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Rail Band | |
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| Origin | Mali |
| Years active | 1970–present |
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The Rail Band is a Malian band formed in 1970; it was later known as Super Rail Band, Bamako Rail Band or, most comprehensively and formally, Super Rail Band of the Buffet Hotel de la Gare, Bamako.
Rail Band's fame was built upon the mid-20th century craze for Latin — especially Cuban — jazz music which came out of Congo in the 1940s. The Rail Band was one of the first West African acts to combine this mature Afro-Latin sound with traditional instruments and styles. In their case, this was built upon the Mande Griot praise singer tradition, along with Bambara and other Malian and Guinean musical traditions. Their distinctive sound came from combining electric guitar and jazz horns with soaring Mandinka and Bamabara lyrical lines, African and western drums, and local instruments such as the kora and the balafon. At their height of fame in the 1970s, the Rail Band played to sold-out venues and even stadia across West Africa, and launched solo careers for many of its members, including Salif Keita.
The first incarnation of the Rail Band was founded in 1970, sponsored by the Ministry of Information and the railway administration. The Malian government had, since the '60s, been sponsoring cultural events and groups to promote national traditions, the Rail Band was among those programs. The band performed as the house band at the Buffet Bar of the Station Hotel in Bamako, from which it takes its name. Beginning as a Latin Jazz band in the style of Congolese Soukous, it soon began integrating local Manding musical styles and traditions, with vocals in the Bambara language. From early on the band featured electric guitar, electric organ, saxophone, horns, and a western drum kit alongside Mande music using kora, balafon, ngoni, talking drums, Islamic-style, Mande hunter co-fraternity song, and griot praise-singing vocals.
The Rail Band's lead singer in the 1970s was Salif Keita, who left the band to join the rival Super Ambassadeurs, and then follow a successful solo career in 1982.
The group soon became a training ground for many of Mali's most popular performers, such as singer Mory Kanté and guitarist Kante Manfila. Guitarist Djelimady Tounkara has been a member of the band for most of its history. The band, changing personnel many times, continues to perform around the world.
In May 2020, Kanté died from chronic illness.
According to the Timbuktu Renaissance initiative, Super Biton is one of "two bands in particular [that] have left an indelible mark on the Malian musical landscape", the other being Rail Band, both "pioneers of the fusion of the traditional sounds and rhythms of Ségou and modern genres. [1]
The balafon is a gourd-resonated xylophone, a type of struck idiophone. It is closely associated with the neighbouring Mandé, Senoufo and Gur peoples of West Africa, particularly the Guinean branch of the Mandinka ethnic group, but is now found across West Africa from Guinea to Mali. Its common name, balafon, is likely a European coinage combining its Mandinka name bala with the word fôn 'to speak' or the Greek root phono.
The music of Mali is, like that of most African nations, ethnically diverse, but one influence predominates: that of the ancient Mali Empire of the Mandinka. Mande people make up around 50% of Mali's population; other ethnic groups include the Fula (17%), Gur-speakers 12%, Songhai people (6%), Tuareg and Moors (10%).
A griot is a West African historian, storyteller, praise singer, poet, and/or musician.
Salif Keïta is a Malian singer-songwriter, referred to as the "Golden Voice of Africa". He is a member of the Keita royal family of Mali.
Pioneer Jazz was a Malian band from the 1960s. The band emerged from the city of Bamako after Modibo Keita, the Malian leader, began subsidizing musical groups as long as they used indigenous praise song, and the kora and balafon musical instruments, in their music. Pioneer Jazz became very popular, and contributed musicians who went on to join other renowned Malian bands. Perhaps the most prominent member of Pioneer Jazz was guitarist Djelimady Tounkara, who later joined the Rail Band.
Ségou is a town and an urban commune in south-central Mali that lies 235 kilometres (146 mi) northeast of Bamako on the right bank of the River Niger. The town is the capital of the Ségou Cercle and the Ségou Region. With 130,690 inhabitants in 2009, it is the fifth-largest town in Mali.
Koulikoro Region is a region in western Mali. It is the second administrative area of Mali and covers an area of 90,120 km2. Its capital is the city of Koulikoro.
The Bamana Empire was a large West African state based at Ségou, now in Mali. This state was established after the fall of the Mali Empire and the Keita dynasty, as a smaller Bambara Empire founded by other Bambara families related to the Keita clan. It was ruled by the Kulubali or Coulibaly dynasty established c. 1640 by Kaladian Coulibaly also known as Fa Sine or Biton-si-u. The empire existed as a centralized state from 1712 until the 1861 invasion of Toucouleur conqueror, El Hadj Umar Tall.
Bitòn Coulibaly (1689?–1755), also known as Mamary Coulibaly, founded the Bambara Empire in what is now Mali's Ségou Region and Mopti Region.
Djelimady Tounkara is a Malian musician and one of the foremost guitarists in Africa.
Articles related to Mali include:
The culture of Mali derives from the shared experience, as a colonial and post-colonial polity, and the interaction of the numerous cultures which make up the Malian people. What is today the nation of Mali was united first in the medieval period as the Mali Empire. While the current state does not include areas in the southwest, and is expanded far to the east and northeast, the dominant roles of the Mandé people is shared by the modern Mali, and the empire from which its name originates from.
Mamadou Sidiki Diabaté is a prominent Mandé kora player and jeli from Bamako, Mali. He is the 71st generation of kora players in his family and a son to Sidiki Diabaté.
Malian literature is the literature of the modern country of Mali.
Red Earth is a 2007 studio album by Dee Dee Bridgewater. It carries the subtitle "A Malian Journey" to celebrate and explore her African and Malian ancestry. The album brought her the seventh nomination for Best Jazz Vocal Album at the 2008 Grammy Awards. On Billboard's Top Jazz Album chart it reached Number 16.
Manding, Manden or even Mandé is a region located in West Africa, a space between southern Mali and eastern Guinea. It is the historic home of the Mandingo community.
Kassé Mady Diabaté was a Malian singer, musician and griot. His soft and particular voice with deep undertones – an atypical characteristic for a griot – earned him the nickname "The golden voice of Mali". He is considered, together with Salif Keita, as one of the greatest Mandinka artists of his generation.
Super Biton de Ségou, Super Biton for short and also known as the Orchestre Régional de Segou and Super Biton National de Ségou, are an African jazz musical group. They were especially popular and influential in the 1970s, when they became the national orchestra of Mali, and in the first half of the 1980s. They formed in Ségou, Mali, in the 1960s, had up to 19 members at one point, but dwindled after 1986 after band leader Amadou Bâ left. After a hiatus, they re-formed with four new members and guitarist Mama Sissoko as band leader in 2001, and started playing the closing set at the Festival sur le Niger in Ségou each year.
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