Ko-Yan

Last updated
Ko-Yan
Koyan.jpg
Studio album by
Released1989
Recorded1989
Genre Malian music
Length42:07
Language Malinké
Label Mango
Producer François Breant
Salif Keita chronology
Soro
(1987)
Ko-Yan
(1989)
Amen
(1991)

Ko-Yan is an album by the Malian musician Salif Keita. [1] [2] It was released in 1989 by Mango Records. [3] It was recorded in Paris. [4]

Contents

The album contains more influence from Western music, while still maintaining a traditional style. All the songs were written by Keita, including "Nou Pas Bouger", one of his first hits.

Critical reception

Professional ratings
Review scores
SourceRating
Hi-Fi News & Record Review A*:1 [5]

The New York Times wrote: "Synthesizers and Western horns perk along (sometimes sounding like Weather Report on Ko-Yan), but the underlying rhythms percolate in triple time, and it's hard for a Western ear to predict where Mr. Keita's vocal lines, and the responses of his female backup singers, will begin or end." [6] The Edmonton Journal noted that Keita's music "injects the stirring traditional rhythms of Mali with nourishing contemporary textures—funk, soca, and soul." [7]

Track listing

  1. "Yada"
  2. "Nou Pas Bouger"
  3. "Ko-Yan"
  4. "Fe-So"
  5. "Primpin"
  6. "Tenin"
  7. "Sabou"

Related Research Articles

<span class="mw-page-title-main">Music of Mali</span> Aspect of Mali culture

The music of Mali is, like that of most African nations, ethnically diverse, but one influence predominates: that of the ancient Mali Empire of the Mandinka. Mande people make up around 50% of Mali's population; other ethnic groups include the Fula (17%), Gur-speakers 12%, Songhai people (6%), Tuareg and Moors (10%).

<span class="mw-page-title-main">Salif Keita</span> African singer-songwriter from Mali (born 1949)

Salif Keïta is a Malian singer-songwriter, referred to as the "Golden Voice of Africa". He is a member of the Keita royal family of Mali.

The Rail Band is a Malian band formed in 1970; it was later known as Super Rail Band, Bamako Rail Band or, most comprehensively and formally, Super Rail Band of the Buffet Hotel de la Gare, Bamako.

African popular music, like African traditional music, is vast and varied. Most contemporary genres of African popular music build on cross-pollination with western popular music. Many genres of popular music like blues, jazz, afrobeats, salsa, zouk, and rumba derive to varying degrees on musical traditions from Africa, taken to the Americas by enslaved Africans. These rhythms and sounds have subsequently been adapted by newer genres like rock, and rhythm and blues. Likewise, African popular music has adopted elements, particularly the musical instruments and recording studio techniques of western music. The term does not refer to a specific style or sound but is used as a general term for African popular music.

Africando is a musical project formed in 1992 to unite New York-based salsa musicians with Senegalese vocalists. Musicians from other African countries were later included under the name Africando All Stars.

<span class="mw-page-title-main">Two Hearts Beat as One</span> 1983 single by U2

"Two Hearts Beat as One" is a song by Irish rock band U2. It is the seventh track on their 1983 album, War, and was released as its second single in the United States, United Kingdom, and Australia on 21 March 1983.

<i>Amen</i> (Salif Keita album) 1991 studio album by Salif Keita

Amen is the third studio album by Malian artist Salif Keita, released in 1991 by Mango Records. The album reached No. 1 on the Billboard World Albums chart.

<i>Folon</i> (album) 1995 studio album by Salif Keita

Folon is an album by the Malian artist Salif Keita. It was released in 1995 by Mango Records.

<span class="mw-page-title-main">Wally Badarou</span> French musician

Waliou Jacques Daniel Isheola "Wally" Badarou is a French musician. Born in France with ancestry from Benin, West Africa, Badarou is known for his close association with the English group Level 42, and for his prolific work as a session musician with a wide variety of performers from around the world.

<i>Dial M for Motherfucker</i> 1989 studio album by Pussy Galore

Dial 'M' for Motherfucker is an album by the New York City garage punk band Pussy Galore, released in April 1989 by Caroline Records. The song Kicked Out is played in an Episode of House, "Games", when Gregory House plays it to annoy Wilson and later to induce a seizure in a patient.

<span class="mw-page-title-main">Abdoulaye Diabaté</span>

Abdoulaye Diabaté is a singer and guitarist who was born to a griot family in Kela, Mali in 1956. He has at least twenty years of experience in contemporary and popular music.

<span class="mw-page-title-main">Seckou Keita</span> Senegalese musician


Seckou Keita is a kora player and drummer from Senegal. He is one of the few champions of the lesser-known kora repertoire from Casamance in southern Senegal.

Manthia Diawara is a Malian writer, filmmaker, cultural theorist, scholar, and art historian. He holds the title of University Professor at New York University (NYU), where he is Director of the Institute of Afro-American Affairs.

Mamadou Sidiki Diabaté is a prominent Mandé kora player and jeli from Bamako, Mali. He is the 71st generation of kora players in his family and a son to Sidiki Diabaté.

SMOD is a Malian musical band established in 2000 made up originally of Sam, Mouzy, Ousco and Donsky. The name of the band is an acronym of their first names. Mouzy eventually left the band to pursue a solo career in France. Their music is a mix of rap, hip hop, folk and traditional music. Smod is also a common pet name given to a loved one

Kélétigui Diabaté was a Malian musician, described as an "undisputed master" of the balafon, and as "one of the greatest figures in Malian contemporary music".

Monique Séka is a singer from Ivory Coast. With the musical fusion that she generates, Monique Seka's Afro-zouk music is popular across Ivory Coast, Africa, the Caribbean and the Indian Ocean.

<i>New Ancient Strings</i> 1999 studio album by Toumani Diabaté with Ballaké Sissoko

New Ancient Strings is a studio album by the Malian musicians Toumani Diabaté and Ballaké Sissoko, released on 22 June 1999 by the British label Hannibal Records. The album comprises eight instrumental duets composed by Diabaté for kora, a stringed instrument of West African music. Diabaté and Sissoko are esteemed as the best and the second-best kora players of their generation, respectively. Their duets were recorded in a single live take within a marble hallway of Bamako's conference centre on the night of 22 September 1997, coinciding with Mali's Independence Day.

Kassé Mady Diabaté was a Malian singer, musician and griot. His soft and particular voice with deep undertones – an atypical characteristic for a griot – earned him the nickname "The golden voice of Mali". He is considered, together with Salif Keita, as one of the greatest Mandinka artists of his generation.

Papa is an album by the Malian musician Salif Keita, released in 1999. It is a tribute to Keita's father, who died in 1995.

References

  1. Cook, Richard (Jun 23, 1989). "The Dark Continent". Punch. 296 (7745): 47.
  2. Sinker, Mark (Aug 5, 1989). "Albums: Salif Keita". Melody Maker. 65 (31): 34.
  3. Heim, Chris (14 July 1989). "Mango Records released two world music...". Friday. Chicago Tribune. p. 60.
  4. Moon, Tom (29 Apr 1990). "The World-Music Capital". The Philadelphia Inquirer. p. L1.
  5. Hyder, Ken (August 1989). "Review: Salif Keita — Ko-Yan" (PDF). Hi-Fi News & Record Review (magazine). Vol. 34, no. 8. Croydon: Link House Magazines Ltd. p. 108. ISSN   0142-6230. Archived from the original (PDF) on 2 September 2021. Retrieved 2 September 2021 via World Radio History.
  6. Pareles, Jon (2 July 1989). "World Beat Music Struggles with an Identity Crisis". The New York Times. p. A20.
  7. Campbell, Rod (17 Sep 1989). "Salif Keita makes the earth move on Ko-Yan". Edmonton Journal. p. D6.