Folon | ||||
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Studio album by | ||||
Released | 1995 | |||
Recorded | 1995 | |||
Genre | World music, dance | |||
Length | 56:19 | |||
Language | Malinké | |||
Label | Mango | |||
Producer | Wally Badarou, Jean-Philippe Rykiel | |||
Salif Keita chronology | ||||
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Folon is an album by the Malian artist Salif Keita. [1] [2] It was released in 1995 by Mango Records. [3]
The album was produced primarily by Wally Badarou. [4] "Mandjou" is a remake of one of Keita's 1970s hits. [5] "Seydou" is a tribute to Chris Seydou. [6]
Review scores | |
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Source | Rating |
AllMusic | [7] |
Robert Christgau | [8] |
Rolling Stone wrote that "once he has filled the crossover quota ... Keita offers solemn, languid, march-tempo meditations ('Mandjou', 'Mandela', 'Nyanyama') that are hauntingly beautiful and deceptively sophisticated." [9] The Guardian determined that "though more dancey in drum and bass than ever the albino activist's disenchantment with European life is evident, warmly expressed in an increasingly pan-African view." [4]
AllMusic praised the "gritty voice that transcends classification," writing that Keita "spins dance tracks that reveal a dedication to tradition and passion." [7]
Pretenders is the debut studio album by British-American band the Pretenders, released on 27 December 1979 on Sire Records in the US and on 7 January 1980 under Real Records in the UK. A combination of rock, punk and pop music, this album made the band famous. The album features the singles "Stop Your Sobbing", "Kid" and "Brass in Pocket".
Murder Ballads is the ninth studio album by Nick Cave and the Bad Seeds, released in 1996 on Mute Records. As its title suggests, the album consists of new and traditional murder ballads, a genre of songs that relays the details of crimes of passion.
Salif Keïta is a Malian singer-songwriter. He is notable not only because of his reputation as the "Golden Voice of Africa" but also because he has albinism. He is a member of the Keita royal family of Mali.
World in Motion is the ninth album by American singer-songwriter Jackson Browne, released in 1989. It peaked at number 45 on The Billboard 200 and was Browne's first album to obtain neither gold nor platinum status. The album took three years to complete and makes statements about nuclear disarmament and the "secret" government that brought forth Oliver North and the Iran-Contra scandal.
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Boom Boom Chi Boom Boom is an album by Tom Tom Club, released in 1988. It includes a cover of the Velvet Underground's "Femme Fatale", with David Byrne, Lou Reed, and Jerry Harrison. The track "Suboceana" was released as a single in the UK in late 1988 and received some radio airplay. In the US, a 12-inch single of the song was released, which featured a remix by Marshall Jefferson, and contains the track "Devil, Does Your Dog Bite". That song is a bonus on the Japanese issue of the album that has the original 10 songs. Challenge of the Love Warriors is played over the ending credits of Mary Lambert's 1987 mystery thriller Siesta though it is not included on the soundtrack album, also released in 1987, from Miles Davis and Marcus Miller.
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Yellow Moon is an album by the Neville Brothers, released in 1989. The track "Healing Chant" won best pop instrumental performance at the 32nd (1989) Grammy Awards.
Red Octopus is the second album by American rock band Jefferson Starship, released on Grunt Records in 1975. Certified double platinum by RIAA in 1995, it is the best-selling album by any incarnation of Jefferson Airplane and its spin-off groups. The single "Miracles" was the highest-charting single any permutation of the band had until Starship's "We Built This City" a decade later, ultimately peaking at No. 3 on the Billboard singles chart; the album itself reached No. 1 for four non-consecutive weeks on the Billboard 200. As with several other albums from the epoch, stereo and quadraphonic mixes of Red Octopus were released concurrently.
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Waliou Jacques Daniel Isheola "Wally" Badarou is a French musician. Born in France with ancestry from Benin, West Africa, Badarou is known for his close association with the English group Level 42, and for his prolific work as a session musician with a wide variety of performers from around the world.
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"World Machine" is their best effort: propelled by Phil Gould's explosive tribal beat, it showcases Mike Lindup's considerable keyboard talents.
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