Keith Calhoun and Chandra McCormick

Last updated

Keith Calhoun and Chandra McCormick
Born (1955-01-01) January 1, 1955 (age 69), (1957-08-28) August 28, 1957 (age 66)
StatusActive
OccupationPhotographer
Notable credit2016, Whitney Museum of Art 2015, Venice Biennale
Website calhounmccormick.com

Keith Calhoun (born January 1, 1955) and Chandra McCormick (born August 27, 1957) are American photographers from New Orleans, Louisiana. Calhoun moved to Los Angeles during his teenage years, where he attended Los Angeles Community College, working at KCET public radio station before returning to New Orleans to open a portrait studio. [1]

Contents

McComick and Calhoun met in 1978 when McCormick had her portrait made. [2] Soon after, she became his apprentice, then collaborator and wife.

Hurricane Katrina

McCormick and Calhoun relocated temporarily to Houston during Hurricane Katrina, documenting the state of the refugee shelters while there. When they returned, their home was destroyed and almost two-thirds of their photographic archive had been damaged. The water shifted the color or cracked the film, creating an unintended artistic effect. The damaged images have been in the shows "Gone" and "Pitch White". [3]

In 2007 the couple opened a community arts center, called L9 Center for the Arts in the Lower Ninth Ward of New Orleans. The center serves as a gallery space, a performing arts center. [4]

Style and work

McCormick and Calhoun document the way of life in the African American communities in the Lower Ninth Ward in New Orleans and rural Louisiana. The photographers document every aspect of life in disappearing communities, capturing daily life, celebrations, rituals, and labor to preserve cultural histories. They have referred to themselves as "keepers of the culture". [5]

Photographing mostly in black and white, they take both individual and group portraits. Their photographs cross into social commentary.

They have photographed dock workers, sugar cane workers, and incarcerated people. [6]

Angola State Penitentiary

From the 1980s onward, they documented the African-American men imprisoned at Angola State Penitentiary, collaborating with songwriter Aaron Neville, [7] for a body of work called "Slavery: The Prison Industrial Complex", which has been displayed in their 2014 show at Prospect New Orleans [8]

Exhibitions

November 3, 2018 – February 10, 2019: "Labor Studies" Contemporary Arts Center (New Orleans) [9]

Feb 23 – May 28, 2018: "Slavery, the Prison Industrial Complex: Photographs by Keith Calhoun and Chandra McCormick" Frist Art Museum [10]

June 9 – November 22, 2015: All the World's Futures, 56th la Biennale di Venezia in Venice Italy an exhibition curated by Okwui Enwezor. [11]

October 25, 2014 – January 25, 2015: "Angola: The Prison a series at Prospect 3 Art Biennial in New Orleans, on display at the Ogden Museum of Southern Art titled Slavery: The Prison Industrial Complex. [12]

Public Lectures

December 12, 2019: Keynote Lecture, PhotoNola Festival, New Orleans Museum of Art [13]

November 6, 2019: "Louisiana Medley: The Social Justice Photography of Chandra McCormick and Keith Calhoun," Harvard Art Museums [14]

September 16, 2016: "Photography and Social Activism" Whitney Museum of Art [15]

January 9, 2013: Pratt Photography Lectures, Pratt Institute, New York [16]

Related Research Articles

<span class="mw-page-title-main">Louisiana State Penitentiary</span> American maximum-security prison farm

The Louisiana State Penitentiary is a maximum-security prison farm in Louisiana operated by the Louisiana Department of Public Safety & Corrections. It is named "Angola" after the former slave plantation that occupied this territory. The plantation was named after the country of Angola, from which many slaves originated before arriving in Louisiana.

Lee Friedlander is an American photographer and artist. In the 1960s and 1970s, Friedlander evolved an influential and often imitated visual language of urban "social landscape," with many of his photographs including fragments of store-front reflections, structures framed by fences, posters and street signs. His work is characterized by its innovative use of framing and reflection, often using the natural environment or architectural elements to frame his subjects. Over the course of his career, Friedlander has been the recipient of numerous awards and his work has been exhibited in major museums and galleries worldwide.

Pelican Publishing Company is a book publisher based in Elmwood, Louisiana, with a New Orleans postal address. It was acquired in 2019 by Arcadia Publishing, a leading publisher of local and regional content in the United States.

<span class="mw-page-title-main">Kalamu ya Salaam</span> American poet (born 1947)

Kalamu ya Salaam is an American poet, author, filmmaker, and teacher from the 9th Ward of New Orleans. A well-known activist and social critic, Salaam has spoken out on a number of racial and human rights issues. For years he did radio shows on WWOZ. Salaam is the co-founder of the NOMMO Literary Society, a weekly workshop for Black writers.

<span class="mw-page-title-main">New Orleans Museum of Art</span> Art museum in New Orleans, Louisiana

The New Orleans Museum of Art is the oldest fine arts museum in the city of New Orleans. It is situated within City Park, a short distance from the intersection of Carrollton Avenue and Esplanade Avenue, and near the terminus of the "Canal Street - City Park" streetcar line. It was established in 1911 as the Delgado Museum of Art.

Carrie Mae Weems is an American artist working in text, fabric, audio, digital images and installation video, and is best known for her photography. She achieved prominence through her early 1990s photographic project The Kitchen Table Series. Her photographs, films and videos focus on serious issues facing African Americans today, including racism, sexism, politics and personal identity.

<span class="mw-page-title-main">New Orleans African American Museum</span>

The New Orleans African American Museum (NOAAM) is a museum in New Orleans, Louisiana's visiting Tremé neighborhood, the oldest-surviving black community in the United States. The NOAAM of Art, Culture and History seeks to educate and to preserve, interpret, and promote the contributions that people of African descent have made to the development of New Orleans and Louisiana culture, as slaves and as free people of color throughout the history of American slavery as well as during emancipation, Reconstruction, and contemporary times.

<span class="mw-page-title-main">Peter (enslaved man)</span> America "contraband" photographed 1863

Peter was a self-emancipated, formerly enslaved man who was the subject of photographs documenting the extensive scarring of his back from whippings received in slavery. The "scourged back" photo became one of the most widely circulated photos of the abolitionist movement during the American Civil War and remains one of the most notable photos of the 19th-century United States.

<span class="mw-page-title-main">Frank Relle</span> American photographer (born 1976)

Frank Relle is an American photographer who lives and works in New Orleans, Louisiana.

<span class="mw-page-title-main">Richard Sexton</span>

Richard Sexton is a fine art and media photographer, author, teacher, and critic of the urban built environment with a studio based in New Orleans, Louisiana. He is best known for his architectural photography publications and exhibitions, which have been shown internationally. Sexton was born in 1954 in Atlanta, GA, and currently resides in both New Orleans, Louisiana, and Walton County, Florida.

Deborah Luster is a photographic artist from Northwest Arkansas, US, and has been a professional photographer since the 1990s. Luster has at least one book in print, One Big Self: Prisoners of Louisiana, and is known for using older technology such as tintype to document and artistically portray violent crime and related topics. She is published and discussed in various international media such as The Economist, educational sources such as the John Simon Guggenhiem Memorial Foundation, galleries such as the Jack Shainman Gallery and San Francisco Museum of Modern Art

A. J. Meek is an American photographer, teacher, and writer. Meek is known for his selenium toned silver gelatin contact prints made with an 8 x 20 banquet camera of landscapes in Louisiana and the American West and for images that are a balance between the documentary tradition and the fine arts.

Ron Bechet is a visual artist who works in the traditional mediums of drawing and painting.

Joshua Mann Pailet is a dealer and collector of fine-art photography, a documentary photographer, and the proprietor of A Gallery for Fine Photography in New Orleans, Louisiana. As a photographer, Pailet documents once-in-a-lifetime events such as the 1976 American Freedom Train, the 1984 World's Fair and the aftermath and devastation of Hurricane Katrina in New Orleans. He opened A Gallery for Fine Photography in 1973, making it one of the first art galleries to be devoted solely to fine-art photography.

Russell Lord is an American writer and curator working in the field of photography and the history of art. He is currently the Director of Exhibitions and Curatorial Initiatives at the American Federation of Arts. Previously he served as the Freeman Family Curator of Photographs, Prints, and Drawings at the New Orleans Museum of Art, a position he held from October 2011 to April 2023.

Peter Kayafas is an American photographer, publisher, and educator based in New York City. He creates black and white photographs that are "simple and spare, yet quietly overpowering with their evocation of a history on a scale beyond that of individual human lives."

Stephen Hilger is an American photographer, writer, and educator who lives in Brooklyn, New York.

<span class="mw-page-title-main">Lydia Y. Nichols</span> American writer (born 1992)

Lydia Y. Nichols is an American writer, specifically focusing on race, culture and the environment. She currently works as the Chief Cultural Columnist for BayouBrief.com, a public interest news source in Louisiana.

<span class="mw-page-title-main">Dawn DeDeaux</span> American visual artist

Dawn DeDeaux is an American visual artist based in New Orleans, Louisiana whose practice has included installation art, sculpture, photography, technology and multimedia works. Since the 1970s, her work has examined social, political and environmental issues encountered at both the global and local level of her native Louisiana. In 2014, American Theatre wrote that she created "immersive, future-tense" work at the intersection of visual arts, electronically driven theatre and site-specific installation, with sculpture, drawings and digital technology "inspired by ancient myths, mathematical forecasts, symbols, visions of apocalyptic landscapes and utopian longings."

<span class="mw-page-title-main">Wilson Chinn</span> American enslaved man

Wilson Chinn was an escaped American slave from Louisiana who became known as the subject of photographs documenting the extensive use of torture received in slavery. The "branded slave" photograph of Chinn with "VBM" branded on his forehead, wearing a punishment collar, and posing with other equipment used to punish slaves became one of the most widely circulated photos of the abolitionist movement during the American Civil War and remains one of the most famous photos of that era.

References

  1. Hilger, Stephen. "Keith Calhoun and Chandra McCormick". KnowLA Encyclopedia of Louisiana. Louisiana Endowment for the Humanities. Retrieved December 11, 2014.
  2. Carter, Christopher (April 30, 2015). Rhetorical Exposures: Confrontation and Contradiction in US Social Documentary Photography. University of Alabama Press. ISBN   9780817318628.
  3. Hilger, Stephen. "Keith Calhoun and Chandra McCormick". KnowLA Encyclopedia of Louisiana. Louisiana Endowment for the Humanities. Retrieved December 11, 2014.
  4. "L9 Center for the Arts" . Retrieved December 11, 2014.
  5. Carter, Christopher (April 30, 2015). Rhetorical Exposures: Confrontation and Contradiction in US Social Documentary Photography. University of Alabama Press. ISBN   9780817318628.
  6. "Pratt Photography Lectures: Keith Calhoun and Chandra McCormick". Pelican Bomb. January 9, 2013. Retrieved March 10, 2020.
  7. Willis, Deborah (2006). "Angola Bound". Aperture. 182: 22–29 via EBSCOhost.
  8. Shen, Danni. "Meet P.3 Artists: Keith Calhoun and Chandra McCormick". Prospect New Orleans. Retrieved December 11, 2014.
  9. Wilkerson, Emily (January 2019). "Keith Calhoun and Chandra McCormick – Art in America" . Retrieved March 26, 2019.
  10. The Editors of ARTnews (April 17, 2018). "'Slavery, the Prison Industrial Complex' at Frist Art Museum, Nashville, Tennessee". ARTnews. Retrieved March 26, 2019.{{cite web}}: |last= has generic name (help)
  11. "La Biennale di Venezia – Artists". labiennale.org. Archived from the original on June 29, 2017. Retrieved November 18, 2015.
  12. Shenn, Danni. "Meet P.3 Artists: Keith Calhoun and Chandra McCormick". Prospect New Orleans. Retrieved December 13, 2014.
  13. "PhotoNOLA Keynote Address: Keith Calhoun and Chandra McCormick". New Orleans Museum of Art. Retrieved March 10, 2020.
  14. Harvard. "Louisiana Medley: The Social Justice Photography of Chandra McCormick and Keith Calhoun | Harvard Art Museums". www.harvardartmuseums.org. Retrieved March 10, 2020.
  15. "Exhibitions". Calhoun McCormick Photography. Retrieved March 8, 2017.
  16. "Pratt Photography Lectures: Keith Calhoun and Chandra McCormick". Pelican Bomb. January 9, 2013. Retrieved March 10, 2020.

photosandmore1888