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Lael Littke | |
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| Born | 1929 (age 94–95) |
| Occupation | Author |
| Nationality | American |
| Alma mater | Utah State University City College of New York |
| Genre | Young adult literature |
| Spouse | George (died 1991) |
| Children | 1 |
Lael Jensen Littke [1] (born 1929) [2] is an American author of young adult literature and around 75 short stories.
Littke grew up in Mink Creek, Idaho and studied education and English at Utah State University. [3] [4]
While working in Denver, Colorado as a secretary, she met her husband George through their local congregation of the Church of Jesus Christ of Latter-day Saints. They moved to New York City, where she attended the City College of New York and her husband studied at New York University. They moved to California with their young daughter, Lori, when George was hired to teach political science at California State University, Los Angeles. [4] Littke would teach at Pasadena City College and University of California, Los Angeles (UCLA). [3] Her husband died in 1991. [4]
Her first published pieces were for the Relief Society Magazine , Ellery Queen's Mystery Magazine , Ladies’ Home Journal , and Seventeen . She later began writing books, including titles for young adults and children, of which she has now published more than forty. [4] [5]
She has served on the board of directors for the Miller Eccles Study Group, and has also been active with Sunstone and Exponent II , publications about Mormon issues. [4]
She currently resides in Pasadena, California. [3]
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Dressed to Kill is a 1980 American erotic psychological thriller film written and directed by Brian De Palma, and starring Michael Caine, Angie Dickinson and Nancy Allen. It depicts the events leading up to the brutal murder of a New York City housewife (Dickinson) before following a prostitute (Allen) who witnesses the crime, and her attempts to solve it with the help of the victim's son. It contains several direct references to Alfred Hitchcock's 1960 film Psycho.
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The Seventh Victim is a 1943 American horror film directed by Mark Robson, and starring Tom Conway, Jean Brooks, Isabel Jewell, Kim Hunter, and Hugh Beaumont. Written by DeWitt Bodeen and Charles O'Neal, and produced by Val Lewton for RKO Radio Pictures, the film focuses on a young woman who stumbles on an underground cult of devil worshippers in Greenwich Village, New York City, while searching for her missing sister. It marks Robson's directorial debut, and was Hunter's first onscreen role.
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Child Bride, also known as Child Brides, Child Bride of the Ozarks and Dust to Dust, is a 1938 American drama film written and directed by Harry Revier, and produced by Raymond L. Friedgen. It was promoted as educational in an attempt to draw attention to the lack of laws banning child marriage in many states.
Kathryn Reiss is an American author of award-winning children's and young adult fiction.
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Kristine Miller was an American film actress, best-remembered for her appearances in film noir and Westerns. A discovery of Paramount producer Hal Wallis, she appeared in I Walk Alone (1948), Jungle Patrol (1948), Too Late for Tears (1949), Shadow on the Wall (1950), and the TV series Stories of the Century (1954–55).
Margaret Field was an American film actress usually billed as Maggie Mahoney after her marriage to actor Jock Mahoney. The mother of actress Sally Field, she was best known for her work in two science-fiction films, The Man from Planet X (1951) and Captive Women (1952) and played dozens of roles in various television series.
The Living Ghost is a 1942 American mystery-drama film directed by William Beaudine and produced by Monogram Pictures. Starring James Dunn and Joan Woodbury, the film incorporates elements of the horror genre as it follows an ex-private detective who is called in to investigate why a banker has turned into a zombie. As the detective shares wisecracks with the banker's cheeky secretary, the two fall in love. The film was distributed in the United Kingdom under the title Lend Me Your Ear, and later released on home video as A Walking Nightmare.
Dana Hoey is a visual artist working with photography, using "the camera to reveal the inner life of women, especially young women." Her photographs are often ambiguous and have multiple meanings. In 1999, in an exhibition entitled Phoenix she showed a series of seventeen black-and-white photo-prints and one forty-one-foot-long digital billboard image; writing in Frieze, Vince Aletti said, "the exhibition is a mystery that bristles with clues but is ultimately unsolved; perhaps it is unsolvable." In her introduction to the catalog for Hoey's 2012 exhibit, The Phantom Sex, at the University Art Museum, University at Albany, curator Corinna Ripps Schaming wrote, "Using both staged and directed photography, her meticulously constructed pictures speak to her deep knowledge of the art and its ability to conflate fact and fiction. Her seemingly spontaneous pictures are choreographed through simple directives and are subject to her ruthless editorial eye, which is always attuned to bringing social dynamics to the fore."
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