Der Zwerg, Op. 17, is an opera in one act by Austrian composer Alexander von Zemlinsky to a libretto by Georg C. Klaren, freely adapted from the short story "The Birthday of the Infanta" by Oscar Wilde.
Eine florentinische Tragödie, Op. 16, is an opera in one act by Alexander von Zemlinsky composed in 1915–16 to a libretto adapted by the composer from a German translation by Max Meyerfeld of Oscar Wilde's unfinished play A Florentine Tragedy.
Pelleas und Melisande, Op. 5, is a symphonic poem written by Arnold Schoenberg and completed in February 1903. It was premiered on 25 January 1905 at the Musikverein in Vienna under the composer's direction in a concert that also included the first performance of Alexander von Zemlinsky's Die Seejungfrau. The work is based on Maurice Maeterlinck's play Pelléas and Mélisande, a subject suggested by Richard Strauss. When he began composing the work in 1902, Schoenberg was unaware that Claude Debussy's opera, also based on Maeterlinck's play, was about to premiere in Paris.
Der Traumgörge, Op. 11, is an opera in two acts and an epilogue by Austrian composer Alexander Zemlinsky. The libretto was written by Leo Feld based on the fairy tale "Vom unsichtbaren Königreiche" by Richard von Volkmann and the poem "Der arme Peter" by Heinrich Heine.
König Hirsch is an opera in three acts by Hans Werner Henze to a German libretto by Heinz von Cramer after Il re cervo, a theatrical fable (1762) by Carlo Gozzi. He revised it as Il re cervo, premiered in 1963 at the Staatstheater Kassel.
The Ruins of Athens, Op. 113, is a set of incidental music pieces written in 1811 by Ludwig van Beethoven. The music was written to accompany the play of the same name by August von Kotzebue, for the dedication of the new Deutsches Theater Pest in Pest, Hungary.
Die Kluge. Die Geschichte von dem König und der klugen Frau is an opera in 12 scenes written by Carl Orff. It premiered at the Frankfurt Opera, Germany, on 20 February 1943. Orff referred to this opera as a Märchenoper. The composer also wrote the libretto, based on "Die Kluge Bauerntochter" from Grimms' Fairy Tales. A performance lasts for about 90 minutes and is often paired with Orff's Der Mond.
Der ferne Klang is an opera by Franz Schreker, set to his own libretto. Begun in 1903, it was first performed by the Oper Frankfurt on 18 August 1912. It was the composer's breakthrough to fame, and was frequently performed up until 1931, shortly after which the composer's music was proscribed by the Nazi regime. Largely forgotten after World War II, it has been revived by several opera companies in the 21st century.
The Wooden Prince, Op. 13, Sz. 60, is a one-act pantomime ballet composed by Béla Bartók in 1914–1916 to a scenario by Béla Balázs. It was first performed at the Budapest Opera on 12 May 1917 under the conductor Egisto Tango.
The Flood: A musical play (1962) is a short biblical drama by Igor Stravinsky on the story of Noah and the flood, originally conceived as a work for television. It contains singing, spoken dialogue, and ballet sequences. It is in Stravinsky's late, serial style.
Antony Beaumont is an English and German musicologist, writer, conductor and violinist. As a conductor, he has specialized in German music from the first half of the 20th century, including works by Zemlinsky, Weill, and Gurlitt. As a musicologist, he has published books on Busoni, Zemlinsky, and Mahler.
The Turandot Suite, Op. 41 is an orchestral work by Ferruccio Busoni written in 1904–5, based on Count Carlo Gozzi's play Turandot. The music – in one form or another – occupied Busoni at various times between the years 1904–17. Busoni arranged the suite from incidental music which he was composing to accompany a production of Gozzi's play. The suite was first performed on 21 October 1905, while the play with his incidental music was not produced until 1911. In August 1916 Busoni had finished composing the one-act opera Arlecchino, but it needed a companion work to provide a full evening's entertainment. He suddenly decided to transform the Turandot music into a two-act opera with spoken dialog. The two works were premiered together as a double-bill in May 1917.
Kleider machen Leute is a comic opera in a prologue and two acts by Austrian composer Alexander Zemlinsky. The libretto was written by Leo Feld, based on the 1874 novella of the same name by Gottfried Keller.
Alexander Zemlinsky or Alexander von Zemlinsky was an Austrian composer, conductor, and teacher.
Der Kreidekreis, is an opera in three acts by Alexander von Zemlinsky to a libretto by the composer after the play Der Kreidekreis by Klabund – a telling of the Chalk Circle story. The opera was written during 1930-31 and premiered on 14 October 1933 in the Zürich Opera House. Among the singers were Artūrs Cavara, Maria Madlen Madsen Maria Bernhard-Ulbrich; Fred Destal, Georg Oeggl and Peter Klein; it was directed by Karl Schmid-Bloß and the stage design was by Roman Clemens.
Psalm 83, sometimes also stylized as Psalm LXXXIII and least commonly subtitled A Prayer for Help against Enemies of the People, is a 1900 composition for mixed chorus and orchestra by Austrian composer Alexander von Zemlinsky.
Symphonische Gesänge, Op. 20 is a set of songs for baritone and orchestra composed in 1929 by Austrian composer Alexander von Zemlinsky.
Die Seejungfrau is a fantasy for large orchestra in three movements by Austrian composer Alexander von Zemlinsky, based on the folk-tale "The Little Mermaid" by Hans Christian Andersen.
The Symphony in B flat major is an orchestral work by Austrian composer Alexander Zemlinsky. Although often referred to as ‘No. 2’, this designation is not the composer's own. It was actually his third essay in symphonic form following the symphonies in E minor of 1891 and D minor (1892).
Maiblumen blüten überall is a musical work for soprano voice and string sextet by Austrian composer Alexander Zemlinsky.
