"The Lion Sleeps Tonight" is a song originally written and recorded by Solomon Linda under the title "Mbube" for the South African Gallo Record Company in 1939. Linda's original was written in Zulu, while the English version's lyrics were written by George David Weiss.
The Weavers were an American folk music quartet based in the Greenwich Village area of New York City originally consisting of Lee Hays, Pete Seeger, Ronnie Gilbert, and Fred Hellerman. Founded in 1948, the group sang traditional folk songs from around the world, as well as blues, gospel music, children's songs, labor songs, and American ballads. The group sold millions of records at the height of their popularity, including the first folk song to reach No. 1 on popular music charts, their recording of Lead Belly's "Goodnight, Irene." Despite their popularity, the Weavers were blacklisted during much of the 1950s.
Gordon Hill Jenkins was an American arranger, composer, and pianist who was influential in popular music in the 1940s and 1950s. Jenkins worked with The Andrews Sisters, Johnny Cash, The Weavers, Frank Sinatra, Louis Armstrong, Judy Garland, Nat King Cole, Billie Holiday, Harry Nilsson, Peggy Lee and Ella Fitzgerald.
James Frederick Rodgers was an American pop singer. Rodgers had a run of hits and mainstream popularity in the 1950s and 1960s. His string of crossover singles ranked highly on the Billboard Pop Singles, Hot Country and Western Sides, and Hot Rhythm and Blues Sides charts; in the 1960s, Rodgers had more modest successes with adult contemporary music.
Bongwater was an American psychedelic rock band, which formed in 1987 and dissolved in 1992. The group was founded by Ann Magnuson and Mark Kramer, who had worked together previously in Pulsallama. The group also featured drummer David Licht and guitarists Dave Rick and later Randolph A. Hudson III. Guests included Fred Frith, Peter Stampfel and Fred Schneider.
"Goodnight, Irene" or "Irene, Goodnight," is a 20th-century American folk standard, written in 3
4 time, first recorded by American blues musician Huddie 'Lead Belly' Ledbetter in 1933. A version recorded by the Weavers was a #1 hit in 1950.
"On Top of Old Smoky" is a traditional folk song of the United States. As recorded by The Weavers, the song reached the pop music charts in 1951. It is catalogued as Roud Folk Song Index No. 414.
Harold Leventhal was an American music manager. He died in 2005 at the age of 86. Leventhal's career began as a song plugger for Irving Berlin and then Benny Goodman. While working for Goodman, he connected with a new artist, Frank Sinatra, booking him as a singer for a Benny Goodman event. Leventhal later managed The Weavers, Woody Guthrie, Pete Seeger, Alan Arkin, Judy Collins, Theodore Bikel, Arlo Guthrie, Joan Baez, Mary Travers, Tom Paxton, Don McLean and many others, and promoted major concert events in the genre, thus playing a significant role in the popularization and influence of American folk music in the 1950s and 1960s.
"Tzena, Tzena, Tzena", sometimes "Tzena, Tzena", is a song, written in 1941 in Hebrew. Its music is by Issachar Miron, a Polish emigrant in what was then the British Mandate of Palestine, and the lyrics are by Yechiel Chagiz.
"Charmaine" is a popular song written by Ernö Rapée and Lew Pollack. The song was written in 1926 and published in 1927. However, Desmond Carrington on his BBC Radio 2 programme marked the song's writing as being in 1913.
"Rock Island Line" is an American folk song. Ostensibly about the Chicago, Rock Island and Pacific Railroad, it appeared as a folk song as early as 1929. The first recorded performance of "Rock Island Line" was by inmates of the Arkansas Cummins State Farm prison in 1934.
The American folk music revival began during the 1940s and peaked in popularity in the mid-1960s. Its roots went earlier, and performers like Josh White, Burl Ives, Woody Guthrie, Lead Belly, Big Bill Broonzy, Richard Dyer-Bennet, Oscar Brand, Jean Ritchie, John Jacob Niles, Susan Reed, Paul Robeson, Bessie Smith, Ma Rainey and Cisco Houston had enjoyed a limited general popularity in the 1930s and 1940s. The revival brought forward styles of American folk music that had in earlier times contributed to the development of country and western, blues, jazz, and rock and roll music.
"Choo Choo Ch'Boogie" is a popular song written by Vaughn Horton, Denver Darling, and Milt Gabler.
The Weavers at Carnegie Hall (1957) is the second album by the Weavers. The concert was recorded live at Carnegie Hall in New York City on Christmas Eve 1955. At the time the concert was a comeback for the group following the inclusion of the group on the entertainment industry blacklist. The album peaked at number 24 on the Billboard Top 200 in 1961.
"Boll Weevil" is a traditional blues song, also known by similar titles such as "Boweavil" or "Boll Weevil Blues". Many songs about the boll weevil were recorded by blues musicians during the 1920s through the 1940s. However, a rendition by Lead Belly recorded in 1934 by folklorist Alan Lomax led to its becoming well-known. A 1961 adaptation by Brook Benton became a pop hit, reaching number two on the Billboard Hot 100. Fats Domino's "Bo Weevil" is a different song.
"The Cattle Call" is a song written and recorded in 1934 by American songwriter and musician Tex Owens. The melody was adapted from Bruno Rudzinksi's 1928 recording "Pawel Walc". It later became a signature song for Eddy Arnold. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.
Howard Spencer Richmond was an American music publisher and music industry executive. He established The Richmond Organization, Inc. (TRO), one of the largest independent music publishing organizations in the world, and had a hand in commercializing and promoting many pop, folk and rock songs since the 1940s.
"A-round the Corner ", also titled "Ay-round the Corner " or "A-round the Corner ", is a traditional popular song adapted by Josef Marais, from the repertoire of Marais and Miranda. The title was first published in February 1952, but an earlier version was registered in August 1940. The most popular version was recorded by Jo Stafford on 10 December 1951 with accompaniment by her partner Paul Weston and the Norman Luboff Choir. It was issued on Columbia 39653 and entered the Billboard chart in March 1952, peaking at number nine, also making number 12 on the Cash Box chart. A recording by The Weavers and Gordon Jenkins on Decca charted in April and reached number 19.
"Last Night I Had the Strangest Dream" is a song written by American folk singer-songwriter Ed McCurdy in 1950. Due to McCurdy's connection with fellow musicians, it was common in repertoires within the folk music community. The song had its first album release when Pete Seeger recorded it as "Strangest Dream" for his 1956 album Love Songs For Friends & Foes. Seeger would later re-visit the song for his 1967 album Waist Deep in the Big Muddy and other Love Songs. The strong anti-war theme of the song led it to be recorded by multiple other artists, including The Weavers (1960), Joan Baez (1962), The Kingston Trio (1963), Simon & Garfunkel (1964), and Johnny Cash who released two versions of the song during the 2000s.
These are lists of Billboard magazine's "Top Country & Western Records" for 1951, ranked by retail sales and juke box plays.
