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Christian Lindberg is a Swedish trombonist, conductor and composer.
Catherine Anahid Berberian was an American mezzo-soprano and composer based in Italy. She worked closely with many contemporary avant-garde music composers, including Luciano Berio, Bruno Maderna, John Cage, Henri Pousseur, Sylvano Bussotti, Darius Milhaud, Roman Haubenstock-Ramati, and Igor Stravinsky. She also interpreted works by Claudio Monteverdi, Heitor Villa-Lobos, Kurt Weill, Philipp zu Eulenburg and others. As a recital curator, she presented several vocal genres in a classical context, including arrangements of songs by The Beatles by Louis Andriessen as well as folk songs from several countries and cultures. As a composer, she wrote Stripsody (1966), in which she exploits her vocal technique using comic book sounds (onomatopoeia), and Morsicat(h)y (1969), a composition for the keyboard based on Morse code.
Sequenza is the name borne by fourteen compositions for solo instruments or voice by Luciano Berio. The pieces, some of which call for extended techniques, are:
Sequenza XII is a composition for solo bassoon, written by Luciano Berio in 1995, and part of a series of fourteen Sequenze composed between 1958 and 2002. The work was written for, and dedicated to, the French bassoonist Pascal Gallois, who gave the world première on 15 June 1995.
Sequenza I is a composition written in 1958 by Luciano Berio for the flutist Severino Gazzelloni. It was first published by Suvini-Zerboni, but the notation was revised much later and this version published by Universal Edition in 1992. It is the first in a series of fourteen Sequenze, each for a different solo instrument, the last composed in 2002.
Folk Songs is a song cycle by the Italian composer Luciano Berio composed in 1964. It consists of arrangements of folk music from various countries and other songs, forming "a tribute to the extraordinary artistry" of the American singer Cathy Berberian, a specialist in Berio's music. It is scored for voice, flute, clarinet, harp, viola, cello, and percussion. The composer arranged it for a large orchestra in 1973.
Oneglia is a former town in northern Italy on the Ligurian coast, in 1923 joined to Porto Maurizio to form the Comune of Imperia. The name is still used for the suburb.
Sequenza XI for solo guitar (1987–1988) is one of a series of Sequenzas by Luciano Berio. Written for the American guitarist Eliot Fisk, it is an innovative investigation into the dramatic and virtuosic possibilities of musical performance.
Sequenza II is a composition for unaccompanied harp by the Italian composer Luciano Berio. Written for and premiered by the French harpist Francis Pierre in 1963, it has since been performed and recorded by Emily Laurance, Frédérique Cambreling, Susan Jolles, and Claudia Antonelli, among others.
Sinfonia (Symphony) is a composition by the Italian composer Luciano Berio which was commissioned by the New York Philharmonic for its 125th anniversary. Composed in 1968–69 for orchestra and eight amplified voices, it incorporates musical quotations to represent an abstract and distorted history of culture. The eight voices are not incorporated classically but rather speak, whisper and shout excerpts from texts including Claude Lévi-Strauss' The Raw and the Cooked, Samuel Beckett's novel The Unnamable, instructions from the scores of Gustav Mahler and other writings.
Sequenza X is a composition for trumpet and piano by Luciano Berio, the tenth in his series of pieces with this title. The work was commissioned by the Los Angeles Philharmonic for Thomas Stevens, and premiered by him on November 19, 1984. The piece is dedicated to Ernest Fleischmann, managing director of the Los Angeles Philharmonic from 1969 to 1997, who convinced Berio to write a Sequenza for trumpet, despite years of resistance to the idea. Stevens received the music only nine days before the premiere.
Grock was a Swiss clown. Called "the king of clowns" and "the greatest of Europe's clowns", Grock was once the most highly paid entertainer in Europe.
Saskia Hölbling is an Austrian choreographer and dancer
Luciano Berio was an Italian composer noted for his experimental work, and for his pioneering work in electronic music. His early work was influenced by Igor Stravinsky and experiments with serial and electronic techniques, while his later works explore indeterminacy and the use of spoken texts as the basic material for composition.
Quattro versioni originali della "Ritirata notturna di Madrid" is an arrangement by Luciano Berio of a movement from Luigi Boccherini's Musica notturna delle strade di Madrid. The full title of the composition is Quattro versioni originali della "Ritirata notturna di Madrid" di Luigi Boccherini, sovrapposte e transcritte per orchestra. This arrangement was composed in 1975.
Sequenza VII is a composition for solo oboe by Luciano Berio, the seventh of his fourteen Sequenze. The sequenza calls for extended technique. In 1975, Berio used Sequenza VII as part of Chemins IV, which included an orchestra of eleven string instruments. In 1993, Claude Delangle adapted the work for soprano saxophone, naming the revised work Sequenza VIIb.
Florent Boffard is a French classical pianist and pedagogue.
Coro is a large scale composition for forty voices and forty instruments by Italian composer Luciano Berio.
Pascal Gallois is a French bassoonist, conductor and music teacher, specialising in contemporary classical music.
References
- Berio, Luciano. 1998. Explanatory texts to the Sequenzas (original in Italian; English translation by David Osmond-Smith; German translation by Karl Dietrich Gräwe; French translation by Jean-Claude Poyet), in the booklet to Luciano Berio: Sequenzas. Ensemble InterContemporain. 3 CDs. Deutsche Grammophon 457 038-2.
