The Konica ARcameralens mount was introduced in 1965 with the Konica Autoreflex (Autorex on the Japanese market), along with a range of lenses. It features a comparably short flange focal distance of 40.50mm for a 35mm film SLR camera. Its diameter is 47mm.[3] The focal range of Konica Hexanon lenses went from 21mm to 1000mm; at the start one zoom 47-100mm f3.5 Hexanon AR-H was offered.[4][5] The Konica AR mount SLR system was discontinued in late 1988.
AR-mount (of the Hexanon 3.5/28mm)
AR-mount (side view of the Hexanon 3.5/28mm)
Hexanon AR 85/1.8
AR-mount on the 85/1.8
For Konica-lenses with the older F-mount adapters were available.[6]
Konica Auto-Reflex, Autorex, and Revue Auto-Reflex
The KonicaAuto-Reflex of 1965 was the first focal-plane-shutter auto exposure 35mm SLR; hence the name. This model and its rarer, meterless companion the Konica Auto-Reflex P are the only models where "Auto-Reflex" is hyphenated. These are also the only two SLRs that ever offered a choice of full- or half-frame exposures, switched by a lever on top of the camera. The frame size can be changed between 24×36 landscape and 18×24 portrait in mid-roll.
Autorex is the name for the domestic Japanese market. In Germany the camera was also sold as Revue Auto-Reflex.
For the Auto-Reflex, the meter sensor is mounted on the front, right-hand side of the camera. This is not TTL metering, although it does offer a shutter-preferred, auto-exposure mode. TTL auto exposure appeared in a Konica a few years later, with the Autoreflex T (FTA in Japan).
It has the new Konica Bayonet II mount, which is also often called K/AR mount. PX675 type mercury batteries are only needed for the light meter. Shutter speeds run from 1s to 1/1000 and B.
Lenses, Konica named them Hexanon, with focal lengths from 21mm to 1000mm and a 47-100mm f3.5 Hexanon AR-H were offered;[5] additionally a bellows and an angle viewfinder.[4]
All versions of this model were available in both matte chrome and all-black finishes. All-black cameras are considerably rarer and tend to be more valuable.
Lenses offered with the Auto-Reflex/Autorex are a bit unusual, too. They originally did not have a registration notch on the rear, which was needed with latter TTL metered models but was unnecessary on this model. The notch tells the camera the lens' maximum aperture. At the time the later models were introduced, many Auto-Reflex/FTA lenses were sent in for a service upgrade to modify them for use with the TTL models. For a period of time, factory service facilities performed this service for free. The result is that un-modified original Auto-Reflex/Autorex lenses are somewhat unusual today.
Also, normal lenses sold with the Revue version of this camera were often unlabelled, fitted with a plain finish ring that did not have the Hexanon name on it.
Konishiroku apparently did not rebrand any of their K/AR mount SLR models for sale through Montgomery Ward in the United States, as they had with the FP in the earlier mount. They did continue to market a number of rebadged rangefinder cameras through Wards, however (EEMatic and Auto S models, for example).
Konica Auto-Reflex P, Autorex P, and Revue Auto-Reflex SP
Konica Auto-Reflex P w/lens and light meter
The Konica Auto-Reflex P is basically a stripped-down Auto-Reflex without light meter and therefore without auto-exposure. In Japan it was sold as Autorex P, in Germany as the Revue Auto-Reflex SP.
It is fully mechanical and therefore does not have batteries. The shutter speeds are the same: 1s to 1/1000 and B. As with the Auto-Reflex, the frame size can be switched between 24×36mm landscape and 18×24mm portrait mid-roll.
There is a special accessory light meter offered for use with the P models.
It is believed all versions of these models were only offered in matte chrome finish.
There is in existence a black finish Konica Auto-Reflex P camera which has just come to light. Serial number 857560. This camera is in full working order and good cosmetic condition. Picture can be made available.
Autoreflex T, FTA, and Revue TTL
FTA (identical to Autoreflex T)
The Autoreflex T was the first focal plane shutter 35mm SLR with auto-exposure and TTL metering combined in one body. In Japan it was sold as FTA, in Germany as Revue Autoreflex TTL.
It is fully mechanical with shutter-priority auto exposure. The batteries (two PX 675 type mercury cells) were only needed for the CdS light meter. The shutter speed range was from 1s to 1/1000 and B.
There is one rare and special version of this model, known as the Autoreflex W. This is a camera fitted with a special timing back, for use at sporting events. It imprints the time of the exposure on each frame of film. The back is similar in function to the one offered in 1963 on the Konica FS-W, an F/FS mount camera.
Autoreflex A
The Autoreflex A is a stripped-down Autoreflex T without self-timer, mirror lock-up, depth-of-field preview, on/off-switch, and battery control, and with 1/500 top shutter speed.
Autoreflex T2 and New FTA
Konica Autoreflex T2 (1970–1973) with Hexanon 57mm F1.2
The Autoreflex T2 is an improved Autoreflex T. The model name on the body still says "Autoreflex T". In Japan it was sold as "New" FTA. Both the versions of T and FTA were hugely successful and are still widely found today. These models might be considered the SLRs that truly established Konica's reputation for quality. Many of both versions continue to function well 35 or more years after they were manufactured.
The most recognizable differences between the T1 and T2 (and FTA and "New" FTA) is that the latter has the on/off switch as a small collar that rotates around the shutter release button. On the earlier camera, the switch was located on the back, left-hand side. Also omitted from the later camera is a small lever under the shutter speed dial labeled "Override" on the earlier camera. This change shows the improved range of the meter sensitivity, and the override capability was no longer considered necessary.
The T2/"New" FTA also saw a number of small, internal changes in the materials used and methods of assembly. This was largely to make the camera more easily serviced. For example, where some brass screws were used originally, these were replaced with stronger steel screws that were less inclined to strip or snap off when being removed.
Although the names T2 or "New" FTA never actually appeared on the outside of the camera, there were references to the model designation in Konishiroku memos and literature at the time. Service bulletins, for example, distinguished the later cameras from the earlier by reference to these model designations. Also, note that the next model offered was known as the Autoreflex T3.
One small flaw found in Autoreflex T is the battery compartment. It appears the wrong type of flux was used when soldering the wire connections. This makes the wire and solder more vulnerable to any battery leakage, more prone to corrosion. The fix is simple, though. Perhaps 9 out of 10 times an Autoreflex T with a non-responsive meter can be easily repaired with a little cleaning and soldering.
Both the Autoreflex T"2" and "New" FTA can be found in both matte chrome and all black finishes. The black versions are rarer and more valuable.
There was also an optional split image focus assist screen available on a few of this model. Up to now, the Konica K/AR cameras all had matte focus screens with a micro-diaprism dot in the center to help with focus. The split focus assist feature is not interchangeable by the user (the way some camera's focus screens are), and is pretty rare. (Note: In the earlier F/FS mount, Konica has similar screens with matte field and a central micro-diaprism dot, except for the highly valued and rare Konica F which not only had an interchangeable pentaprism, but also had the split image focus assist feature.)
Autoreflex A2
The Autoreflex A2 is an improved Autoreflex A or stripped-down Autoreflex T2 without self-timer, mirror lock-up, depth-of-field preview, on/off-switch, and battery control, and with 1/600 top shutter speed. The engravings still say Autoreflex A.
Autoreflex A1000
The Autoreflex A1000 is an improved Autoreflex A2 or stripped-down Autoreflex T2, with a top shutter speed of 1/1000, but without self-timer, on/off switch, depth-of-field preview, and mirror lock-up. It was sold only in the USA.
Autoreflex T3 and T3N
Autoreflex T3 (1973–1978, T3N included)
The Autoreflex T3 is an improved Autoreflex T2, It moves the depth-of-field (DOF) preview (aperture-stop-down) function to the self-timer lever (push lever towards lens for stop-down, push button on lever-hub and turn lever counter-clockwise to set the self-timer; the T2 DOF preview function was activated by a single function button located on the lower lens mount, activated by the photographer's right hand), and adds a Multiple Exposure (M.E.) switch integrated with the shutter-speed dial used in combination with the cocking-indicator (indicator green means shutter is cocked, red means it isn't), as well as a wider range of selectable film-speeds (ISO 12–3200). As with the T2, both the aperture and shutter speed setting are visible in the viewfinder, which has improved brightness compared to earlier models. This model has its serial-number engraved in the top-plate's rear below the wind-lever and a stamped and painted "T-3" between the rewind-lever and prism-bump on the top (note the dash here vs. no dash on the front of the camera).
The Autoreflex T3"N" or "New" introduces iterative enhancements by replacing the earlier version's accessory hot-shoe with a fixed hot-shoe, adding a viewfinder-ocular shutter, and an optional split-image focusing-screen (that feature being indicated by a round sticker with a large letter "S" and the caption "split image" below the rewind-crank next to the viewfinder ocular on the top back of the camera). The T3N's serial number is painted and moves to the top of the top-plate between the rewind-lever and prism-bump.
If the Autoreflex T/FTA and T"2"/"New" FTA established Konica SLR as a major and important brand, the T3 and T3"N" took this to a higher level. It is a completely redesigned camera with a number of improvements. The T3/T3"N" are described as "buttery smooth" in operation by many fans. It is also the last of the all-metal, full-size Konica. Highly durable, many remain in use today despite having little or no service attention over 30 or more years use.
Both T3 and T3"N" can be found in either matte chrome and black enamel finish to its top and bottom plates, with the black version being rarer and more valuable.
In the final year or two of production, another version of the optional split-image focusing-screen became available, which featured the split image dot in the center and a "donut" of micro-diaprisms around that, both of which were in the center of the matte focus screen. Models fitted with the special screen feature had a small silver tag stuck on the back with "S.I." printed on it. The final version of focus screen became the standard on all subsequent Konica models (TC, T4, FP-1, FT-1, etc.)
Autoreflex A3
The "Autoreflex A3" is a stripped-down Autoreflex T3 without self-timer, depth-of-field preview, mirror lock-up, multi-exposure provision, on/off switch, battery control, M flash synch, and hot shoe. It replaced the A"2" and A1000 as an entry-level model, but now built on a chassis shared with the T3.
Autoreflex T4
The Autoreflex T4 looks similar to the simpler Autoreflex TC. Both are smaller than the earlier Autoreflex bodies, use plastic top plate, but retain a metal frame.
Konica Autoreflex TC (1976–1982), with Hexanon-lenses, left legendary Pancake 1,8
It is still a full-featured, fully mechanical SLR with a CdS TTL light meter and shutter-priority auto-exposure. The shutter speed range is 1s to 1/1000 and B, and the batteries (two PX625 mercury cells) are only needed for the light meter. The T4 is the only Autoreflex, that can be used with a Motor drive (2 frames per second, Winder AR).[9]
Autoreflex TC and Acom-1
The Autoreflex TC is a simpler version of the Autoreflex T4. The shutter speeds run from 1/8 to 1/1000 and B. In Japan it was sold as the Acom-1.[1]
TC-X
Konica TC-X
Built since 1985 by Cosina. It was not named Autoreflex, but has the TC in its name and its functionality remembers the Autoreflex TC; the innovation was the detection of film speed by the DX-system.[10] The TC-X was small for a SLR (width x height x depth: 130 x 84 x 45mm) and (for a SLR) very light (375 g),[11] because a plastic-housing was used.[2]
A single-lens reflex camera (SLR) is a camera that typically uses a mirror and prism system that permits the photographer to view through the lens and see exactly what will be captured. With twin lens reflex and rangefinder cameras, the viewed image could be significantly different from the final image. When the shutter button is pressed on most SLRs, the mirror flips out of the light path, allowing light to pass through to the light receptor and the image to be captured.
Minolta Co., Ltd. was a Japanese manufacturer of cameras, camera accessories, photocopiers, fax machines, and laser printers. Minolta Co., Ltd., which is also known simply as Minolta, was founded in Osaka, Japan, in 1928 as Nichi-Doku Shashinki Shōten. It made the first integrated autofocus 35 mm SLR camera system. In 1931, the company adopted its final name, an acronym for "Mechanism, Instruments, Optics, and Lenses by Tashima".
Konica was a Japanese manufacturer of, among other products, film, film cameras, camera accessories, photographic and photo-processing equipment, photocopiers, fax machines and laser printers, founded in 1873. The company merged with Japanese peer Minolta in 2003, with the new company named Konica Minolta.
The Nikon F6 is a 35 mm film single-lens reflex camera body manufactured by Nikon between 2004 and 2020. It was the sixth film camera in Nikon's 35mm F-series SLR line-up. Designed by Nikon, the model was manufactured at their Sendai plant.
The Nikon F4 is a 35 mm autofocus (AF) single lens reflex (SLR) film camera, introduced in 1988 as the next generation in Nikon's line of F series professional cameras. With industrial design by Giorgetto Giugiaro, the F4 was the first professional Nikon to feature a practical autofocus system. The F4 is able to accept any of Nikon's manual focus (MF) or AF lenses from 1959 to the present day, including the two F3AF lenses. The F4 succeeded the F3, a manual focus camera introduced in 1980 but outlasted the F4 as it stayed in production until 2001. Nikon introduced its next flagship model, the F5, in 1996. All F4 models were discontinued soon after, in May 1997.
The Nikon FE is an advanced semi-professional level, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by Nikon in Japan from 1978 to 1983, and was available new from dealer stock until c. 1984. The FE uses a metal-bladed, vertical-travel focal plane shutter with a speed range of 8 to 1/1000 second, plus Bulb, and flash X-sync of 1/125th second. It had dimensions of 89.5 millimetres (3.52 in) height, 142 mm (5.6 in) width, 57.5 mm (2.26 in) depth and 590 grams (21 oz) weight. It was available in two colors: black with chrome trim and all black. As on the FM, its model designation did not appear on the front of the camera, but was engraved as a small "FE" preceding the serial number on the rear of the housing.
The Canon EF is a manual focus 35mm single-lens reflex camera produced by Canon between 1973 and 1978. It was compatible with Canon's FD-mount lenses. The EF was built as an electro-mechanical version of Canon's top-of-the line wholly mechanical Canon F-1. The shutter is mechanical at all speeds ½ second and faster, but at 1 second and longer the shutter is all electronically controlled, allowing AE exposures from 1/1000 to 30 seconds. The EF shares the F-1's rugged construction and tough metal body. Unlike the F-1, the EF does not support any motor drive for film transport. Neither does it provide any interchangeable viewfinder.
The Canon F-1 is a 35 mm single-lens reflex camera produced by Canon of Japan from March 1971 until the end of 1981, at which point it had been superseded by the New F-1 launched earlier that year. The Canon FD lens mount was introduced along with the F-1, but the previous Canon FL-mount lenses and older R- series lenses were also compatible with the camera with some limitations. The Canon F-1 was marketed as a competitor to the Nikon F and Nikon F2 single lens reflex cameras by Nikon.
The Canon New F-1 replaced the F-1n as Canon's top-of-the-line 35mm single-lens reflex camera in September 1981. Like the earlier models, the New F-1 takes FD-mount lenses. Although no date has ever been confirmed, it is thought that the last New F-1 was made in 1992. It was officially discontinued in 1994, and factory support ended in 2004.
The Olympus OM System was a line of 35mm single-lens reflex cameras, lenses and accessories sold by Olympus between 1972 and 2002. The system was introduced by Olympus in 1972. The range was designed by Yoshihisa Maitani, chief designer for Olympus, and his staff; OM stands for Olympus Maitani.
Nikkormat was a brand of cameras produced by the Japanese optics company Nippon Kogaku K. K., as a consumer version of the professional Nikon brand. Nikkormat cameras, produced from 1965 until 1978, were simpler and more affordable than Nikon-branded cameras, but accepted the same lenses as the Nikon F series cameras.
The Konica FT-1 was the last SLR to be built both under the Konica name and by Konica themselves. The FT-1 was introduced in 1983 as an improvement on the earlier FS-1.
Yashica Co., Ltd. was a Japanese manufacturer of cameras, lenses, and film editing equipment active from 1949 until 2005 when its then-owner, Kyocera, ceased production. It acquired the lens manufacturer Tomioka.
The Konica F was the first 35 mm SLR camera produced by Konishiroku, released in February 1960.
The Konica Hexar RF is a 35 mm rangefinder camera which was sold by Konica. It was introduced to the market on 13 October 1999. and subsequently discontinued some time before the end of 2003. The camera used the "Bayonet Konica KM-mount", a copy of the Leica M-mount, thus sharing interchangeable lenses with those designed for Leica cameras and others compatible with them. The Hexar RF has a combined rangefinder/viewfinder modeled on that of Leica cameras, a similar body shape and size - and so is similar to Leica M-mount cameras in many aspects of operation.
The Konica Hexar is a 35 mm fixed-lens, fixed focal length autofocus camera which was produced through the 1990s. It was introduced to the market in 1993. While styled like a rangefinder camera, and intended for a similar style of photography, in specification it is more like a larger "point and shoot" camera.
The Minolta CLE is a TTL-metering manual & automatic exposure aperture-priority 35 mm rangefinder camera using Leica M lenses, introduced by Minolta in 1980.
This article discusses the cameras – mainly 35 mm SLRs – manufactured by Pentax Ricoh Imaging Corp. and its predecessors, Pentax Corporation and Asahi Optical Co., Ltd.. Pentax must not be confused with Pentax 6x7 or Pentax 67 which are 120 medium format 6x7cm film cameras.
The Konica FP-1, introduced in 1981 and discontinued in 1983, was a 35mm SLR camera with TTL metering and a large range of exchangeable optics.
The Konica FC-1 was introduced in 1980 by Konica, one year after the FS-1, but does not have the integrated winder. It was manufactured until 1983. Both models were only available in a black finish. With top covers made from black plastic cast Konica had good experiences since the Autoreflex TC in the mid of the 70s.
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