe Music was established by Meyer de Wolfe in 1909 and began its recorded library in 1927 with the advent of 'talkies'.
"There's a Long, Long Trail" is a popular song of World War I. The lyrics were by Stoddard King (1889–1933) and the music by Alonzo "Zo" Elliott, both seniors at Yale. It was published in London in 1914, but a December 1913 copyright for the music is claimed by Zo Elliott.
"Follow the Colours" is a marching song written by the English composer Edward Elgar in 1907, with words by Capt. William de Courcy Stretton. The song is for male voice solo with an optional male voice chorus, accompanied by piano, orchestra or military band.
Visions of Love is the last album of duo Robin and Linda Williams on the Sugar Hill Records label, released in 2002. They would move to Red House Records for their next release.
Keep the Home Fires Burning may refer to:
Stanley Kirkby was an English baritone singer and variety artist of the early 20th century. He sang ballads and popular songs of the Edwardian era, the First World War and the inter-War period. He sang mostly in music halls and variety theatres and was a popular recording artist.
We'll Gather Lilacs, also called We'll Gather Lilacs In The Spring, is a song by Welsh composer Ivor Novello which he wrote for the hit musical romance Perchance to Dream. The stage musical opened at the Hippodrome Theatre in London's West End in 1945 and ran until 1948. The song, sung in the show by Olive Gilbert, was the most popular and enduring to emerge from the production.
It was originally recorded by Muriel Barron & Olive Gilbert (1945) and by Geraldo and his Orchestra, who reached the UK charts with it in 1946. A recording by Tommy Dorsey and His Orchestra was a minor hit in the US in 1946. It has since been performed by many artists, including notably Anne Ziegler and Webster Booth, Richard Tauber, Bing Crosby, Frank Sinatra, Marion Grimaldi and Julie Andrews.
Lena Guilbert Brown Ford, middle name sometimes listed as Gilbert, was a lyricist, best known for "Keep the Home Fires Burning" which she wrote during the First World War.
Several different recruiting songs with the name "Your King and Country Want/Need You" were popularised in Britain at the beginning of the First World War. Your King and Country Want You with words and music by Paul Rubens was published in London at the start of the war in 1914 by Chappell Music. It was written as a "Woman's Recruiting Song" to be sung with the intention of persuading men to volunteer to fight in the War. Profits from its sale were given to "Queen Mary's Work for Women Fund"; the song raised over half a million pounds for the fund.
The music of World War I is the music which was composed during the war or which is associated with the war.
Keep the Love-Light Burning in the Window Till the Boys Come Marching Home is a World War I song with music and lyrics by Jack Caddigan and Jimmy McHugh. It was first published in May, 1917, a month after the United States entered World War I, by D. W. Cooper Publishing Co., in Boston, MA. By October, Chappell & Co. had brought suit, alleging that the title and refrain violated copyright on the British song, "Keep the Home-Fires Burning". Cooper settled out of court by agreeing to release a second edition, copyrighted October 23, 1917, with revised lyrics and the title "Keep the Love-Light Shining in the Window". In the meantime, Jos. W. Stern & Co. had acquired sole selling rights, and its imprint, along with Cooper's, appeared on the new version. A final edition, issued after Stern & Co. actually acquired the copyright, appeared in 1918.
This is a summary of 1916 in music in the United Kingdom.
