Kleider machen Leute | |
---|---|
Comic opera by Alexander von Zemlinsky | |
Translation | Clothes make the man |
Librettist | Leo Feld |
Language | German |
Based on | Kleider machen Leute by Gottfried Keller |
Premiere |
Kleider machen Leute (Clothes make the man or Fine feathers make fine birds) is a comic opera in a prologue and two acts by Austrian composer Alexander Zemlinsky. The libretto was written by Leo Feld, based on the 1874 novella of the same name by Gottfried Keller.
Zemlinsky started work on the opera in 1907, and completed a three-act version in 1909. He made revisions in 1910, reducing the number of acts to two. This first version was premiered at the Vienna Volksoper on 2 December 1910. [1]
For a revival in Prague in 1922, Zemlinsky made further revisions. This second (and final) version was premiered at the Neues Deutsches Theater in Prague on 20 April 1922. [2] The score is published by Universal Edition Vienna. [3]
Role [3] | Voice type | Premiere cast, first version [1] Vienna, 2 December 1910 | Premiere cast, second version [2] Prague, 20 April 1922 Conductor: Alexander Zemlinsky |
---|---|---|---|
Wenzel Strapinski, a tailor's apprentice from Seldwyla | tenor | Richard Kubla | |
First tailor's apprentice, Wenzel's friend | tenor | Georg Kober | |
Second tailor's apprentice, Wenzel's friend | baritone | Elischa Czerner | |
Administrator (Der Amtsrat) | baritone | Heinrich Schönberg | |
Nettchen, his daughter | soprano | Maria Müller | |
Melchior Böhni | baritone | Max Klein | |
Kutscher | baritone | Max Irtener | |
Litumlei | bass | Karl Ludwik | |
Federspiel | tenor | Louis Laber | |
Häberlein | tenor | Ludwig von dem Bruch | |
Innkeeper | baritone | Berthold Sterneck | |
Pütschli | baritone | Adolf Fuchs | |
Prologus | spoken | Felix Kühne | |
On a provincial road, Wenzel Strapinski (a tailor's apprentice) is saying goodbye to two of his colleague friends. Suddenly, a magnificent carriage stops next to him. The coachman takes Wenzel to Goldach, introduces him there as a count, and then disappears.
The citizens of Goldach admire the newcomer. The administrator and his daughter Nettchen join them. Only Melchior Böhni, who is in love with Nettchen but was rejected by her, is suspicious.
Strapinski loves Nettchen, but is in two minds about the deceit. When he decides to leave, Nettchen stops him. His rival Böhni then exposes Strapinski as an impostor. Strapinski convinces the people of Goldach who treated him as a count that his only motive for playing along was his love for Nettchen. When he wants to leave, Nettchen stops him again, declaring that if she can not be a countess, she will gladly be the wife of a master tailor.
stage orchestra: clarinet in D, clarinet in B flat, 2 horns, trumpet, bass trombone, violin
The English Cat is an opera in two acts by Hans Werner Henze to an English libretto by Edward Bond, based on Les peines de coeur d'une chatte anglaise by Honoré de Balzac. The opera was first performed in a German translation by the Stuttgart Opera at the Schlosstheater Schwetzingen at the Schwetzingen Festival on 2 June 1983. The French premiere was at the Opéra-Comique, Paris in 1984. The first performance using the original English text was at Santa Fe on 13 July 1985. The UK premiere was at the Leith Theatre, Edinburgh, on 19 August 1987. A revised version was performed at Montepulciano in 1990 and this was given in London in 1991.
Der Zwerg, Op. 17, is an opera in one act by Austrian composer Alexander von Zemlinsky to a libretto by Georg C. Klaren, freely adapted from the short story "The Birthday of the Infanta" by Oscar Wilde.
Eine florentinische Tragödie, Op. 16, is an opera in one act by Alexander von Zemlinsky composed in 1915–16 to a libretto adapted by the composer from a German translation by Max Meyerfeld of Oscar Wilde's unfinished play A Florentine Tragedy.
La campana sommersa is an opera in four acts by Italian composer Ottorino Respighi. Its libretto is by Claudio Guastalla, based on the play Die versunkene Glocke by German author Gerhart Hauptmann. The opera's premiere was on 18 November 1927 in Hamburg, Germany. Respighi's regular publisher, Ricordi, was displeased by his choice of subject, and refused to publish the opera. This led to its being published by the German publisher Bote & Bock, and a German premiere.
Der Traumgörge, Op. 11, is an opera in two acts and an epilogue by Austrian composer Alexander Zemlinsky. The libretto was written by Leo Feld based on the fairy tale "Vom unsichtbaren Königreiche" by Richard von Volkmann and the poem "Der arme Peter" by Heinrich Heine. After the prepared premiere at the Vienna State Opera in 1907 did not happen, the work was finally first performed by the Staatstheater Nürnberg in 1980, and revived
The Bassarids is an opera in one act and an intermezzo, with music by Hans Werner Henze to an English libretto by W. H. Auden and Chester Kallman, after Euripides's The Bacchae.
König Hirsch is an opera in three acts by Hans Werner Henze to a German libretto by Heinz von Cramer after Il re cervo, a theatrical fable (1762) by Carlo Gozzi. He revised it as Il re cervo, premiered in 1963 at the Staatstheater Kassel.
Hagith, Op. 25, is an opera in one act by the Polish composer and pianist Karol Szymanowski. The opera premiered at the Grand Theatre, Warsaw in 1922, nine years after its creation. The libretto in German was written by the Viennese secessionist poet and Szymanowski's friend Felix Dörmann.
Die Kluge. Die Geschichte von dem König und der klugen Frau is an opera in 12 scenes written by Carl Orff. It premiered at the Frankfurt Opera, Germany, on 20 February 1943. Orff referred to this opera as a Märchenoper. The composer also wrote the libretto, based on "Die Kluge Bauerntochter" from Grimms' Fairy Tales. A performance lasts for about 90 minutes and is often paired with Orff's Der Mond.
Der ferne Klang is an opera by Franz Schreker, set to his own libretto. Begun in 1903, it was first performed by the Oper Frankfurt on 18 August 1912. It was the composer's breakthrough to fame, and was frequently performed up until 1931, shortly after which the composer's music was proscribed by the Nazi regime. Largely forgotten after World War II, it has been revived by several opera companies in the 21st century.
Der Mond is an opera in one act by Carl Orff based on a Grimm's fairy tale with a libretto by the composer. It was first performed on 5 February 1939 by the Bavarian State Opera in Munich under the direction of Clemens Krauss. The composer describes it not as an opera but as Ein kleines Welttheater ; the performance lasts for about one hour and is often paired with Orff's Die Kluge.
Die Gezeichneten is an opera in three acts by Franz Schreker with a German-language libretto by the composer, based on Frank Wedekind's play Hidalla.
Der Schatzgräber is an opera in a prologue, four acts and an epilogue by Franz Schreker with a libretto by the composer.
Es war einmal is a fairy-tale opera in a prologue and three acts by the Austrian composer Alexander von Zemlinsky, composed during 1897-99. The libretto, an adaptation of Marie von Borch's German translation of the fairy-tale play Der var engang by the Danish author Holger Drachmann, was written by Maximilian Singer.
Der Kreidekreis, is an opera in three acts by Alexander von Zemlinsky to a libretto by the composer after the play Der Kreidekreis by Klabund – a telling of the Chalk Circle story. The opera was written during 1930-31 and premiered on 14 October 1933 in the Zürich Opera House. Among the singers were Artūrs Cavara, Maria Madlen Madsen Maria Bernhard-Ulbrich; Fred Destal, Georg Oeggl and Peter Klein; it was directed by Karl Schmid-Bloß and the stage design was by Roman Clemens.
Semirâma is an opera in three acts by Ottorino Respighi to a libretto by Alessandro Cerè based on Voltaire's 1748 play Sémiramis, the same subject used for Rossini's Semiramide. Semirâma premiered on 20 November 1910 at the Teatro Comunale di Bologna. The première obtained a great success, with several calls for the composer and the singers.
La bella dormente nel bosco is an opera in three acts by Ottorino Respighi to a libretto by Gian Bistolfi based on Charles Perrault's fairy tale "Sleeping Beauty".
Clothes Make the Man is a 1940 German historical comedy film directed by Helmut Käutner and starring Heinz Rühmann, Hertha Feiler and Hilde Sessak. The film is based on the Novella Kleider machen Leute, published by realist author Gottfried Keller in 1874. It was shot at the Barrandov Studios in German-occupied Prague as well as at the Babelsberg and Tempelhof Studios in Berlin.
Kleider machen Leute is a 5-act German opera by Joseph Suder based on Gottfried Keller's 1874 novella of the same name set in Goldach, Switzerland. The opera was composed 1934 but not performed until June 10, 1964, at the Landestheater in Coburg. Suder had already started work on the opera when he discovered that Alexander Zemlinsky had already composed an opera on the same subject premiered in 1910.
Clothes Make the Man is a German-language short story or novella by Gottfried Keller. The story comes from Keller's cycle of novellas The People from Seldwyla and first appeared in 1874 in the third volume of the second edition of Keller's cycle. The plot concerns Wenzel, a penniless tailor of Seldwyla who - because of the luxurious suit he has made for himself - is mistaken for a young lord when arriving at the Swiss town of Goldach. The tailor is feted by the townsfolk and attracts the attention of a high-born young woman, Nettchen.