Keith Calhoun and Chandra McCormick | |
---|---|
Born | January 1, 1955 , August 28, 1957 |
Status | Active |
Occupation | Photographer |
Notable credit | 2016, Whitney Museum of Art 2015, Venice Biennale |
Website | calhounmccormick |
Keith Calhoun (born January 1, 1955) and Chandra McCormick (born August 27, 1957) are American husband-and-wife team photographers from New Orleans, Louisiana. Calhoun moved to Los Angeles during his teenage years, where he attended Los Angeles Community College, working at KCET public radio station before returning to New Orleans to open a portrait studio. [1]
McComick and Calhoun met in 1978 when McCormick had her portrait made. [2] Soon after, she became his apprentice, then collaborator and wife.
McCormick and Calhoun relocated temporarily to Houston during Hurricane Katrina, documenting the state of the refugee shelters while there. When they returned, their home was destroyed and almost two-thirds of their photographic archive had been damaged. The water shifted the color or cracked the film, creating an unintended artistic effect. The damaged images have been in the shows "Gone" and "Pitch White". [3]
In 2007 the couple opened a community arts center, called L9 Center for the Arts in the Lower Ninth Ward of New Orleans. The center serves as a gallery space, a performing arts center. [4]
McCormick and Calhoun document the way of life in the African American communities in the Lower Ninth Ward in New Orleans and rural Louisiana. The photographers document every aspect of life in disappearing communities, capturing daily life, celebrations, rituals, and labor to preserve cultural histories. They have referred to themselves as "keepers of the culture". [5]
Photographing mostly in black and white, they take both individual and group portraits. Their photographs cross into social commentary.
They have photographed dock workers, sugar cane workers, and incarcerated people. [6]
From the 1980s onward, they documented the African-American men imprisoned at Angola State Penitentiary, collaborating with songwriter Aaron Neville, [7] for a body of work called "Slavery: The Prison Industrial Complex", which has been displayed in their 2014 show at Prospect New Orleans [8]
November 3, 2018 – February 10, 2019: "Labor Studies" Contemporary Arts Center (New Orleans) [9]
Feb 23 – May 28, 2018: "Slavery, the Prison Industrial Complex: Photographs by Keith Calhoun and Chandra McCormick" Frist Art Museum [10]
June 9 – November 22, 2015: All the World's Futures, 56th la Biennale di Venezia in Venice Italy an exhibition curated by Okwui Enwezor. [11]
October 25, 2014 – January 25, 2015: "Angola: The Prison a series at Prospect 3 Art Biennial in New Orleans, on display at the Ogden Museum of Southern Art titled Slavery: The Prison Industrial Complex. [12]
December 12, 2019: Keynote Lecture, PhotoNola Festival, New Orleans Museum of Art [13]
November 6, 2019: "Louisiana Medley: The Social Justice Photography of Chandra McCormick and Keith Calhoun," Harvard Art Museums [14]
September 16, 2016: "Photography and Social Activism" Whitney Museum of Art [15]
January 9, 2013: Pratt Photography Lectures, Pratt Institute, New York [16]
The Louisiana State Penitentiary is a maximum-security prison farm in Louisiana operated by the Louisiana Department of Public Safety & Corrections. It is named "Angola" after the former slave plantation that occupied this territory. The plantation was named after the country of Angola, from which many enslaved people originated before arriving in Louisiana.
Lee Friedlander is an American photographer and artist. In the 1960s and 1970s, Friedlander evolved an influential and often imitated visual language of urban "social landscape," with many of his photographs including fragments of store-front reflections, structures framed by fences, posters and street signs. His work is characterized by its innovative use of framing and reflection, often using the natural environment or architectural elements to frame his subjects. Over the course of his career, Friedlander has been the recipient of numerous awards and his work has been exhibited in major museums and galleries worldwide.
The Louisiana State Museum (LSM), founded in New Orleans in 1906, is a statewide system of National Historic Landmarks and modern structures across Louisiana, housing thousands of artifacts and works of art reflecting Louisiana's legacy of historic events and cultural diversity.
Kalamu ya Salaam is an American poet, author, filmmaker, and teacher from the 9th Ward of New Orleans. A well-known activist and social critic, Salaam has spoken out on a number of racial and human rights issues. For years he did radio shows on WWOZ. Salaam is the co-founder of the NOMMO Literary Society, a weekly workshop for Black writers.
The New Orleans Museum of Art is the oldest fine arts museum in the city of New Orleans. It is situated within City Park, a short distance from the intersection of Carrollton Avenue and Esplanade Avenue, and near the terminus of the "Canal Street - City Park" streetcar line. It was established in 1911 as the Delgado Museum of Art.
Carrie Mae Weems is an American artist working in text, fabric, audio, digital images and installation video, and is best known for her photography. She achieved prominence through her early 1990s photographic project The Kitchen Table Series. Her photographs, films and videos focus on serious issues facing African Americans today, including racism, sexism, politics and personal identity.
The New Orleans African American Museum (NOAAM) is a museum in New Orleans, Louisiana's visiting Tremé neighborhood, the oldest-surviving black community in the United States. The NOAAM of Art, Culture and History seeks to educate and to preserve, interpret, and promote the contributions that people of African descent have made to the development of New Orleans and Louisiana culture, as slaves and as free people of color throughout the history of American slavery as well as during emancipation, Reconstruction, and contemporary times.
Jackie Sumell is an American multidisciplinary artist and activist whose work interrogates the abuses of the American criminal justice system. She is best known for her collaborative project with the late Herman Wallace, one of the former Angola 3 prisoners, entitled The House That Herman Built. This project is the subject of a critically acclaimed documentary film aired on PBS entitled Herman's House.
Peter was an escaped American slave who was the subject of photographs documenting the extensive scarring of his back from whippings received in slavery. The "scourged back" photo became one of the most widely circulated photos of the abolitionist movement during the American Civil War and remains one of the most notable photos of the 19th-century United States.
Frank Relle is an American photographer who lives and works in New Orleans, Louisiana.
Richard Sexton is a fine art and media photographer, author, teacher, and critic of the urban built environment with a studio based in New Orleans, Louisiana. He is best known for his architectural photography publications and exhibitions, which have been shown internationally. Sexton was born in 1954 in Atlanta, GA, and currently resides in both New Orleans, Louisiana, and Walton County, Florida.
Deborah Luster is a photographic artist from Northwest Arkansas, US, and has been a professional photographer since the 1990s. Luster has at least one book in print, One Big Self: Prisoners of Louisiana, and is known for using older technology such as tintype to document and artistically portray violent crime and related topics. She is published and discussed in various international media such as The Economist, educational sources such as the John Simon Guggenhiem Memorial Foundation, galleries such as the Jack Shainman Gallery and San Francisco Museum of Modern Art
A. J. Meek is an American photographer, teacher, and writer. Meek is known for his selenium toned silver gelatin contact prints made with an 8 x 20 banquet camera of landscapes in Louisiana and the American West and for images that are a balance between the documentary tradition and the fine arts.
Michel Varisco is a contemporary American artist whose career spans more than twenty years. She works and lives in New Orleans, LA and is recognized as an environmental and social activist through her numerous fine art explorations. Michel Varisco's work spans multiple disciplines including photography, installation, assemblage and sculpture. She exhibits and publishes internationally and her work is included in public, private and corporate collections in the U.S. and abroad.
Peter Kayafas is an American photographer, publisher, and educator based in New York City. He creates black and white photographs that are "simple and spare, yet quietly overpowering with their evocation of a history on a scale beyond that of individual human lives."
Stephen Hilger is an American photographer, writer, and educator who lives in Brooklyn, New York.
Lydia Y. Nichols is an American writer, specifically focusing on race, culture and the environment. She currently works as the Chief Cultural Columnist for BayouBrief.com, a public interest news source in Louisiana.
Wayne Sides is an American photographer, artist and educator that is best known for his documentary and conceptual art categories of photography and mixed-media art.
Dawn DeDeaux is an American visual artist based in New Orleans, Louisiana whose practice has included installation art, sculpture, photography, technology and multimedia works. Since the 1970s, her work has examined social, political and environmental issues encountered at both the global and local level of her native Louisiana. In 2014, American Theatre wrote that she created "immersive, future-tense" work at the intersection of visual arts, electronically driven theatre and site-specific installation, with sculpture, drawings and digital technology "inspired by ancient myths, mathematical forecasts, symbols, visions of apocalyptic landscapes and utopian longings."
Wilson Chinn was an escaped American slave from Louisiana who became known as the subject of photographs documenting the extensive use of torture received in slavery. The "branded slave" photograph of Chinn with "VBM" branded on his forehead, wearing a punishment collar, and posing with other equipment used to punish slaves became one of the most widely circulated photos of the abolitionist movement during the American Civil War and remains one of the most famous photos of that era.
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