Angelo Tarchi was an Italian composer of numerous operas as well as sacred music. Between 1778 and 1787, he worked primarily in Italy, producing five or six new operas each year.
La buona figliuola, or La Cecchina, is an opera buffa in three acts by Niccolò Piccinni. The libretto, by Carlo Goldoni, is based on Samuel Richardson's novel Pamela; or, Virtue Rewarded. This was Piccinni's most successful Italian opera. There was a sequel entitled La buona figliuola maritata (1761) by the same composer and librettist. La buona figliuola supposta vedova by Gaetano Latilla followed in 1766.
Giulio Sabino is a dramma per musica in three acts by Giuseppe Sarti. The libretto was by Pietro Giovannini.
Fra i due litiganti il terzo gode is a dramma giocoso in two acts by Giuseppe Sarti. The libretto was after Carlo Goldoni's Le nozze.
Medonte, re di Epiro is an opera seria in three acts by Giuseppe Sarti. The libretto was by Giovanni de Gamerra for Felice Alessandri's opera Medonte, re d'Epiro (1774) and was later set by several other composers.
Antonio Tozzi was an Italian opera composer.
La mère coupable is an opera in three acts, Op. 412, by Darius Milhaud to a libretto by Madeleine Milhaud after the 1792 play, the third in Beaumarchais’ Figaro trilogy. It premiered at the Grand Théâtre de Genève on 13 June 1966.
Sigismondo is an operatic 'dramma' in two acts by Gioachino Rossini to an Italian libretto by Giuseppe Maria Foppa.
Giuseppe Francesco Bianchi was an Italian opera composer. Born at Cremona, Lombardy, he studied with Pasquale Cafaro and Niccolò Jommelli, and worked mainly in London, Paris and in all the major Italian operatic centres of Venice, Naples, Rome, Milan, Turin, Florence.
Adelia, o La figlia dell'arciere is an opera in three acts by Gaetano Donizetti. The Italian libretto was written partly by Felice Romani and by Girolamo Maria Marini, a part-time poet who had achieved notability the previous year with Otto Nicolai's Il templario. The opera premiered at the Teatro Apollo, Rome on 11 February 1841.
Una follia is a farsa in one act by composer Gaetano Donizetti. The work premiered on 15 December 1818 at the Teatro San Luca in Venice. The opera uses the same Italian-language libretto by Bartolomeo Merelli after August von Kotzebue's Der Graf von Burgund that Donizetti used for his Enrico di Borgogna a month earlier, but with different music. It was given one performance and "never performed again, and its score has never been found."
Calto is an opera seria in three acts by Francesco Bianchi. The libretto was by Giuseppe Maria Foppa, after the 'celtic' poetry of Ossian. The opera was first performed at the Teatro San Benedetto in Venice on 23 January 1788.
Zemira is an opera seria in three acts by Francesco Bianchi. The libretto was by Gaetano Sertor.
La villanella rapita is an opera giocosa in two acts by Francesco Bianchi. The libretto was by Giovanni Bertati.
Castore e Polluce is an opera seria by Francesco Bianchi. The libretto was one translated by Carlo Innocenzo Frugoni, from Pierre-Joseph Bernard's French text for Rameau's Castor et Pollux.
Arbace is an opera seria in three acts by Francesco Bianchi. The libretto was by Gaetano Sertor.
Seleuco, re di Siria is an opera seria in three acts by Francesco Bianchi. The libretto was by Mattia Botturini, after Antioco by Apostolo Zeno and Pietro Pariati, a libretto first set by Francesco Gasparini in 1705.
Alonso e Cora is an opera seria in three acts by Francesco Bianchi. The libretto was by Giuseppe Foppa, after Ferdinando Moretti's Idalide, o sia La vergine del sole, as used by Giuseppe Sarti in Milan in 1783. The original source of this text was in turn Jean François Marmontel's Les Incas, ou La destruction de l'empire du Pérou (1777).
