Kill Your Idols | |
---|---|
Directed by | Scott Crary |
Produced by | Dan Braun Josh Braun Scott Crary |
Starring | Glenn Branca Michael Gira Eugene Hütz Arto Lindsay Lydia Lunch Thurston Moore Karen O Lee Ranaldo Martin Rev J.G. Thirlwell |
Distributed by | Palm Pictures |
Release date |
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Running time | 75 minutes |
Country | United States |
Language | English |
Kill Your Idols is a documentary film about three decades of art punk bands in New York City, directed and produced by Scott Crary and executive produced by Dan Braun and Josh Braun. The film debuted at the 2004 Tribeca Film Festival, [1] where it won the award for Best Documentary. [2]
The documentary begins with a historical overview of the early art punk and no wave movements that originated in New York City in the 1970s. Through photos, archival performance footage and interviews with seminal bands like Suicide, Teenage Jesus and the Jerks, DNA, and Theoretical Girls, the inspirations for and ideologies of those movements are discussed as well as their subsequent influence on early 1980s post-punk bands like Sonic Youth, Swans, and Foetus. The film then jumps forward to 2002 to introduce bands emerging at that time that either claimed some affinity with the early art punk and no wave movements or were depicted as such by the media. Pitchfork writer Brandon Stosuy cites 2002 as the year when "the post- No New York moment bubbled most briskly." [3] Crary uses this revival as a pretense to discuss notions of artistic influence and cultural nostalgia. Regarding his intentions for the film's thematic premise, Crary stated: [4]
Of course the irony of a movement like No Wave, which sought to consciously rebuke what came before, eventually leaving a concentrated legacy of its own appealed to me. And the film became more about defining that irony than any sort of attempt at a historical document or overview.
— Scott Crary, Interview in Filmmaker Magazine
After offering brief surveys (through interviews and original performance footage) of bands like Yeah Yeah Yeahs, Liars, A.R.E. Weapons, Black Dice, Flux Information Sciences, and Gogol Bordello, the film then dramatically shifts tone, becoming an intergenerational dialectic between those emerging bands and the innovators of art punk and no wave introduced in the first part of the film, so as to contrast the past and the then present. The discussion culminates with thoughts from both generations on the changing music industry and how modern media's ubiquity can prematurely expose and corrupt burgeoning music scenes.
As Dorian Lynskey of Empire writes of the overall effect of the documentary: "Ostensibly about the ultra-obscure New York art-punk scene of 1977-82, this cleverly edited film is really a meditation on originality and nostalgia." [5]
Kill Your Idols is notable for its complete lack of narration, instead relying only on abstract title cards and juxtapositional placement of interview soundbites to build a narrative arc. This results in what Rick Mele of The Cinema Source terms "a sort of minimalist and cynical expressionism," noting: "Crary splices together interviews so deftly and playfully that the different artists seem to continue each other's thoughts." [6]
The documentary also makes considerable use of humor. [7] [8]
The film was acquired for distribution by Palm Pictures, premiering theatrically on July 7, 2006 and released on DVD on August 29, 2006. [9]
The film was also acquired for television by Showtime and Sundance Channel. [10] [11]
Kill Your Idols was released to mixed reviews. On Metacritic the film has a score of 52% based on 10 reviews. [12]
Sight & Sound praised the film's "engagingly raw style", calling it "an enjoyable monument to an undervalued chapter in rock history." [13] NME gave it 4 out of 5 stars, saying the film was "compelling stuff" and "thrillingly scratchy and lo-fi." [14] Moviefone said the film "manages to leave even those who know nothing about punk feeling nostalgic for the passion and intelligence of its early days." [15] TV Guide gave it 3 out of 4 stars, commending the film as a "sharp look at the crisis of innovation in an age of commodified nostalgia." [16] However, both The New York Times and Entertainment Weekly criticized the film's inclusion of the more modern bands, with the former writing that "Crary never figures out what story he wants to tell" [17] and the latter writing that the film "spends more time preaching about the anarchy of the good old days than it does revealing them." [18]
Since its initial limited release, Kill Your Idols has gained popularity as a cult film, continuing to regularly screen at revival and repertory events internationally. [19] [20] [21] [22] The film was included on Black Book Magazine's 2008 list of 'Iconic and Influential Music Documentaries' [23] and Nylon Magazine's 2011 list of 'Top Music Documentaries'. [24] In 2013, the film was invited into the permanent archives of The Rock and Roll Hall of Fame. [25]
No wave was an avant-garde music genre and visual art scene that emerged in the late 1970s in Downtown New York City. The term was a pun based on the rejection of commercial new wave music. Reacting against punk rock's recycling of rock and roll clichés, no wave musicians instead experimented with noise, dissonance, and atonality, as well as non-rock genres like free jazz, funk, and disco. The scene often reflected an abrasive, confrontational, and nihilistic world view.
Adam Spiegel, known professionally as Spike Jonze, is an American filmmaker, actor, musician, and photographer. His work includes films, commercials, music videos, skateboard videos and television.
Sonic Youth was an American rock band formed in New York City in 1981. Founding members Kim Gordon, Thurston Moore and Lee Ranaldo remained together for the entire history of the band, while Steve Shelley (drums) followed a series of short-term drummers in 1985, rounding out the core line-up. Jim O'Rourke was also a member of the band from 1999 to 2005, and Mark Ibold was a member from 2006 to 2011.
Yeah Yeah Yeahs are an American indie rock band formed in New York City in 2000. The group is composed of vocalist and pianist Karen O, guitarist and keyboardist Nick Zinner, and drummer Brian Chase. They are complemented in live performances by second guitarist David Pajo, who joined as a touring member in 2009 and replaced Imaad Wasif, who had previously held the role. According to a 2004 interview that aired during their appearance on ABC's Live from Central Park SummerStage series, the band's name was taken from modern New York City vernacular.
Kathleen Hanna is an American singer, musician and pioneer of the feminist punk riot grrrl movement, and punk zine writer. In the early-to-mid-1990s, she was the lead singer of feminist punk band Bikini Kill, and then fronted the electropunk band Le Tigre in the late 1990s and early 2000s. Since 2010, she has recorded as the Julie Ruin.
Lydia Lunch is an American singer, poet, writer, actress and self-empowerment speaker. Her career began during the 1970s New York City no wave scene as the singer and guitarist of Teenage Jesus and the Jerks.
Nick Zedd was an American filmmaker, author, and painter based in Mexico City. He coined the term Cinema of Transgression in 1985 to describe a loose-knit group of like-minded filmmakers and artists using shock value and black humor in their work. These filmmakers and artistic collaborators included Richard Kern, Tessa Hughes Freeland, Lung Leg, Kembra Pfahler, Jack Smith and Lydia Lunch. Under numerous pen names, Zedd edited and wrote the Underground Film Bulletin (1984–1990) which publicized the work of these filmmakers. The Cinema of Transgression was explored in Jack Sargeant's book Deathtripping.
No wave cinema was an underground filmmaking movement that flourished on the Lower East Side of New York City from about 1976 to 1985. Associated with the artists’ group Collaborative Projects, no wave cinema was a stripped-down style of guerrilla filmmaking that emphasized dark edgy mood and unrehearsed immediacy above many other artistic concerns – similar to the parallel no wave music movement in its raw and rapid style.
The Cinema of Transgression is a term coined by Nick Zedd in 1985 to describe a New York City–based underground film movement, consisting of a loose-knit group of artists using shock value and black humor in their films. Key players in this movement were Zedd, Kembra Pfahler, Tessa Hughes-Freeland, Casandra Stark, Beth B, Tommy Turner, Jon Moritsugu, Manuel DeLanda, David Wojnarowicz, Richard Kern, and Lydia Lunch, who in the late 1970s and mid-1980s began to make very low-budget films using cheap 8 mm cameras.
Black Dice is an American experimental noise music band based in Brooklyn, New York and consisting of brothers Bjorn and Eric Copeland along with Aaron Warren. Formed in 1997, the group was initially inspired by hardcore and noise rock, but subsequently shifted toward the extensive use of signal processing, effects units, and electronic instrumentation. They released their debut album Beaches & Canyons in 2002. They have recorded for labels such as DFA, Fat Cat, and Animal Collective's Paw Tracks.
Scott Crary is an American film director, producer and writer, best known for having directed, produced, filmed and edited the film Kill Your Idols, a documentary examining three decades of New York art punk bands.
Theoretical Girls were a New York-based no wave band formed by Glenn Branca and conceptual artist and composer Jeff Lohn that existed from 1977 to 1981. Theoretical Girls played only about 20 shows.
Punkcast.com was an online video site that covered the NYC underground music scene. The site, though not active, remains with an archive of videos from 1997 to 2011. Newer videos are now on the Punkcast YouTube channel.
Flux Information Sciences were a three-piece noise rock band based in Brooklyn, New York. The band was formed in 1996 by vocalist/guitarist Tristan Bechet and keyboardist Sebastian Brault, who met in art school in Marseille. A revolving drummer policy saw Derek Ethridge replace Phil Hernandez in 1999, who was in turn replaced by Siobhan Duffy. Eventually, the band settled on the line-up of Bechet and Brault, with Christopher Pravdica on electronics.
Dan Braun is an American musician, composer, writer, editor, art director, and film producer.
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Riot grrrl is an underground feminist punk movement that began during the early 1990s within the United States in Olympia, Washington, and the greater Pacific Northwest, and has expanded to at least 26 other countries. A subcultural movement that combines feminism, punk music, and politics, it is often associated with third-wave feminism, which is sometimes seen as having grown out of the riot grrrl movement and has recently been seen in fourth-wave feminist punk music that rose in the 2010s. The genre has also been described as coming out of indie rock, with the punk scene serving as an inspiration for a movement in which women could express anger, rage, and frustration, emotions considered socially acceptable for male songwriters but less commonly for women.
Josh Braun is an American businessperson, film producer, musician and comics publisher known for his work in the bands Circus Mort and The Del-Byzanteens, for his formation in the companies Submarine Entertainment, and New Comic Co., the latter of which is responsible for republishing the horror comics Creepy and Eerie.
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