|King of the Castle|
|Directed by||Redd Davis|
|Produced by||Basil Humphrys|
|Written by|| Frank Atkinson |
|Starring|| June Clyde |
|Music by||Eric Spear|
City Film Corporation
|Distributed by||General Film Distributors|
King of the Castle is a 1936 British comedy film directed by Redd Davis and starring June Clyde, Claude Dampier and Billy Milton. It was shot at Shepperton Studios.
Andrew James Matfin Bell is an English actor and dancer. He rose to prominence for his debut role in Billy Elliot (2000), for which he won the BAFTA Award for Best Actor in a Leading Role. He is also known for his roles in the films King Kong (2005), Jumper (2008), The Adventures of Tintin (2011), Snowpiercer (2013), Fantastic Four (2015) and Rocketman (2019), as well as starring as Abraham Woodhull in the television series Turn: Washington's Spies (2014).
June Clyde was an American actress, singer and dancer. She was a niece of actress Leona Hutton.
Radio Parade of 1935 (1934), released in the US as Radio Follies, is a British comedy film directed by Arthur B. Woods and starring Will Hay, Clifford Mollison and Helen Chandler.
She Shall Have Music is a 1935 British musical comedy film directed by Leslie S. Hiscott and starring Jack Hylton, June Clyde and Claude Dampier. Hylton played himself in a story built around a millionaire shipowner who hires a band to publicise his ships. It was also released as Wherever She Goes.
Riding High is a 1937 British comedy film directed by David MacDonald and starring Claude Dampier, John Garrick, Kathleen Gibson and Helen Haye. It is very loosely based on the story of the inventor Thomas McCall, who came up with a radically new design for a bicycle in Victorian Britain.
The White Lilac is a 1935 British mystery film directed by Albert Parker and starring Basil Sydney, Judy Gunn, Claude Dampier and Percy Marmont. It is based upon the play of the same name by Ladislas Fodor.
She Knew What She Wanted is a 1936 British musical comedy film directed by Thomas Bentley and starring Albert Burdon, Claude Dampier and Googie Withers. It was based on the stage musical Funny Face.
Claude Dampier (1879-1955) was an English film actor and popular character comedian in the early 20th century.
No Monkey Business is a 1935 British comedy film directed by Marcel Varnel and starring Gene Gerrard, June Clyde and Renée Houston.
Aren't Men Beasts! is a 1937 British comedy film directed by Graham Cutts and starring Robertson Hare, Alfred Drayton and Billy Milton.
Public Nuisance No. 1 is a 1936 British musical comedy film directed by Marcel Varnel and starring Frances Day, Arthur Riscoe and Muriel Aked. It was made at Beaconsfield Studios. The screenplay concerns a young man who goes to work as a waiter at his uncle's hotel in Nice.
Billy Milton (1905–1989) was a British stage, film and television actor. Born in Paddington, Middlesex, as William Thomas Milton, he was the son of Harry Harman Milton (1880-1942), a commission agent, and his wife Hilda Eugenie Milton, née Jackson, (1878-1935).
The Dominant Sex is a 1937 British comedy film directed by Herbert Brenon and starring Phillips Holmes, Diana Churchill and Romney Brent. The film was based on a play by Michael Egan. It was made by British International Pictures at its main Elstree Studios. The film's art direction was by Cedric Dawe.
Make-Up is a 1937 British drama film directed by Alfred Zeisler and starring Nils Asther, June Clyde and Judy Kelly. It was a circus film made by an independent production company at Shepperton Studios.
Saturday Night Revue is a 1937 British musical film directed by Norman Lee and starring Billy Milton, Sally Gray and John Watt.
Such Is Life is a 1936 British comedy film directed by Randall Faye and starring Gene Gerrard, Claude Dampier and Jean Colin. It was made at Shepperton Studios.
Wanted! is a 1937 British comedy film directed by George King and starring Zasu Pitts, Claude Dampier and Mark Daly. It was made at Shepperton Studios as a quota quickie.
Sing as You Swing is a 1937 British musical film directed by Redd Davis and starring Charles Clapham, Bill Dwyer and Claude Dampier. It was made as a quota quickie and features turns from a variety of radio and revue stars with little background narrative.
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