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Laban Notation Symbols generally refers to the wide range of notation symbols (or signs) developing from the original work of Rudolf Laban and used in many different types of Laban Movement Study such as Labanotation and Laban Movement Analysis for graphically representing human body positions and movements.
see Rudolf Laban
The concept of a "staff" is borrowed from music and the musical staff. It provides the basic framework for notating.
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Several different methods have developed for notating space.
In Labanotation the direction symbols are organized as three levels: high, middle, and low (or deep): [1]
In Laban Movement Analysis and Space Harmony (Choreutics) the same 27 direction symbols are used but they have a different conceptualization. Instead of envisaging the signs on three parallel horizontal planes (high, middle, and low levels), the direction signs are organized according to the octahedron, cube (hexahedron), and the icosahedron.
In his early German publication Choreographie, [2] [3] Rudolf Laban used a different group of spatial directional signs which represented orientation of lines of motion (rather than orientations of limb positions).
These signs were translated into modern-day Labanotation signs, and referred to as "vector signs". [4]
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"Relationships"' is used in a broad sense to refer to interactions amongst two or more bodies, for example awareness, focus, nearness, contact, physical weight support. Many fine distinctions have been deciphered. These have some relationship to Proxemics.
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In musical notation, a key signature is a set of sharp, flat, and rarely, natural symbols placed together on the staff. Key signatures are generally written immediately after the clef at the beginning of a line of musical notation, although they can appear in other parts of a score, notably after a double barline.
Music notation or musical notation is any system used to visually represent aurally perceived music played with instruments or sung by the human voice through the use of written, printed, or otherwise-produced symbols.
In linguistics and semiotics, a notation is a system of graphics or symbols, characters and abbreviated expressions, used in artistic and scientific disciplines to represent technical facts and quantities by convention. Therefore, a notation is a collection of related symbols that are each given an arbitrary meaning, created to facilitate structured communication within a domain knowledge or field of study.
Rudolf von Laban, also known as Rudolf Laban, was an Austro-Hungarian dance artist and theorist. He is considered as one of the pioneers of modern dance in Europe as the "Founding Father of the Expressionist Dance" in Germany. His work laid the foundations for Laban Movement Analysis, Labanotation, other more specific developments in dance notation and the evolution of many varieties of Laban movement analysis. He is considered to be one of the most important figures in the history of dance.
Labanotation or Kinetography Laban is a notation system for recording and analyzing human movement that was derived from the work of Rudolf Laban who described it in Schrifttanz in 1928. His initial work has been further developed by Ann Hutchinson Guest and others, and is used as a type of dance notation in other applications including Laban Movement Analysis, robotics and human movement simulation.
Dance notation is the symbolic representation of human dance movement and form, using methods such as graphic symbols and figures, path mapping, numerical systems, and letter and word notations. Several dance notation systems have been invented, many of which are designed to document specific types of dance. A dance score is recorded dance notation that describes a particular dance.
Kurt Jooss was a famous ballet dancer and choreographer mixing classical ballet with theatre; he is also widely regarded as the founder of Tanztheater. Jooss is noted for establishing several dance companies, including most notably, the Folkwang Tanztheater, in Essen.
Benesh Movement Notation (BMN), also known as Benesh notation or choreology, is a dance notation system used to document dance and other types of human movement. Invented by Joan and Rudolf Benesh in the late 1940s, the system uses abstract symbols based on figurative representations of the human body. It is used in choreography and physical therapy, and by the Royal Academy of Dance to teach ballet.
Laban movement analysis (LMA), sometimes Laban/Bartenieff movement analysis, is a method and language for describing, visualizing, interpreting and documenting human movement. It is based on the original work of Rudolf Laban, which was developed and extended by Lisa Ullmann, Irmgard Bartenieff, Warren Lamb and others. LMA draws from multiple fields including anatomy, kinesiology and psychology. It is used by dancers, actors, musicians and athletes; by health professionals such as physical and occupational therapists and psychotherapists; and in anthropology, business consulting and leadership development.
Vladimir Ivanovich Stepanov (1866–1896), was a dancer at the Mariinsky Theater in Saint Petersburg. His book, The Alphabet of Movements of the Human Body was published in Paris in 1892. The book describes a notation that encodes dance movements using musical notes instead of pictographs or abstract symbols. Stepanov breaks complex movements down to elementary moves made by individual body parts, enciphering these basic moves as notes. This method of dance notation, improved by Alexander Gorsky, notated many ballets from choreographer Marius Petipa. Today, this method is preserved in the Harvard University Library Theatre Collection and is known as the Sergeyev Collection.
In geometry, Hermann–Mauguin notation is used to represent the symmetry elements in point groups, plane groups and space groups. It is named after the German crystallographer Carl Hermann and the French mineralogist Charles-Victor Mauguin. This notation is sometimes called international notation, because it was adopted as standard by the International Tables For Crystallography since their first edition in 1935.
Ann Hutchinson Guest is an American movement and dance researcher and a preeminent authority on dance notation, especially Labanotation. She wrote a history on the subject of dance notation, and her works have been translated into multiple languages. She is the co-founder of the Dance Notation Bureau, New York, 1940. She also founded the Language of Dance Centre (LODC) in London, England in 1967 as well as co-founding the Language of Dance Center USA in 1997.
Eshkol-Wachman movement notation is a notation system for recording movement on paper or computer screen. The system was created in Israel by dance theorist Noa Eshkol and Avraham Wachman, a professor of architecture at the Technion. The system is used in many fields, including dance, physical therapy, animal behavior and early diagnosis of autism.
Spotting is a technique used by dancers during the execution of various dance turns. The goal of spotting is to attain a constant orientation of the dancer's head and eyes, to the extent possible, in order to enhance the dancer's control and prevent dizziness.
Valerie Preston-Dunlop has an MA in movement studies and her PhD in choreography. She is a consultant and Honorary Fellow of Trinity Laban. She conducted extensive research in the life and work of Rudolf Laban. She has written many books and directed DVDs that have contributed to the field of dance. She is a teacher, researcher, and dance scholar.
Rudolf Laban created a movement theory and practice that reflected what he recognized as Space Harmony. The practice/theory is based on universal patterns of nature and of man as part of a universal design/order and was named by Laban: Space Harmony or Choreutics.
In music, a two hundred fifty-sixth note is a note played for 1⁄256 of the duration of a whole note. It lasts half as long as a hundred twenty-eighth note and takes up one quarter of the length of a sixty-fourth note. In musical notation it has a total of six flags or beams. Since human pitch perception begins at 20 Hz (1200/minute), then a 256th-note tremolo becomes a single pitch in perception at quarter note ≈ 18.75 bpm.
Valerie Sutton is an American developer of movement notation and a former dancer.
Sigurd Leeder was a German dancer, choreographer and dance education theorist. He was born in Hamburg on 14 August 1902, the son of Carl Eduard Gottfried Leder, lithographer, and Martha Auguste Anna Henriette Friedrich. He died in Herisau, Switzerland on 20 June 1981. He developed a method of teaching expressive dance and contributed, with Albrecht Knust, to the development and dissemination of Labanotation, which pioneered the written language of symbols to record and represent modern dance.
Shogi notation is the set of various abbreviatory notational systems used to describe the piece movements of a shogi game record or the positions of pieces on a shogi board.