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| La historia del tango | |
|---|---|
Release date |
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| Country | Argentina |
| Language | Spanish |
La historia del tango is a 1949 Argentine film.
| | This article needs additional citations for verification .(March 2019) |
| La historia del tango | |
|---|---|
Release date |
|
| Country | Argentina |
| Language | Spanish |
La historia del tango is a 1949 Argentine film.
 | This section is empty. You can help by adding to it. (July 2010) |
 | This article related to an Argentine film of the 1940s is a stub. You can help Wikipedia by expanding it. |
Astor Pantaleón Piazzolla was an Argentine tango composer, bandoneon player, and arranger. His works revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. A virtuoso bandoneonist, he regularly performed his own compositions with a variety of ensembles. In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of Tango music".
Tango is a style of music in 2
4 or 4
4 time that originated among European and African immigrant populations of Argentina and Uruguay. It is traditionally played on a solo guitar, guitar duo, or an ensemble, known as the orquesta típica, which includes at least two violins, flute, piano, double bass, and at least two bandoneóns. Sometimes guitars and a clarinet join the ensemble. Tango may be purely instrumental or may include a vocalist. Tango music and dance have become popular throughout the world.
Aníbal Carmelo Troilo, also known as Pichuco, was an Argentine tango musician.
The 4th Annual Latin Grammy Awards were held in Miami at the American Airlines Arena on Wednesday, September 3, 2003. It was the first time the telecast was held outside of Los Angeles. Juanes was the night's biggest winner winning a record five awards including Album of the Year. He tied his own record winning five awards again five years later in 2008. Juan Luis Guerra and Calle 13 also tied this record in 2007 and 2009 respectively.
Laura Ana "Tita" Merello was an Argentine film actress, tango dancer and singer of the Golden Age of Argentine Cinema (1940–1960). In her 6 decades in Argentine entertainment, at the time of her death, she had filmed over thirty movies, premiered twenty plays, had nine television appearances, completed three radio series and had had countless appearances in print media. She was one of the singers who emerged in the 1920s along with Azucena Maizani, Libertad Lamarque, Ada Falcón, and Rosita Quiroga, who created the female voices of tango. She was primarily remembered for the songs "Se dice de mí" and "La milonga y yo".
Pierre Bruno Hugo Fontana, otherwise known as Hugo del Carril, was an Argentine film actor, film director and tango singer of the classic era.
Manuel Romeo was an Argentine film director, screenwriter, dramatist and score composer, and one of the influential directors in the cinema of Argentina of the classic era. He directed and wrote over 50 films between 1931 and 1951 even composing the musical scores for several.
Tito Lusiardo was an iconic Argentine film actor and tango singer of the classic era.
The National Institute of Cinema and Audiovisual Arts is an agency of the Government of Argentina. It promotes the Argentine film industry by funding qualified Argentine film production companies and supporting new filmmakers. The Institute was established on 14 May 1968 by law nº 17.741. The INCAA also organizes the Mar del Plata International Film Festival, Ventana Sur film market, and has its own film school called ENERC.
Enrique Domingo Cadícamo was a prolific Argentine tango lyricist, poet and novelist. From an initial Symbolist bent, he developed a distinctive, lunfardo-rich style from an early age, and by 1925 he had his first piece, Pompas de jabón, sung by Carlos Gardel. Other notable compositions include Madame Ivonne, Che, papusa, oí, Anclado en París, Muñeca brava, Al Mundo le falta un Tornillo, Pa' que bailen los muchachos and Los mareados, originally titled Los dopados, about a couple that vows to get drunk after realizing their love is over.
Domingo Alberto Tarasconi was an Argentine football forward. Raising from Club Atlético Atlanta, he played most of his career for Boca Juniors where he won 9 official titles and became the all-time 4th. top scorer in the history of the club behind Martín Palermo, Roberto Cherro, and Francisco Varallo.
Blas Matamoro is an Argentine writer, lawyer, journalist and translator.
Elías Isaac Alippi was an Argentine actor, theatrical impresario, film director and theater director, who was born and died in Buenos Aires. He is also remembered as an excellent tango dancer.
Barrio Sur is a barrio of Montevideo, Uruguay.
María Esther Buschiazzo (1889–1971) was an Argentine actress.
Andrés Manuel Carretero (1927–2004) was an Argentine essayist and self-taught historian. He was born in Bragado and died on July 10, 2004.
Horacio Ferrer was a Uruguayan-Argentine poet, broadcaster, reciter and tango lyricist. He is particularly well known for having composed the lyrics for tangos by Astor Piazzolla, such as Balada para un loco and Chiquilín de Bachín.
Sabina Olmos (1913–1999) pseudonym of Rosa Herminia Gómez Ramos was an Argentine film actress of the Golden Age of Argentine Cinema (1940–1960).
Casimiro Alcorta (1840–1913) was a musician of Argentina, considered one of the fathers of tango music. An Afro-Argentine son of slaves, Alcorta was born in Santiago del Estero, Argentina. He became free as a child, and took the name of his owner, as was typical. His mother, Casimira, was a slave of the landowner and musician Amancio Jacinto Alcorta (1805-1862), one of the first classical composers of Argentina.
Don Juan – or Don Juan – is an Argentine tango, whose music was composed by Ernesto Ponzio, and lyrics written afterwards by Ricardo Podestá. Jorge Luis Borges referred to his friend Poncio's composition as "one of the earliest and best tangos".