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Sequenza (Italian for "sequence") is the name borne by fourteen compositions for solo instruments or voice by Luciano Berio. [1] The pieces, some of which call for extended techniques, are:
Several of these pieces became the basis of larger works:
Conversely, Sequenza IX grew out of a piece for clarinet and electronics (later withdrawn), originally known as Chemins V; NB it is not the same as the work with the same title which originates from Sequenza XI.
A multiphonic is an extended technique on a monophonic musical instrument in which several notes are produced at once. This includes wind, reed, and brass instruments, as well as the human voice. Multiphonic-like sounds on string instruments, both bowed and hammered, have also been called multiphonics, for lack of better terminology and scarcity of research.
Vinko Globokar is a French-Slovenian avant-garde composer and trombonist.
Sequenza XI for solo guitar (1987–1988) is one of a series of Sequenzas by Luciano Berio. Written for the American guitarist Eliot Fisk, it is an innovative investigation into the dramatic and virtuosic possibilities of musical performance.
Sequenza II is a composition for unaccompanied harp by the Italian composer Luciano Berio. Written for and premiered by the French harpist Francis Pierre in 1963, it has since been performed and recorded by Emily Laurance, Frédérique Cambreling, Susan Jolles, and Claudia Antonelli, among others. The piece is about seven to eight minutes.
Eric Gross AM was an Austrian-Australian pianist, composer and teacher.
Sequenza IV for solo piano is the fourth in a series of solo Sequenze by Luciano Berio that started with the publication of Sequenza I for solo flute.
Jay Schwartz is an American composer living in Europe.
Sequenza X is a composition for trumpet and piano by Luciano Berio, the tenth in his series of pieces with this title. The work was commissioned by the Los Angeles Philharmonic for Thomas Stevens, and premiered by him on November 19, 1984. The piece is dedicated to Ernest Fleischmann, managing director of the Los Angeles Philharmonic from 1969 to 1997, who convinced Berio to write a Sequenza for trumpet, despite years of resistance to the idea. Stevens received the music only nine days before the premiere.
Kol-Od is a composition for solo trumpet and chamber ensemble by Luciano Berio. The ensemble consists of 3 flutes, oboe, 4 clarinets, 2 saxophones, bassoon, 2 horns, 2 trumpets, trombone, tuba, celeste, accordion and strings.
Rob du Bois was a Dutch composer, pianist, and jurist.
Delphi 2 & 3, Solo Piano Improvisations is a double studio album recorded by pianist Chick Corea and released in 1980.
Luciano Berio was an Italian composer noted for his experimental work, and for his pioneering work in electronic music. His early work was influenced by Igor Stravinsky and experiments with serial and electronic techniques, while his later works explore indeterminacy and the use of spoken texts as the basic material for composition.
Sequenza VI is a composition for solo viola by Luciano Berio, part of his series of fourteen Sequenze.
Quattro versioni originali della "Ritirata notturna di Madrid" is an arrangement by Luciano Berio of a movement from Luigi Boccherini's Musica notturna delle strade di Madrid. The full title of the composition is Quattro versioni originali della "Ritirata notturna di Madrid" di Luigi Boccherini, sovrapposte e transcritte per orchestra. This arrangement was composed in 1975.
Sequenza VII is a composition for solo oboe by Luciano Berio, the seventh of his fourteen Sequenze. The sequenza calls for extended technique. In 1975, Berio used Sequenza VII as part of Chemins IV, which included an orchestra of eleven string instruments. In 1993, Claude Delangle adapted the work for soprano saxophone, naming the revised work Sequenza VIIb.
François Cotinaud is a French saxophonist, clarinetist, composer, and soundpainter.
Bernd Franke is a German composer.
Sequenza XIV is a 2002 composition for solo cello by Luciano Berio, the last in a series of works for solo instruments Sequenza that he began with the 1958 publication of Sequenza I.