Pharaoh is the vernacular term often used for the monarchs of ancient Egypt, who ruled from the First Dynasty until the annexation of Egypt by the Roman Empire in 30 BC. However, regardless of gender, "king" was the term used most frequently by the ancient Egyptians for their monarchs through the middle of the Eighteenth Dynasty during the New Kingdom. The earliest confirmed instances of "pharaoh" used contemporaneously for a ruler were a letter to Akhenaten or an inscription possibly referring to Thutmose III.
Horus, also known as Heru, Har, Her or Hor in Ancient Egyptian, is one of the most significant ancient Egyptian deities who served many functions, most notably as god of kingship, healing, protection, the sun and the sky. He was worshipped from at least the late prehistoric Egypt until the Ptolemaic Kingdom and Roman Egypt. Different forms of Horus are recorded in history, and these are treated as distinct gods by Egyptologists. These various forms may be different manifestations of the same multi-layered deity in which certain attributes or syncretic relationships are emphasized, not necessarily in opposition but complementary to one another, consistent with how the Ancient Egyptians viewed the multiple facets of reality. He was most often depicted as a falcon, most likely a lanner falcon or peregrine falcon, or as a man with a falcon head.
In ancient Egyptian history, the Old Kingdom is the period spanning c. 2700–2200 BC. It is also known as the "Age of the Pyramids" or the "Age of the Pyramid Builders", as it encompasses the reigns of the great pyramid-builders of the Fourth Dynasty, such as King Sneferu, who perfected the art of pyramid-building, and the kings Khufu, Khafre and Menkaure, who constructed the pyramids at Giza. Egypt attained its first sustained peak of civilization during the Old Kingdom, the first of three so-called "Kingdom" periods, which mark the high points of civilization in the lower Nile Valley.
Khafre or Khafra, also known as Khephren or Chephren, was an ancient Egyptian pharaoh of the Fourth Dynasty during the Old Kingdom. He was the son of Khufu and the successor of Djedefre.
The Great Sphinx of Giza is a limestone statue of a reclining sphinx, a mythical creature with the head of a human and the body of a lion. Facing directly from west to east, it stands on the Giza Plateau on the west bank of the Nile in Giza, Egypt. The face of the Sphinx appears to represent the pharaoh Khafre. The original shape of the Sphinx was cut from the bedrock, and has since been restored with layers of limestone blocks. It measures 73 m (240 ft) long from paw to tail, 20 m (66 ft) high from the base to the top of the head and 19 m (62 ft) wide at its rear haunches.
Djedefre was an ancient Egyptian king (pharaoh) of the 4th Dynasty during the Old Kingdom. He is well known by the Hellenized form of his name Rhatoisēs (Ῥατοίσης) by Manetho. Djedefre was the son and immediate throne successor of Khufu, the builder of the Great Pyramid of Giza; his mother is not known for certain. He is the king who introduced the royal title Sa-Rê and the first to connect his cartouche name with the sun god Ra.
The Fourth Dynasty of ancient Egypt is characterized as a "golden age" of the Old Kingdom of Egypt. Dynasty IV lasted from c. 2613 to 2494 BC. It was a time of peace and prosperity as well as one during which trade with other countries is documented.
Djet, also known as Wadj, Zet, and Uadji, was the fourth pharaoh of the First Dynasty, successor of Djer. Djet's Horus name means "Horus Cobra" or "Serpent of Horus".
Den, also known as Hor-Den, Dewen, and Udimu, was the Horus name of a pharaoh of the Early Dynastic Period who ruled during the First Dynasty of Egypt. He is the best archaeologically-attested ruler of this period, credited with bringing prosperity to his realm.
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It was a conservative tradition whose style changed very little over time. Much of the surviving examples comes from tombs and monuments, giving insight into the ancient Egyptian afterlife beliefs.
The opening of the mouth ceremony was an ancient Egyptian ritual described in funerary texts such as the Pyramid Texts. From the Old Kingdom to the Roman Period, there is ample evidence of this ceremony, which was believed to give the deceased their fundamental senses to carry out tasks in the afterlife. Various practices were conducted on the corpse, including the use of specific instruments to touch body parts like the mouth and eyes. These customs were often linked with childbirth, which denoted rebirth and new beginnings. For instance, cutting bloody meat from animals as offerings for the deceased signified the birthing process, which typically involves blood, and represented the commencement of a new life. Additionally, tools like the peseshkef, which resembled the tail of a fish and were originally employed for cutting infants' umbilical cords, further emphasized the idea of "rebirth".
The royal titulary or royal protocol is the standard naming convention taken by the pharaohs of ancient Egypt. It symbolised worldly power and holy might, also acting as a sort of mission statement for the duration of a monarch's reign.
The Indestructibles was the name given by ancient Egyptian astronomers to two bright stars which, at that time, could always be seen circling the North Pole. The name is directly related to Egyptian belief in constant North as a portal to heaven for pharaohs, and the stars' close association with eternity and the afterlife. These circumpolar stars are now known as Kochab, in the bowl of Ursa Minor or, the Little Dipper, and Mizar, in Ursa Major, at the middle of the handle of the Big Dipper.
Reserve heads are distinctive sculptures made primarily of fine limestone that have been found in a number of non-royal tombs of the Fourth Dynasty of Egypt; primarily from the reigns of pyramid-building pharaohs Khufu to Khafre, circa 2551–2496 B.C. While each of the heads share characteristics in common with each other, the striking individuality of the pieces makes them some of the earliest examples of portrait sculpture in existence. Their purpose is not entirely clear; the name comes from the prevalent theory first put forward in 1903 by the German Egyptologist Ludwig Borchardt, that the head was to serve as an alternate home for the spirit of the dead owner should anything happen to its body.
The pyramid of Neferefre, also known as the pyramid of Raneferef, is a 25th century BC unfinished pyramid complex built for the Egyptian pharaoh Neferefre of the Fifth Dynasty. Neferefre's unfinished pyramid is the third and final one built on the Abusir diagonal – a figurative line connecting the Abusir pyramids with Heliopolis – of the necropolis, sited south-west of Neferirkare's pyramid.
Bek or Bak was the first chief royal sculptor during the reign of Pharaoh Akhenaten. His father Men held the same position under Akhenaten's father Amenhotep III; his mother Roi was a woman from Heliopolis.
Rekhetre was an ancient Egyptian queen from the late 4th Dynasty or early 5th Dynasty. She was a daughter of Pharaoh Khafre. Her husband is never mentioned, but Rekhetre would have been the wife of one of Khafre's successors, possibly Menkaure.
Babaef was a vizier from the late Fourth Dynasty of Egypt. He was likely the son of the vizier Duaenre and hence a grandson of Khafre. He served as vizier during the reign of his cousin Shepseskaf.
The Khufu Statuette or the Ivory figurine of Khufu is an ancient Egyptian statue. Historically and archaeologically significant, it was found in 1903 by Sir William Matthew Flinders Petrie during excavation of Kom el-Sultan in Abydos, Egypt. It depicts Khufu, a Pharaoh of the Fourth dynasty, and the builder of the Great Pyramid, though it may have been carved much later, in the Twenty-Sixth Dynasty, 664 BC–525 BC.
The Department of Egyptian Antiquities of the Louvre is a department of the Louvre that is responsible for artifacts from the Nile civilizations which date from 4,000 BC to the 4th century. The collection, comprising over 50,000 pieces, is among the world's largest, overviews Egyptian life spanning Ancient Egypt, the Middle Kingdom, the New Kingdom, Coptic art, and the Roman, Ptolemaic, and Byzantine periods.
