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RCA Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Group Corporation.
Kind of Blue is a studio album by the American jazz trumpeter and composer Miles Davis. It was released on August 17, 1959 through Columbia Records. For the recording, Davis led a sextet featuring saxophonists John Coltrane and Julian "Cannonball" Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kelly appearing on one track—"Freddie Freeloader"—instead of Evans. The album was recorded in two sessions on March 2 and April 22, 1959, at Columbia's 30th Street Studio in New York City.
James Melvin Lunceford was an American jazz alto saxophonist and bandleader in the swing era.
Mercury Records is an American record label owned by Universal Music Group. It had significant success as an independent operation in the 1940s and 1950s. Smash Records and Fontana Records were sub labels of Mercury. Mercury Records released rock, funk, R&B, doo wop, soul music, blues, pop, rock and roll, and jazz records. In the United States, it is operated through Republic Records; in the United Kingdom and Japan, it is distributed by EMI Records.
Sue Records was also the name of a Louisiana-based record company which owned Jewel Records.
Sleep Dirt is an album by Frank Zappa, released in January 1979 on his own DiscReet Records label, distributed by Warner Bros. Records. It reached No. 175 on the Billboard 200 album chart in the United States.
Monk's Music is a jazz album by the Thelonious Monk Septet, which for this recording included Coleman Hawkins and John Coltrane. It was released in November 1957 through Riverside Records. The recording was made in New York City on June 26, 1957.
Mingus Ah Um is a studio album by American jazz musician Charles Mingus which was released in October 1959 by Columbia Records. It was his first album recorded for Columbia. The cover features a painting by S. Neil Fujita. The title is a corruption of an imaginary Latin declension. It is common for Latin students to memorize Latin adjectives by first saying the masculine nominative, then the feminine nominative, and finally the neuter nominative singular —implying a transformation of his name, Mingus, Minga, Mingum. The album was inducted into the Grammy Hall of Fame in 2013.
Zappa in New York is a double live album by Frank Zappa released on his own DiscReet Records label, distributed by Warner Bros. Records. It was recorded in December 1976 at a series of concerts at the Palladium in New York City.
In Person Friday and Saturday Nights at the Blackhawk, Complete, also called The Complete Blackhawk, is a 2003 four-CD boxset of the 1961 live performances of the Miles Davis Quintet at the Black Hawk nightclub in San Francisco.
Sarah Vaughan, reissued in 1991 as Sarah Vaughan with Clifford Brown, is a 1955 jazz album featuring singer Sarah Vaughan and trumpeter Clifford Brown, released on the EmArcy label. It was the only collaboration between the two musicians. Well received, though not without some criticism, the album was Vaughan's own favorite among her works through 1980. The album was inducted into the Grammy Hall of Fame in 1999.
Pres and Teddy is a jazz album by The Lester Young and Teddy Wilson Quartet, recorded in January 1956. Originally released on LP by Verve in 1959, it has subsequently been reissued on CD by Verve, Universal Japan and Lonehill Jazz.
Sounds of Christmas is the second holiday-themed album by vocalist Johnny Mathis and the first of his 11 studio projects for Mercury Records. His first yuletide effort, 1958's Merry Christmas, relied heavily on popular holiday carols and standards, but this 1963 release also included two new songs as well as covers of some lesser-known recordings by Andy Williams and Bing Crosby.
The Tatum Group Masterpieces, Volume Eight is an album by pianist Art Tatum and tenor saxophonist Ben Webster, with Red Callender on double bass and Bill Douglass on drums. The 1956 session was originally released in 1958 on Verve Records album produced by Norman Granz as The Art Tatum - Ben Webster Quartet, but Granz re-acquired the masters in the 1970s after the album was allowed to go out of print. He reissued the material as one of a series of eight Group Masterpieces featuring Tatum in collaboration with other artists, also issuing it as part of a boxed set, The Complete Pablo Group Masterpieces. The album has been reissued on CD, including a January 31, 1992 version with bonus tracks.
Miles Davis: The Complete Columbia Album Collection is a box set by jazz musician Miles Davis, released in 2009. It contains all the official releases on the Columbia Records label. The box set consists of 70 CDs and 1 DVD.
The Teddy Charles Tentet is a 1956 jazz album featuring a tentet led by multi-instrumentalist Teddy Charles. Critically well received, the album is listed as one of the "Core Collection" albums in The Penguin Guide to Jazz and an essential recording in 2000's The Essential Jazz Records: Modernism to Postmodernism. Released originally in high fidelity vinyl by Atlantic, the album has been reissued on CD and LP multiple times since 2001.
Live in Tokyo is a live album by the American jazz trumpeter-composer Charles Tolliver and his quartet Music Inc. Their fifth album overall, it was recorded on December 7, 1973, at Yubinchokin Hall in Tokyo during Tolliver and Music Inc.'s first tour of Japan. The quartet – featuring the pianist Stanley Cowell, the bassist Clint Houston, and Clifford Barbaro on drums – played the show in mostly fast tempo and performed three of Tolliver's original compositions, along with a ballad composed by Cowell and the Thelonious Monk standard "'Round Midnight".
Eric Bernay was an American record producer, best known for founding Keynote Records.
Harry Lim was a Javanese-American jazz producer, best known for his work with Keynote Records.
Father of Origin is a box set album by multi-instrumentalist Juma Sultan and his open-ended ensemble the Aboriginal Music Society. Drawn from Sultan's archive of recorded material, and released by Eremite Records in 2011, it consists of two vinyl LPs, a CD, and a book containing photos and an extensive essay by jazz scholar Michael Heller, all of which help to document aspects of the loft jazz era of the early 1970s.
References
- 1 2 Ronald D. Cohen, "Keynote Records". In Frank W. Hoffmann and Howard Ferstler, Encyclopedia of Recorded Sound, Volume 1. 2004, p. 571. (Google Books)
- ↑ Wilson, John S. (December 19, 1965). "When Jazz Was Going From Swing to Be-Bop". The New York Times. p. 330. Retrieved May 17, 2021.
- ↑ Morgenstern, Dan (2004). Meyer, Sheldon (ed.). Living With Jazz: A Reader. New York City: Pantheon Books. p. 958. ISBN 9780307487605.
- 1 2 "Donald's Encyclopedia of Popular Music - KEYNOTE". www.donaldclarkemusicbox.com. Retrieved 2020-04-19.
- ↑ Harrington, Richard (December 21, 1986). "Best of the Boxes". The Washington Post. Retrieved May 17, 2021.
- ↑ Palmer, Robert (October 12, 1986). "Boxed Sets: Pop Music's Melting Pot". The New York Times. Retrieved May 17, 2021.
- ↑ "Billboard review". Billboard. p. 39. August 30, 1986; vol. 98, #35
- ↑ "CD Recommendation: The Keynote Box | Rifftides". Artsjournal.com. Retrieved 21 October 2023.
- ↑ "Reissue of the year". Jazz Weekly.
