La Rubia Mireya | |
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Directed by | Manuel Romero |
Cinematography | Antonio Merayo |
Music by | Rodolfo Sciammarella |
Release date |
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Country | Argentina |
Language | Spanish |
La Rubia Mireya is a 1948 Argentine film of the classical era of Argentine cinema. It is the story of a woman who was reluctantly married, divorced, and rejected by her daughter. [1]
Fernando Álvaro Lamas y de Santos was an Argentine-American actor and director of the Golden Age of Argentine cinema. He is the father of actor Lorenzo Lamas.
Alejandrina Mireya Luis Hernández is a Cuban former volleyball player and three-time Olympic gold medalist. She won gold medals at the 1992, 1996, and 2000 Olympics with the Cuban women's national volleyball team. She was the captain of the Cuban team from the late 1980s until her retirement.
The San Cristóbal Department is an administrative subdivision (departamento) of the province of Santa Fe, Argentina. It is located in the center-northwest of the province, limiting with the departments of Nueve de Julio and Vera in the north, San Justo in the east, and Las Colonias and Castellanos in the south; to the west it shares a short border with the province of Córdoba and a longer one with Santiago del Estero.
Argentina Sono Film S.A.C.I. is an entertainment company based in Buenos Aires that was one of the most important studios during the Golden Age of Argentina cinema of the 1930s–1950s. In its current format, it serves as a production and distribution company.
Mecha Ortiz was an Argentine actress who appeared in films between 1937 and 1981, during the Golden Age of Argentine cinema. At the 1944 Argentine Film Critics Association Awards, Ortiz won the Silver Condor Award for Best Actress for her performance in Safo, historia de una pasión (1943), and won it again in 1946 for her performance in El canto del cisne (1945). She was known as the Argentine Greta Garbo and for playing mysterious characters, who suffered by past misfortunes in love, mental disorders, or forbidden love. Safo, historia de una pasión was the first erotic Argentine film, though there was no nudity. She also played in the first film in which a woman struck a man and the first film with a lesbian romance. In 1981, she was awarded the Grand Prize for actresses from the National Endowment for the Arts.
Leopoldo Torres Ríos was an Argentine film director and screenwriter notable for his work during the Golden Age of Argentine cinema. His brother Carlos Torres Ríos was a notable cinematographer. His son was the film director and screenwriter Leopoldo Torre Nilsson.
José A(gustín) Ferreyra, popularly known as "Negro Ferreyra", was an early Argentine film director, screenwriter and film producer. He was also sometimes credited as production designer.
Carlos Torres Ríos (1898–1956) was an Argentine cinematographer, film director, screenwriter, film editor and film producer of the classic era.
Manuel Romeo was an Argentine film director, screenwriter, dramatist and score composer, one of the most important figures of the Golden Age of Argentine cinema. He directed and wrote over 50 films between 1931 and 1951 even composing the musical scores for several.
The Boys Didn't Wear Hair Gel Before is a 1937 Argentine historical drama film directed and written by Manuel Romero and starring Florencio Parravicini, Mecha Ortiz and Santiago Arrieta. It is one of the most representative films of the Golden Age of Argentine cinema.
Francisco Juan Lomuto was an Argentine Tango pianist, leader and composer who occasionally went by the pseudonym:, "Pancho Laguna".
Alicia Dujovne Ortiz is an Argentine journalist and author.
María Esther Gorostiza Rodríguez, better known as Analía Gadé, was an Argentine actress. She appeared in more than 60 films between 1948 and 2001. She appeared in the film Emergency Ward, which was entered into the 1953 Cannes Film Festival. She was born in Córdoba, Argentina, and was the sister of Carlos Gorostiza. Three years after being diagnosed with cancer, she died on 18 May 2019, at the age of 87.
Sandra O'Ryan is a Chilean television, theatre and film actress. She was born in Santiago, Chile. She is the mother of the actress María José Urzúa. Her first television appearance was in 1988 in Vivir Así, but she got fame working in the telenovela Amor a Domicilio and in the film La Rubia de Kennedy. She actually joined MEGA in the comedy/drama show called Otra Vez Papá along with her daughter María José.
La rubia del camino is a 1938 Argentine romantic comedy written and directed by Manuel Romero. A celebrated film of the Golden Age of Argentine cinema, it features actress Paulina Singerman in her film debut.
Mireya Baltra Moreno was a Chilean sociologist, journalist, and politician of the Communist Party of Chile. She was a councillor (1963–1969) and a deputy (1969–1973) for Santiago, and served as Minister of Labour and Social Welfare in Salvador Allende's government.
Amanda Varela was an Argentine actress who primarily worked during the Golden Age of Argentine Cinema, performing on stage and in films of Argentina and the US. She made 9 films in Argentina and 2 in the US and appeared on stage in numerous productions in both countries. Varela is usually credited with helping her sister, Mecha Ortiz, secure her first acting roles. In the 1950s, Varela retired from acting, moved to the United States, and became a matrimonial judge.
Sabina Olmos (1913–1999) pseudonym of Rosa Herminia Gómez Ramos was an Argentine film actress of the Golden Age of Argentine cinema.
María Elena Lucena Arcuri was an Argentine film actress of the Golden Age of Argentine cinema. She began her career in radio in the 1930s and reached her greatest success with the role of "Chimbela", which was later depicted in film, theater and television. Her extensive film career includes approximately 50 films, including notable performances in Chimbela (1939) and Una noche cualquiera (1951). During the 1940s, she participated in films with comedians like Pepe Arias, Pepe Iglesias "El Zorro", Niní Gambier, Mirtha Legrand and Carlos Estrada. Her most acclaimed film work occurred in Elvira Fernández, vendedora de tienda (1942) by Manuel Romero, Cinco besos by Luis Saslavsky and La Rubia Mireya for which she received the 1948 Best Comedy Actress Award from the Argentine Film Critics Association.
Raúl Nuñez (1946/47-1996) was an Argentine writer. He was born in Buenos Aires in 1946, and settled in Barcelona in 1971 where he lived until 1988. Many of his novels were set against the backdrop of Barcelona's nightlife. These include titles such as Derrama whisky sobre tu amigo muerto, People, Sinatra, and La rubia del bar. Some of his books were turned into movies, for example, Francesc Betriu directed the movie version of Sinatra, while La rubia del bar was directed by Ventura Pons. From 1990 onwards, he wrote for the Valencia journal Turia, continuing until his death in that city in 1996.