The balafon is a gourd-resonated xylophone, a type of struck idiophone. It is closely associated with the neighbouring Mandé, Bwaba people Bobo, Senoufo and Gur peoples of West Africa, particularly the Guinean branch of the Mandinka ethnic group, but is now found across West Africa from Guinea, Burkina Faso, Mali. Its common name, balafon, is likely a European coinage combining its Mandinka name ߓߟߊ bala with the word ߝߐ߲ fôn 'to speak' or the Greek root phono.
The music of Mali is, like that of most African nations, ethnically diverse, but one influence predominates: that of the ancient Mali Empire of the Mandinka. Mande people make up around 50% of Mali's population; other ethnic groups include the Fula (17%), Gur-speakers 12%, Songhai people (6%), Tuareg and Moors (10%).
Salif Keïta is a Malian singer-songwriter, referred to as the "Golden Voice of Africa". He is a member of the Keita royal family of Mali.
The Rail Band is a Malian band formed in 1970; it was later known as Super Rail Band, Bamako Rail Band or, most comprehensively and formally, Super Rail Band of the Buffet Hotel de la Gare, Bamako.
Habib Koité is a Senegalian born Malian musician, singer, songwriter and griot based in Mali. His band, Bamada, was a supergroup of West African musicians, which included Kélétigui Diabaté on balafon.
Ko-Yan is an album by the Malian musician Salif Keita. It was released in 1989 by Mango Records. It was recorded in Paris.
Folon is an album by the Malian artist Salif Keita. It was released in 1995 by Mango Records.
Articles related to Mali include:
Abdoulaye Diabaté is a singer and guitarist who was born to a griot family in Kela, Mali in 1956. He has at least twenty years of experience in contemporary and popular music.
Soro is the 1987 debut album by Malian Afro-pop artist Salif Keita. The album marks the music of his first period. It was executive produced by Ibrahima Sylla.
The culture of Mali derives from the shared experience, as a colonial and post-colonial polity, and the interaction of the numerous cultures which make up the Malian people. What is today the nation of Mali was united first in the medieval period as the Mali Empire. While the current state does not include areas in the southwest, and is expanded far to the east and northeast, the dominant roles of the Mandé people is shared by the modern Mali, and the empire from which its name originates from.
Kulanjan is a 1999 album by blues artist Taj Mahal and Malian kora-player Toumani Diabaté.
Cheick Hamala Diabate is a musician from Mali, West Africa, who has been nominated for a Grammy award. Using Adelphi, Maryland, as his home he travels all over the United States, Canada, Europe, and Asia. He has performed at the Kennedy Center, the United States Senate, and the Smithsonian Institution. Cheick Hamala was born into a griot family in Kita, Mali. From a young age, he learned to play the ngoni, a stringed instrument related to the American banjo. In addition, Cheick has learned the history of Mali passed down for over 800 years. Cheick has performed internationally.
Mamadou Sidiki Diabaté is a prominent Mandé kora player and jeli from Bamako, Mali. He is the 71st generation of kora players in his family and a son to Sidiki Diabaté.
Malian literature is the literature of the modern country of Mali.
Kélétigui Diabaté was a Malian musician, described as an "undisputed master" of the balafon, and as "one of the greatest figures in Malian contemporary music".
Red Earth is a 2007 studio album by Dee Dee Bridgewater. It carries the subtitle "A Malian Journey" to celebrate and explore her African and Malian ancestry. The album brought her the seventh nomination for Best Jazz Vocal Album at the 2008 Grammy Awards. On Billboard's Top Jazz Album chart it reached Number 16.
New Ancient Strings is a studio album by the Malian musicians Toumani Diabaté and Ballaké Sissoko, released on 22 June 1999 by the British label Hannibal Records. The album comprises eight instrumental duets composed by Diabaté for kora, a stringed instrument of West African music. Diabaté and Sissoko are esteemed as the best and the second-best kora players of their generation, respectively. Their duets were recorded in a single live take within a marble hallway of Bamako's conference centre on the night of 22 September 1997, coinciding with Mali's Independence Day.
Kassé Mady Diabaté was a Malian singer, musician and griot. His soft and particular voice with deep undertones – an atypical characteristic for a griot – earned him the nickname "The golden voice of Mali". He is considered, together with Salif Keita, as one of the greatest Mandinka artists of his generation.
Super Biton de Ségou, Super Biton for short and also known as the Orchestre Régional de Segou and Super Biton National de Ségou, are an African jazz musical group. They were especially popular and influential in the 1970s, when they became the national orchestra of Mali, and in the first half of the 1980s. They formed in Ségou, Mali, in the 1960s, had up to 19 members at one point, but dwindled after 1986 after band leader Amadou Bâ left. After a hiatus, they re-formed with four new members and guitarist Mama Sissoko as band leader in 2001, and started playing the closing set at the Festival sur le Niger in Ségou each year.
