Lady Wimborne Cottages

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Lady Wimborne Cottages
Canford Magna, Lady Wimborne Cottages - geograph.org.uk - 1910273.jpg
Terraced cottages in Canford Magna
General information
Architectural style Gothic Revival
Location Ashington, Dorset, Canford Magna, Hamworthy, Merley, Poole
Construction started1867
Completed1904
Client Ivor Guest, 1st Baron Wimborne
Design and construction
Architect(s) Charles Barry Jr.
Other designers George Jennings

The Lady Wimborne Cottages (also known as the Canford Estate Cottages) are 111 cottages built by the Guest family of Canford Manor, between 1867 and 1904 to improve the living standards of workers on the estate. [1]

Contents

They are named after Cornelia Guest, Lady Wimborne who, as wife of Ivor Bertie Guest, 1st Baron Wimborne, oversaw the construction of the majority of the estate cottages. [2] [3]

Located within Dorset they span the breadth of the original Canford estate, clustered mostly in Canford Magna and Ashington, yet can also be further afield in Poole, Hamworthy, Lilliput and Longham, Ferndown. Being of significant historic importance, all the cottages are either Grade II Listed or Locally Listed. [4]

George Jennings engravings of the cottages, South Western Pottery Lady Wimborne Cottage Bookplate.png
George Jennings engravings of the cottages, South Western Pottery

Guest family and origin

In 1846, the Canford Manor Estate, Dorset was purchased by John Josiah Guest, the Welsh iron magnate, and his wife Lady Charlotte Guest, for £335,000 as a country retreat. [5] [6] Over time the family spent increasing amounts of time in Dorset, although Guest continued his role as sole manager of the Dowlais Ironworks Company, which had established his wealth. [7]

In 1847 the Manor was partly remodelled by the Guests who employed celebrated architect Charles Barry, architect of the Houses of Parliament, and between 1848 and 1853 the process of alteration continued under his son Charles Barry Junior. [8] [9] The work of Charles Barry Sr. can be seen elsewhere on the estate, through the design of Bridge 77, the 'Lady Wimborne Bridge.' [10]

Whether or not Barry was the architect of the Lady Wimborne cottages, still remains uncertain, yet we can be certain that his son Charles Barry Jr. in partnership with Robert Banks, did design the armorial crests that adorn the cottages, and is believed to have drafted the designs for the cottages himself. [11] [12] George Jennings, however adapted the designs for local usage. He was responsible for producing the designs for the lancet windows and door surrounds, which were produced in Parkstone. [13] [14]

Engravings of details for windows and doorways of Lady Wimborne Cottages, G. Jennings, Poole Lady Wimborne Cottage Architectural Detail Bookplate.jpg
Engravings of details for windows and doorways of Lady Wimborne Cottages, G. Jennings, Poole
Semi-detached Lady Wimborne Cottages, Ashington Ashington Lane 2024.jpg
Semi-detached Lady Wimborne Cottages, Ashington

Architectural features

The cottages fenestration is mostly of the perpendicular gothic style, with rectangular openings inset with deeply recessed lancet windows. These windows were dressed with stone arches, sills, mullions and drip strip mouldings. [15] These ornate features were constructed, not from stone, but from moulded terracotta bricks, made locally at George Jennings' South Western Pottery factory in Parkstone. [13]

The mock arrow slits that feature in the gables of the cottages, may appear purely decorative, yet also served a role in aiding ventilation within. [14]

Every Lady Wimborne cottage, regardless of the variation in style, can be identified as one of the estate cottages by the presence of the armorial panel. This decorative cypher, found on the gable, was designed by Charles Barry Jr. and bears the coat of arms of the Guest family and features the date it was built. A terracotta plaque can also be found usually above the doorways, featuring a number denoting the chronological order of its construction. [12]

These panels and the cottages themselves are described derisively by Sir Frederic Treves in the 1906 publication, Highways and Byways in Dorset. "Built according to a contract pattern. The houses, all alike, are all stamped with the same effusive coat of arms, as are the sheets of a quire of much emblazoned notepaper." [16]

Cypher drawing by Charles Barry Jr. for the Lady Wimborne Cottages Lady Wimborne Cottage Cypher.png
Cypher drawing by Charles Barry Jr. for the Lady Wimborne Cottages
Edwardian family stood outside 8 Oakley Lane, A semi-detached Lady Wimborne Cottage of the later style, Canford Magna Lady Wimborne Cottage, Canford.jpg
Edwardian family stood outside 8 Oakley Lane, A semi-detached Lady Wimborne Cottage of the later style, Canford Magna

Variation between cottages

The style of the cottages developed over time before reaching a uniform style. Various patterns for the cottages were trialed on the outskirts of the estate between 1867 and 1870, which adopted the 'Polite Tudor' style, inspired by a series of articles published in a 1948 edition of The Illustrated London News, suggesting a suitable style for the cottages of agricultural workers. [17]

From 1870 cottages began to be built according to a more similar design, featuring brick and ornate terracotta lancet windows. [14] This was known as the De Ville style and from 1870 onwards all the cottages were built in this way. [17] The first of this type, which can be found in West Howe, featured bay windows, yet these were not used in subsequent cottages.

These De Ville style cottages were designed either as terraced housing of 4 or 5 houses, or as semi-detached cottages, with the uniform semi-detached variant being the only variant built from 1873 onwards. [14]

With the terraced cottages in Canford Magna, the front door opened into the living-room and behind was an incredibly narrow strip of kitchen, with stairs to small bedrooms, one of which is the landing. A door in the passage-kitchen opened onto a communal tiled yard with taps for water supply. The undivided gardens run up to a little range of lavatories. [17]

The later semi-detached cottages, however, had a hallway where the staircase was located and where the two ground floor room should be accessed. Off the hall was a living room with a fireplace, and a scullery containing: a sink, a copper (for water heating), a fireplace (for cooking) and an adjoining pantry. Upstairs there were three bedrooms, two of which had fireplaces. [14]

Terracotta number plate manufactured by George Jennings for the Lady Wimborne Cottages. Illustration by Barbara Jones Terracotta Number Lady Wimborne Cottage.png
Terracotta number plate manufactured by George Jennings for the Lady Wimborne Cottages. Illustration by Barbara Jones

Tenant terms

Each of the semi-detached cottages was set in a quarter of an acre of land to promote self-sufficiency. To the rear of the properties was a small building divided across the boundary, which served as a pig sty and housed a privy. [14]

Lady Wimborne made frequent inspections of the properties accompanied by the bailiff. Prizes were awarded for the best kept gardens and allotment and plants were provided by the estate to encourage tenants to maintain their gardens. [14]

The estate worker tenants were charged a mere 1 shilling per week rent for the cottages, further emphasising the philanthropy of the Guests. [18] A 1900 study conducted by Seebohm Rowntree found that the average rent for a private three-bed house was five shillings. [19]

No colour wash was allowed on the interior walls of the houses, only lime, for which an allowance of 1/- (5p) was allocated. [14]

Lady Wimborne, Cornelia Henrietta Maria Guest, (1847-1927) after whom the cottages are named Cornelia Guest High Resolution.45.png
Lady Wimborne, Cornelia Henrietta Maria Guest, (1847–1927) after whom the cottages are named
Terraced Lady Wimborne Cottages, (no. 45-49) built 1870, Canford Magna Lady Wimborne Cottages, Canford Magna.jpg
Terraced Lady Wimborne Cottages, (no. 45-49) built 1870, Canford Magna

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References

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  2. "2 AND 4, OAKLEY LANE, Non Civil Parish – 1217512 | Historic England". historicengland.org.uk. Retrieved 2024-09-02.
  3. poolemuseumsociety (2016-01-29). "Luxury and Charity – Lady Cornelia of Canford". Poole Museum Society Blog. Retrieved 2024-09-02.
  4. "Heritage assets including listed buildings in the Poole area" (PDF). Bournemouth, Christchurch and Poole Council . 23 April 2013.
  5. Lady Charlotte Schreiber (Biographical details), British Museum. Accessed 8 May 2019
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  12. 1 2 "Designs for the remodelling and extension of Canford Manor, Wimborne, Dorset: armorial panel for estate cottages". RIBApix. Retrieved 2024-09-01.
  13. 1 2 Jennings, George (1874). The South Western Terracotta and Brick Works. London: C.F. Kell Lith. p. 24.
  14. 1 2 3 4 5 6 7 8 Clark, Pat (2000). Lady Wimborne Cottages The Story of the Canford Estate Cottages. The Dovecote Press. pp. 8–9. ISBN   1874336695.
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  19. "Poverty : a study of town life / by B. Seebohm Rowntree". Wellcome Collection. Retrieved 2024-09-02.

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