Kol-Od (also titled Chemins VI) is a composition for solo trumpet and chamber ensemble by Luciano Berio. The ensemble consists of 3 flutes, oboe, 4 clarinets, 2 saxophones, bassoon, 2 horns, 2 trumpets, trombone, tuba, celeste, accordion and strings.
A trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group contains the instruments with the highest register in the brass family. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC; they began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips, producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century they have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape.
Luciano Berio, Cavaliere di Gran Croce OMRI was an Italian composer. He is noted for his experimental work and also for his pioneering work in electronic music.
One of a series of works entitled Chemins that are largely based on the composer's Sequenzas , Kol-Od incorporates the solo trumpet part from Sequenza X .
Sequenza is the name borne by fourteen compositions for solo instruments or voice by Luciano Berio. The pieces, some of which call for extended techniques, are:
Sequenza X is a composition for trumpet and piano by Luciano Berio, the tenth in his series of pieces with this title. The work was commissioned by the Los Angeles Philharmonic for Thomas Stevens, and premiered by him on November 19, 1984. The piece is dedicated to Ernest Fleischmann, managing director of the Los Angeles Philharmonic from 1969 to 1997, who convinced Berio to write a Sequenza for trumpet, despite years of resistance to the idea. Stevens received the music only nine days before the premiere.
Kol-Od was premiered by Gabriele Cassone with the Ensemble InterContemporain, Pierre Boulez conducting, on April 27, 1996 in Basel, Switzerland.
Ensemble intercontemporain is a Paris-based, world-renowned ensemble of 31 full-time musicians dedicated to performing and promoting contemporary chamber music. It was founded by Pierre Boulez in 1972 for this purpose, the first permanent organization of its type in the world. Since then the Ensemble has toured extensively both in France and abroad, appearing especially at international festivals. Beyond performing they also have teaching and other outreach activities to support young musicians, composers and conductors.
Pierre Louis Joseph Boulez CBE was a French composer, conductor, writer and founder of institutions. He was one of the dominant figures of the post-war classical music world.
Sequenza XII is a composition for solo bassoon, written by Luciano Berio in 1995, and part of a series of fourteen Sequenze composed between 1958 and 2002. The work was written for, and dedicated to, the French bassoonist Pascal Gallois, who gave the world première on 15 June 1995.
Johann Sebastian Bach composed the church cantata Jauchzet Gott in allen LandenBWV 51, in Leipzig. The work is Bach's only church cantata scored for a solo soprano and trumpet. He composed it for general use, in other words not for a particular date in the church calendar, although he used it for the 15th Sunday after Trinity: the first known performance was on 17 September 1730 in Leipzig. The work may have been composed earlier, possibly for an occasion at the court of Christian, Duke of Saxe-Weissenfels, for whom Bach had composed the Hunting Cantata and the Shepherd Cantata.
Free Jazz: A Collective Improvisation is the sixth album by jazz saxophonist and composer Ornette Coleman, released on Atlantic Records in 1961, his fourth for the label. Its title established the name of the then-nascent free jazz movement. The recording session took place on December 21, 1960, at A&R Studios in New York City. The sole outtake from the album session, "First Take," was later released on the 1971 compilation Twins.
Michael Nathaniel Hersch is an American composer and pianist.
Sequenza XI for solo guitar (1987–1988) is one of a series of Sequenzas by Luciano Berio. Written for the American guitarist Eliot Fisk, it is an innovative investigation into the dramatic and virtuosic possibilities of musical performance.
Ascension is a jazz album by John Coltrane recorded in 1965 and released in 1966. It is often considered to be a cornerstone of Coltrane's work, with the albums recorded before it being more conventional in structure and the albums recorded after it being looser, free jazz inspired works. In addition, it signaled Coltrane's interest in moving away from the quartet format. Coltrane described Ascension in a radio interview as a "big band thing", although it resembles no big band recording made before it. The most obvious antecedent is Ornette Coleman's octet recording, Free Jazz: A Collective Improvisation, which—like Ascension—is a continuous 40-minute performance with ensemble passages and without breaks. Jazz musician Dave Liebman, commenting on Ascension, recalled that the album was the "torch that lit the free jazz thing".
Sequenza V is a composition for solo trombone by Luciano Berio, part of his series of pieces with this title. Written in 1966 for Stuart Dempster, it has since been performed and recorded by Vinko Globokar, Benny Sluchin, Christian Lindberg, and others. The piece calls for many extended techniques including multiphonics, rattling a plunger mute against the bell of the instrument, glissandi, and producing sounds while inhaling. In addition, the trombonist mimes and must at one point turn to the audience and ask, "Why?"
Sequenza II is a composition for unaccompanied harp by the Italian composer Luciano Berio. Written for and premiered by the French harpist Francis Pierre in 1963, it has since been performed and recorded by Emily Laurance, Frédérique Cambreling, Susan Jolles, and Claudia Antonelli, among others.
Sequenza IV for solo piano is the fourth in a series of solo Sequenze by Luciano Berio that started with the publication of Sequenza I for solo flute.
Anthony Plog is an American conductor, composer and trumpet player.
The trumpet repertoire consists of solo literature and orchestral or, more commonly, band parts written for the trumpet. Tracings its origins to 1500 BC, the trumpet is a musical instrument with the highest register in the brass family.
Thierry Escaich, is a French organist and composer.
Sequenza VI is a composition for solo viola by Luciano Berio, part of his series of fourteen Sequenze.
Sequenza VII is a composition for solo oboe by Luciano Berio, the seventh of his fourteen Sequenze. The sequenza calls for extended technique. In 1975, Berio used Sequenza VII as part of Chemins IV, which included an orchestra of eleven string instruments. In 1993, Claude Delangle adapted the work for soprano saxophone, naming the revised work Sequenza VIIb.
László Hadady is a French oboist of Hungarian origin, currently a soloist and professor at the Conservatoire de Paris.
Clément Saunier is a French classical trumpeter.