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Kirsten E. Shepherd-Barr is an academic specialising in Victorian and modern English literature, the interaction between science and literature, and theatre studies, especially science in theatre. In 2015, she was appointed a Professor of English and Theatre Studies at the University of Oxford. [1]
After completing a Bachelor of Arts degree in English at Yale University, Shepherd-Barr worked in publishing for two years before completing a Master of Arts programme at the University of Oslo, funded by a Fulbright Grant, and then a Doctor of Philosophy degree in English at the University of Oxford. She taught at North Carolina State University, the University of Pennsylvania, the Curtis Institute of Music in Philadelphia and the University of Birmingham, before taking up a post at Oxford in 2007 as a fellow and tutor at St Catherine's College. [2]
Shepherd-Barr's research has focused primarily on the way that plays and performances "have engaged with scientific ideas", which she has explored in her books Science on Stage: From Doctor Faustus to Copenhagen (2006), and Theatre and Evolution from Ibsen to Beckett (2015), the research for which was funded by a Leverhulme Research Fellowship in 2011–12. She also specialises on the work of the Norwegian playwright Henrik Ibsen, publishing Ibsen and Early Modernist Theatre, 1890–1900 in 1997. [2] Her published works include: [3]
A Doll's House is a three-act play written by Norwegian playright Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. The play is set in a Norwegian town circa 1879.
Christopher Marlowe, also known as Kit Marlowe, was an English playwright, poet and translator of the Elizabethan era. Modern scholars count Marlowe among the most famous of the Elizabethan playwrights and based upon the "many imitations" of his play Tamburlaine they consider him to have been the foremost dramatist in London in the years just before his mysterious early death. Some scholars also believe that he greatly influenced William Shakespeare, who was baptised in the same year as Marlowe and later became the pre-eminent Elizabethan playwright. Marlowe's plays are the first to use blank verse, which became the standard for the era, and are distinguished by their overreaching protagonists. Themes found within Marlowe's literary works have been noted as humanistic with realistic emotions, which some scholars find difficult to reconcile with Marlowe's "anti-intellectualism" and his catering to the taste of his Elizabethan audiences for generous displays of extreme physical violence, cruelty, and bloodshed.
Henrik Johan Ibsen was a Norwegian playwright and theatre director. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential playwrights of his time. His major works include Brand, Peer Gynt, An Enemy of the People, Emperor and Galilean, A Doll's House, Hedda Gabler, Ghosts, The Wild Duck, When We Dead Awaken, Rosmersholm, and The Master Builder. He is the most frequently performed dramatist in the world after Shakespeare, and A Doll's House was the world's most performed play in 2006.
This article contains information about the literary events and publications of 1947.
This article presents lists of the literary events and publications in 1891.
William Archer was a Scottish writer and theatre critic, based, for most of his career, in London. He was an early advocate of the plays of Henrik Ibsen, and was an early friend and supporter of Bernard Shaw.
The Tragical History of the Life and Death of Doctor Faustus, commonly referred to simply as Doctor Faustus, is an Elizabethan tragedy by Christopher Marlowe, based on German stories about the title character Faust. It was written sometime between 1589 and 1592, and may have been performed between 1592 and Marlowe's death in 1593. Two different versions of the play were published in the Jacobean era, several years later.
Ghosts is a play by the Norwegian playwright Henrik Ibsen. It was written in 1881 and first staged in 1882 in Chicago, Illinois, in a production by a Danish company on tour. Like many of Ibsen's plays, Ghosts is a scathing commentary on 19th-century morality. Because of its subject matter, which includes religion, venereal disease, incest, and euthanasia, it immediately generated strong controversy and negative criticism. Since then the play has fared better, and is considered a “great play” that historically holds a position of “immense importance”. Theater critic Maurice Valency wrote in 1963, "From the standpoint of modern tragedy Ghosts strikes off in a new direction.... Regular tragedy dealt mainly with the unhappy consequences of breaking the moral code. Ghosts, on the contrary, deals with the consequences of not breaking it."
The Master Builder is a play by Norwegian playwright Henrik Ibsen.
Giorgio Ronconi was an Italian operatic baritone celebrated for his brilliant acting and compelling stage presence. In 1842, he created the title-role in Giuseppe Verdi's Nabucco at La Scala, Milan.
Literary modernism, or modernist literature, has its origins in the late 19th and early 20th centuries, mainly in Europe and North America, and is characterized by a self-conscious break with traditional ways of writing, in both poetry and prose fiction. Modernists experimented with literary form and expression, as exemplified by Ezra Pound's maxim to "Make it new." This literary movement was driven by a conscious desire to overturn traditional modes of representation and express the new sensibilities of their time. The horrors of the First World War saw the prevailing assumptions about society reassessed, and much modernist writing engages with the technological advances and societal changes of modernity moving into the 20th century.
Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian England and in the New York theatre of the mid-19th century. It is a form of parody in which a well-known opera or piece of classical theatre or ballet is adapted into a broad comic play, usually a musical play, usually risqué in style, mocking the theatrical and musical conventions and styles of the original work, and often quoting or pastiching text or music from the original work. Victorian burlesque is one of several forms of burlesque.
Doctor Faustus Lights the Lights (1938) is a libretto for an opera by the American modernist playwright and poet Gertrude Stein. The text has become a rite of passage for avant-garde theatre artists from the United States: La MaMa Experimental Theatre Club, Judson Poets' Group, The Living Theatre, Richard Foreman, Robert Wilson, The Wooster Group, and Production Workshop at Brown University have all produced the piece.
This article is focused on English-language literature rather than the literature of England, so that it includes writers from Scotland, Wales, the Crown dependencies, and the whole of Ireland, as well as literature in English from countries of the former British Empire, including the United States. However, until the early 19th century, it only deals with the literature of the United Kingdom, the Crown dependencies and Ireland. It does not include literature written in the other languages of Britain.
Gretchen is a tragic four-act play, in blank verse, written by W. S. Gilbert in 1878–79 based on Goethe's version of part of the Faust legend.
Professor Roy T. Eriksen is a Norwegian Renaissance scholar and Marlowe scholar teaching at University of Agder.
The Piccolo Teatro di Milano is a theatre in Milan, Italy. Founded in 1947, it is Italy's first permanent theatre, and a national "teatro stabile", or permanent repertory company, and is considered a theatre of major national and European importance. The theatre has three venues: Teatro Grassi, in Via Rovello, between Sforza Castle and the Piazza del Duomo; Teatro Studio, which was originally intended to be the theater's rehearsal hall; and Teatro Strehler, which opened in 1998 with a seating capacity of 974. Its annual programme consists of approximately thirty performances. In addition, the venue hosts cultural events, from festivals and films, to concerts, conferences, and conventions, as well as supporting the Paolo Grassi Drama School.
Kirsten Blinkenberg Hastrup is a Danish anthropologist and professor of anthropology at the University of Copenhagen. She has taken a special interest in the conjunction between the history and culture of both Iceland and Greenland, publishing widely on both, while also examining the relationship between the theatre and anthropology. Hastrup was president of the Royal Danish Academy of Sciences and Letters from 2008 to 2016.
Rhonda K. Garelick is an American professor and author. She is currently a professor of English with a special joint appointment in the Hixson-Lied College of Fine and Performing Arts. She is the founder and director of the Interdisciplinary Arts Symposium based in the Hixson-Lied College. She is a scholar of performance, fashion, literature, visual arts, and cultural politics.
Oxygen is a 2001 play by Roald Hoffman who received the chemistry Nobel prize in 1982, and Carl Djerassi, the Stanford biochemist. The play is a dramatisation of events leading to the discovery of oxygen in the eighteenth century.