Kylix depicting Pentathletes

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This image depicts an athlete holding a javelin. There is also a pick for loosening dirt in the background as well as two jumping weights hanging up. While this is not the kylix described, the basic elements of the iconography and decorations are similar. Gymnasium scene Petit Palais ADUT00337.jpg
This image depicts an athlete holding a javelin. There is also a pick for loosening dirt in the background as well as two jumping weights hanging up. While this is not the kylix described, the basic elements of the iconography and decorations are similar.

The kylix depicting pentathletes is an example of pottery and decoration from the late Archaic period. This piece is decorated both around the outside of the vessel and on the tondo inside with images of different events from the pentathlon. The drinking kylix is decorated in the red-figure style and is credited to the Proto-Panaitian group. It is currently at the Boston Museum for Fine Arts as part of their Ancient Greek collection.

Contents

Description of Kylix

This drinking kylix depicting pentathletes is from Attica around 510-500 BC. The vessel itself is 7.6 x 29.8 cm and decorated with red-figure painting. [1] This kylix is believed to have been made by the Proto-Panaitian Group. The Pioneer Group was the predecessor of this new group of red-figure artists who are said to have focused on "more elaborate features and anatomy" in their images. [2] The group as a whole focused more on the depiction of male athletes as the focus of their decoration. The characteristics of this kylix support this theme.

This kylix has a lot of decoration. The tondo inside shows an image of a young, male athlete holding jumping weights. He is in a running pose much like the knielauf used in many other art forms to display movement. His body is twisted in preparation but since he is looking back it is unclear if he is preparing to jump. Behind him there are two javelins, presumably leaning against a wall. There is not much detail in the athletes features but the simplicity keeps the images clean and easy to see. In addition, there is an inscription around the youth reading "Athenodotos is handsome". [1] The athlete now has a name and the inscription emphasizes the high regard the Ancient Greeks held their athletes.

The sides of the kylix also show images from the pentathlon including javelin throwing and long jump. On Side A there are three figures shown. From left to right there is an athlete picking up a javelin, and other athlete holding two javelins, and a third figure holding a pick. Picks were used to loosen the dirt so that when a javelin landed it would go into the ground. [3] The images on this side do not show the movement of throwing the javelin but instead show all the parts in preparation for the event.

On Side B there are three other athletes as well as an inscription. Again from left to right there are two athletes each holding two javelins moving to the right while a third athlete has a jumping weight in his left hand and he seems to be making a hand motion at the others. In the background there is another pick. There is also an inscription that reads "The boy is handsome". [1] It is unclear if this is referencing one athlete or describing all figures in the images. However, either way it is clear the artist wants the athletes to be praised.

Discovery

This vessel was said to be found in a tomb in Ancient Capua. This tomb was in southern Italy and could be evidence of trade or of the Greek colonization in southern Italy. It had a series of owners after its discovery but was eventually bought by the Museum for Fine Art in 1898 after its last owner passed away. [1]

History of the Pentathlon

The pentathlon is a series of five athletic events where the victor is decided by the highest overall performance. The five events were discus-throwing, javelin, long jump, running, and wrestling. [3] The pentathlon itself was introduced to the games at Olympia in 708 BC which was also the first year wrestling was a part of the Olympic games. Pentathletes were admired by the ancient Greek society because they had to possess speed, strength, and power in order to win. All the events were held on the same day and while the order of the events is unclear, it is known that wrestling was held last. [3]

The scoring of the Pentathlon is also still under discussion. There is not written evidence on how each event was ranked or how athletes were judged in their performance like there is for the athletic pentathlon now. [4] While this is slightly problematic, scholars have determined some models that could potentially reflect what was used. [5] These models are not perfect but they display a certain record each athlete must achieve in order to be the victor. Athletics was an important part of Greek culture because it highlighted power and beauty in youths. The spectrum of athletic events included in the pentathlon led people to consider those who participated to be some of the best ever. The respect and praise pentathletes received was enough that their images were used as decorations for pottery vessels many times over; their depiction and ever present image of the perfect human form.

Respect for Pentathetes

It is known that athletes in Ancient Greece were highly praised but pentathletes specifically were highly regarded. In Aristotle's Rhetoric he writes two times why pentathletes are the most handsome and best athletes culminating it with "he who excels in all [is] for the pentathlon". [6] These athletes had to be very versatile and flexible in their abilities in order to win the event overall and that is what made them so special. Since the five events required different muscles and strength to succeed, someone that could master all of them to a point of victory was impressive and therefore deserved respect. In addition, the victors of athletic events gained elite status and were sometimes invited to engage in special activity like sitting in the front row or prohedria of a theatrical production. [7] These added benefits along with the frequent depiction of athletes in Greek art shows the high regard the society held for athletes.

Related Research Articles

The 1906 Intercalated Games or 1906 Olympic Games was an international multi-sport event that was celebrated in Athens, Greece. They were at the time considered to be Olympic Games and were referred to as the "Second International Olympic Games in Athens" by the International Olympic Committee. However, the medals which were distributed to the participants during these games are not officially recognized by the Olympic Committee and are not displayed with the collection of Olympic medals at the Olympic Museum in Lausanne, Switzerland.

Pentathlon Combined sporting event of five contests

A pentathlon is a contest featuring five events. The name is derived from Greek: combining the words pente (five) and -athlon (competition). The first pentathlon was documented in Ancient Greece and was part of the Ancient Olympic Games. Five events were contested over one day for the Ancient Olympic pentathlon, starting with the long jump, javelin throwing, and discus throwing, followed by the stadion and wrestling. Pentathletes were considered to be among the most skilled athletes, and their training was often part of military service—each of the five events in the pentathlon was thought to be useful in war or battle.

Kylix Ancient Greek or Etruscan drinking cup

In the pottery of ancient Greece, a kylix is the most common type of wine-drinking cup. It has a broad, relatively shallow, body raised on a stem from a foot and usually two horizontal handles disposed symmetrically. The main alternative wine-cup shape was the kantharos, with a narrower and deeper cup and high vertical handles.

Womens pentathlon

The pentathlon or women's pentathlon is a combined track and field event in which each woman competes in five separate events over one day. The distance or time for each event is converted to points via scoring tables, with the overall ranking determined by total points. Since 1949 the events have been sprint hurdling, high jump, shot put, long jump, and a flat race. The sprint hurdles distance was 80 m outdoors until 1969 and thereafter 100 m; in indoor pentathlon the distance is 60 m. The flat race was 200 m until 1976 and thereafter 800 m. In elite-level outdoor competition, the pentathlon was superseded in 1981 by the heptathlon, which has seven events, with both 200 m and 800 m, as well as the javelin throw. Pentathlon is still contested at school and masters level and indoors.

Black-figure pottery Style of painting on ancient Greek vases

Black-figure pottery painting, also known as the black-figure style or black-figure ceramic is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BC, although there are specimens dating as late as the 2nd century BC. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style.

Exekias Ancient Athenian vase painter

Exekias was an ancient Greek vase-painter and potter who was active in Athens between roughly 545 BC and 530 BC. Exekias worked mainly in the black-figure technique, which involved the painting of scenes using a clay slip that fired to black, with details created through incision. Exekias is regarded by art historians as an artistic visionary whose masterful use of incision and psychologically sensitive compositions mark him as one of the greatest of all Attic vase painters. The Andokides painter and the Lysippides Painter are thought to have been students of Exekias.

Aryballos Type of ancient Greek vase

An aryballos was a small spherical or globular flask with a narrow neck used in Ancient Greece. It was used to contain perfume or oil, and is often depicted in vase paintings being used by athletes during bathing. In these depictions, the vessel is at times attached by a strap to the athlete's wrist, or hung by a strap from a peg on the wall.

Halteres (ancient Greece)

Halteres were a type of dumbbells used in Ancient Greece. In Ancient Greek sports, halteres were used as lifting weights, and also as weights in their version of the long jump, Halteres were held in both hands to allow an athlete to jump a greater distance; they may have been dropped after the first or second jump. According to archaeological evidence, the athlete would swing the weights backwards and forwards just before take-off, thrust them forwards during take-off, and swing them backwards just before releasing them and landing. Halteres were made of stone or metal, and weighed between 2 and 9 kg.

Douris (vase painter)

Douris or Duris was an ancient Athenian red-figure vase-painter and potter active c. 500 to 460 BCE.

Brygos Painter

The Brygos Painter was an ancient Greek Attic red-figure vase painter of the Late Archaic period. Together with Onesimos, Douris and Makron, he is among the most important cup painters of his time. He was active in the first third of the 5th century BCE, especially in the 480s and 470s BCE. He was a prolific artist to whom over two hundred vases have been attributed, but he is perhaps best known for the Brygos Cup, a red-figure kylix in the Louvre which depicts the "iliupersis" or sack of Troy.

Berlin Foundry Cup

The Berlin Foundry Cup is a red-figure kylix from the early 5th century BC. It is the name vase of the Attic vase painter known conventionally as the Foundry Painter. Its most striking feature is the exterior depiction of activities in an Athenian bronze workshop or foundry. It is an important source on ancient Greek metal-working technology.

Ancient Olympic Games Athletic competitions in Ancient Greece

The ancient Olympic Games were a series of athletic competitions among representatives of city-states and one of the Panhellenic Games of Ancient Greece. They were held in honor of Zeus, and the Greeks gave them a mythological origin. The first Olympic Games are traditionally dated to 776 BCE. They continued to be celebrated when Greece came under Roman rule, 2nd century BCE, until the emperor Theodosius I, who having been converted to Christianity, banned pagan festivals. He banned the Olympics in CE 394 as part of the campaign to impose Christianity as the State religion of Rome. The games were held every four years, or Olympiad, which became a unit of time in historical chronologies.

Ancient Olympic pentathlon

The Ancient Olympic pentathlon was an athletic contest at the Ancient Olympic Games, and other Panhellenic Games of Ancient Greece. The name derives from Greek, combining the words pente (five) and athlon (competition). Five events were contested over one day, starting with the stadion, followed by the javelin throw, discus throw, and long jump, and ending with wrestling. While Pentathletes were considered to be inferior to the specialized athletes in a certain event, they were superior in overall development and were some of the most well balanced of all the athletes. Their training was often part of military service—each of the five events was thought to be useful in battle.

Brygos cup of Würzburg

The Brygos Cup of Würzburg is an Attic red-figure kylix from about 480 BC. It was made by the Brygos potter and painted by the man known as the Brygos Painter. It depicts some of the best-known images of ancient Greek pottery.

Dionysus Cup Kylix made by potter-painter Exekias; one of the most famous pieces of ancient Greek vase painting

The Dionysus Cup is the modern name for one of the best known works of ancient Greek vase painting, a kylix dating to 540–530 BC. It is one of the masterpieces of the Attic black-figure potter Exekias and one of the most significant works in the Staatliche Antikensammlungen in Munich.

The Crouching Satyr Eye-Cup is a ceramic vessel located in gallery 215B in the Museum of Fine Arts in Boston, Massachusetts, is an ancient Greek kylix dating to the Archaic Period. The cup, which was used within Ancient Greek symposiums as a form of entertainment amongst drunken revelers, was bought in London from an old collection, and eventually purchased by the MFA from Edward Perry Warren in March 1903.

Sport in ancient Greek art

Athletics were an important part of the cultural life of Ancient Greeks. Depictions of boxing and bull-leaping can be found back to the Bronze Age. Buildings were created for the sole use of athletics including stadions, palaestra, and gymnasiums. Starting in the Archaic Period, Panhellenic Games, including the Olympic Games, begin taking place each year. These games gave people from all over Greece the chance to gain fame for their athletic prowess. Athletics in Greece became one of the most commonly depicted scenes of everyday life in their art.

Kylix depicting athletic combats by Onesimos

The kylix depicting athletic combats is a ceramic drinking cup made approximately in the late Archaic period, 490 B.C., in Attica. It is currently in the Museum of Fine Arts Boston as part of The Ancient World Collections. The artist, Onesimos, used red-figure technique for the decoration, which was invented in Athens around 530 B.C. and quickly became one of the leading modes of decoration Athenian potters used. Red-figure technique was favored because it allowed for a greater representation of garments, emotions and anatomy making it useful for artists, such as Onesimos, to use in painting athletic events.

The kothon black figure tripod is from Boetia and dates back to the sixth century B.C. It is made of ceramic and portrays three different figural scenes: one with athletes, one with ritual dancers (Komasts), and one with a drinking activity, on each of its legs. Its creation is attributed to the group of vessels known as the Boetian Dancers Group and is currently held at the Dallas Museum of Art.

Physical training has been present in human societies throughout history. Usually, it was performed for the purposes of preparing for physical competition or display, improving physical and mental health, and looking attractive. It took a variety of different forms but quick dynamic exercises were favoured over slow or more static ones. For example, running, jumping, wrestling, gymnastics and throwing heavy stones are mentioned frequently in historical sources and emphasised as being highly effective training methods. Notably, they are also forms of exercise which are readily achievable for most people to some extent or another.

References

  1. 1 2 3 4 "Drinking cup (kylix) depicting pentathletes". Museum of Fine Arts, Boston. 2017-04-19. Retrieved 2017-10-10.
  2. "Proto-Panaitian Group (Greek (Attic), Greek, active 515 - 505 B.C.) (Getty Museum)". The J. Paul Getty in Los Angeles. Retrieved 2017-10-29.
  3. 1 2 3 "Ancient Olympics". ancientolympics.arts.kuleuven.be. 2012. Retrieved 2017-10-10.
  4. Egan, Rory (2007). "How the Pentathlon Was Won: Two Pragmatic Models and the Evidence of Philostratus". Phoenix. 61 (1/2): 39–54. JSTOR   20304637.
  5. Matthews, Victor (1994). "The Greek Pentathlon Again". Zeitschrift für Papyrologie und Epigraphik. 100: 129–138. JSTOR   20189018.
  6. "Aristotle, Rhetoric, book 1, chapter 5". data.perseus.org. Retrieved 2017-10-14.
  7. T., Neer, Richard (2012). Greek art and archaeology : a new history, c. 2500-c. 150 BCE. New York. ISBN   9780500288771. OCLC   745332893.