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Kimberly Marshall (born May 8, 1959, Winston-Salem, North Carolina) is an organist and organ scholar, holder of the Patricia and Leonard Goldman Endowed Professorship [1] in Organ at Arizona State University.
Marshall began her organ studies with John Mueller in 1974, earning her high school diploma from the University of North Carolina School of the Arts in 1977. A Morehead Scholar, she completed a BA in French while simultaneously taking music classes at Duke University with R. Larry Todd and with Fenner Douglass. Her early interest in French music took her to France where she worked with Louis Robilliard at the Conservatoire National de Région in Lyon (Médaille d’Or, 1979) and Xavier Darasse at the Conservatoire National de Région in Toulouse (Premier prix, 1981) before returning to North Carolina to complete her undergraduate studies in 1982. While a student in Toulouse, she recorded Darasse’s Organum III for Radio France.
Marshall pursued doctoral studies from 1982-86 at University College, Oxford as a recipient of a Marshall Scholarship from the British government. During this time she worked with John Caldwell, specialist in early keyboard music, and with Christopher Page, who advised her DPhil thesis, Iconographical Evidence for the Late-Medieval Organ (1986; published by Garland in 1989). She has developed this work in several articles and lecture/presentations and the CD recording Gothic Pipes. She is known as an expert on late-medieval organ music and was invited to contribute entries for the Oxford Dictionary of the Middle Ages (2010) as well as to present the keynote lecture for the inauguration of the medieval Blockwerk in Amsterdam's Orgelpark (2013).
In 1985, Marshall was awarded first prize at the St. Albans Organ Playing Competition, earning her a recording contract with the BBC and a recital in London's Royal Festival Hall. Marshall has been invited to play throughout Europe, including concerts at Westminster Cathedral, London; King's College, Cambridge, Chartres Cathedral, Uppsala Cathedral, and historical organs, such as the Couperin organ at Saint-Gervais, Paris, the Gothic organ in Sion, Switzerland, and the Cahmann organ in Leufstabruk, Sweden.
Marshall was appointed Assistant Professor of Music and University Organist at Stanford University in 1986. She was responsible for the supervision of DMA and Ph.D. organ students and worked to establish a guest organist recital series on the dual-temperament Fisk organ in Memorial Church. She was awarded a Fulbright Scholarship to continue her research and teaching during 1991 at the Sydney Conservatorium in Australia. Her edition of articles on female traditions of music making, Rediscovering the Muses, was published by Northeastern University Press in 1993.
Marshall was recruited by the Royal Academy of Music in 1993 to serve as Dean of Postgraduate Studies. During her tenure there 1993-1996, she set up and implemented a Master of Music degree between the Academy and King's College London to enable postgraduate musicians to pursue academic research alongside their performance studies. She described this adaptation of the American model for training musicians in her Musical Times article, "Home and Away: an American Invasion?" (January 1995).
Marshall has been a recitalist and workshop leader during many National Conventions of the American Guild of Organists (Dallas, 1994; New York, 1996; Denver; 1998; Seattle 2000, Denver 2002; Los Angeles 2004; Minneapolis, 2008; Washington 2010; Boston 2014). From 1996-2000, she was affiliated with the Organ Research Center in Göteborg, Sweden, where she taught and performed; under the aegis of GOArt, she organized in 2002 the first-ever conference devoted to sound recordings of the organ, the proceedings of which were published as The Organ in Recorded Sound: An Exploration of Timbre and Tempo. Göteborg: Göteborg Organ Art Center, 2012. Marshall's anthologies of late-medieval and Renaissance organ music were published by Wayne Leupold Editions in 2000 and 2004.
In 1998, Marshall was appointed Associate Professor of Music at Arizona State University, where she directed the program of organ studies and served as Associate Director for Graduate Studies. In 2002, she was promoted to Full Professor, holding the Patricia and Leonard Goldman Endowed Professorship in Organ, a position she retained while serving as Director of the School from 2006-2012.
Marshall's compact disc recordings feature music of the Italian and Spanish Renaissance, French Classical and Romantic periods, and works by Johann Sebastian Bach. Her CD of the complete organ works of Arnolt Schlick was released in 2012, the 500th anniversary year of its publication. A CD/DVD set entitled A Fantasy through Time [2] was released on the Loft [2] label in 2009, receiving effusive reviews, as did her recording of Chen Yi’s organ concerto with the Singapore Symphony on the BIS label (2003). She has also made a recording of works for organ by female composers, Divine Euterpe, [3] that includes music by Fanny Mendelssohn Hensel, Elfrida Andrée, and Ethyl Smyth.
She does not limit herself to early music. While at Stanford and the Royal Academy of Music, she gave performances of organ works by Ligeti in the presence of the composer, and she has been an advocate for music by Margaret Sandresky, Dan Locklair and Ofer Ben-Amots.
Marshall spent the spring of 2005 on sabbatical in Pistoia, Italy, where she researched early Italian organ music and performed on many historical organs, including those in Roskilde Cathedral (Denmark), the St. Laurenskerk, Alkmaar (Netherlands), the Jacobikirche Hamburg, as well as the famous Zacharias Hildebrandt instrument in Naumburg, Germany, which Bach examined in 1746. During the summer of 2006, she presented concerts and workshops on early music in Sweden and Israel, and she was a featured artist for the 2007 Early English Organ Project in Oxford and the Festival for Historical Organs in Oaxaca, Mexico. Important engagements since then include the Lufthansa Festival of Baroque Music in London (2012), inaugural recital series on the Acusticum Organ in Piteå, Sweden (2012), guest artist for the national conference of the Korean Association of Organists in Seoul (2013), and the London Handel Festival (2014).
Marshall is the advisor on organs for the Musical Instrument Museum (MIM) [4] in Phoenix and has made videos for their exhibits in Guanajuato (Mexico), Toulouse (France) and Florence (Italy). She is an experienced adjudicator, having served on the jury of the National AGO competition in 2008, of the Sweelinck competition in Amsterdam in 2010, as chair of the jury for the Northern Ireland International Organ Competition in 2012 and on the Pistoia International Organ Competition and the Westfield Center's Organ Competition in 2013.
Arnolt Schlick was a German organist, lutenist and composer of the Renaissance. He is grouped among the composers known as the Colorists. He was most probably born in Heidelberg and by 1482 established himself as court organist for the Electorate of the Palatinate. Highly regarded by his superiors and colleagues alike, Schlick played at important historical events, such as the election of Maximilian I as King of the Romans, and was widely sought after as organ consultant throughout his career. The last known references to him are from 1521; the circumstances of his death are unknown.
Virgil Keel Fox was an American organist, known especially for his years as organist at Riverside Church in New York City, from 1946 to 1965, and his flamboyant "Heavy Organ" concerts of the music of Bach in the 1970s, staged complete with light shows. His many recordings made on the RCA Victor and Capitol labels, mostly in the 1950s and 1960s, have been remastered and re-released on compact disc in recent years. They continue to be widely available in mainstream music stores.
Diane Joyce Bish is an American organist, composer, conductor, as well as executive producer and host of The Joy of Music television series. As a concert organist, she performs at concerts throughout North America and Europe. Bish also continues to tape episodes for her television series by visiting notable organs throughout the world.
Peter John Hurford OBE was a British organist and composer.
Jeanne Marie-Madeleine Demessieux was a French organist, pianist, composer, and teacher. She was the chief organist at Saint-Esprit for 29 years and at La Madeleine in Paris starting in 1962. She performed internationally as a concert organist and was the first female organist to sign a record contract. She went on to record many organ works, including her own compositions.
Marie-Claire Geneviève Alain-Gommier was a French organist, scholar and teacher best known for her prolific recording career, with 260 recordings, making her the most-recorded classical organist in the world. She taught many of the world's prominent organists. She was a specialist in Bach, making three recordings of his complete organ works, as well as French organ music.
Masaaki Suzuki is a Japanese organist, harpsichordist and conductor, and the founder and music director of the Bach Collegium Japan. With this ensemble he is recording the complete choral works of Johann Sebastian Bach for the Swedish label BIS Records, for which he is also recording Bach's concertos, orchestral suites, and solo works for harpsichord and organ. He is also an artist-in-residence at Yale University and the principal guest conductor of its Schola Cantorum, and has conducted orchestras and choruses around the world.
Antonius Gerhardus Michael Koopman, known professionally as Ton Koopman, is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orchestra & Choir.
Joan Lippincott is an American concert organist and former head of the organ department at Westminster Choir College in Princeton, New Jersey.
Carole Ruth Terry is an American organist, harpsichordist, and pedagogue.
Hans Davidsson is a Swedish organist and pedagogue. He was one of the driving forces behind establishing the organ research center GOArt and the Eastman Rochester Organ Initiative. He is currently professor of organ at the Royal Danish Academy of Music.
Harald Vogel is a German organist, organologist, and author. He is a leading expert on Renaissance and Baroque keyboard music. He has been professor of organ at the University of the Arts Bremen since 1994.
Christopher Herrick is an English concert organist best known for his interpretation of J.S. Bach’s organ music and for his many recordings on the finest pipe organs from around the world.
Louis Henry Nicolas Thiry was a French concert organist, composer and pedagogue. He was professor of organ at the Regional Conservatoire in Rouen and played in concerts internationally. His many recordings include the complete organ works of Olivier Messiaen in 1972, which received several awards and led the composer to describe him as "an extraordinary organist". Thiry was blind.
Alf Linder was a Swedish organist, renowned for his frequent radio broadcasts and his teaching at the Stockholm Conservatory.
Carl Weinrich was an American organist, choral conductor, and teacher. He was particularly known for his recitals and recordings of Bach's organ music and as a leader in the revival of Baroque organ music in the United States during the 1930s.
James Kibbie is an American concert organist, recording artist and pedagogue.
Robert John Shafer, Jr. is a Grammy Award-winning American conductor, classical composer, educator and church musician. He has served as artistic director of the City Choir of Washington since its launch in September 2007.
Scott Dettra is an American concert organist and church musician. He tours in North America and Europe, and is the Organist at Highland Park United Methodist Church in Dallas, Texas. Formerly, he was Director of Music and Organist at the Church of the Incarnation in Dallas, Texas. He is also Organist of The Crossing, a professional chamber choir based in Philadelphia. From 2007 to 2012, he was Organist of Washington National Cathedral.
Sheila Ann Lawrence was a concert organist who performed throughout the UK and broadcast frequently on BBC Radio 3.
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