Larry Towell | |
---|---|
Born | 1953 (age 70–71) |
Occupation(s) | Photographer, Photojournalist |
Known for | Photojournalism |
Awards | |
Website | www |
Larry Towell (born 1953) is a Canadian photographer, poet, and oral historian. Towell is known for his photographs of sites of political conflict in Ukraine, Nicaragua, El Salvador, Standing Rock and Afghanistan, among others. In 1988, Towell became the first Canadian member of Magnum Photos.
Towell was born in Chatham-Kent, Ontario [1] and grew up in a large family in rural Ontario, attending local schools. At college, he studied visual arts at York University in Toronto, where his interest in photography first began. [2]
In 1976 Towell volunteered to work in Calcutta, India, where he became interested in questions about the distribution of wealth and issues of land and landlessness. [3] Returning to Canada, he taught folk music and wrote poetry during the 1980s. [2]
Towell became a freelance photographer in 1984. [4] Towell's photographic projects are often long-form investigative pieces; this format allows him to connect with the subjects he depicts. [5] His early work included a project on the Contra war in Nicaragua, [6] [7] in which he met civilians who the United States-backed Contras had persecuted, including landmine victims. [5] He also photographed the civil war in El Salvador, [8] American Vietnam War veterans who worked to rebuild Vietnam, and relatives of the "disappeared" in Guatemala - those presumed murdered by Guatemalan security forces. His book House on Ninth Street is a collection of his photos taken in Guatemala during this time. [5]
In 1988, Towell joined the Magnum Photos agency, becoming the first Canadian associated with the group. [9] His first magazine essay looked at the ecological damages from the Exxon Valdez oil spill. He has since had picture essays published in The New York Times, Life, Rolling Stone, and other magazines. His work has included documentation of the Palestinian-Israeli conflict, [10] [11] Mennonite migrant workers in Mexico, [12] and a personal project on his family's farm in southern Ontario. [13]
From 2008 to 2011, Towell traveled five times to Afghanistan to photograph the social effects of the Afghan civil war. [14] [15] [16] Between 2013 and 2015, he photographed the above and underground construction work in Toronto's Union Station. [17] [18] In 2015 his photo Isaac's first swim was published by Canada Post as a stamp. [19] [20] In 2016 Towell photographed the Standing Rock protest in Standing Rock, North Dakota. [21] [22]
He works in both film and digital photography formats. He has said "Black and white is still the poetic form of photography. Digital is for the moment; black and white is an investment of time and love." [2] [23] He has also worked with panoramic cameras to document the impact of natural disasters such as Hurricane Katrina. [24] [2]
Towell has published books of photographs, poetry, and oral history. He has also recorded several audio CDs of original poetry and songs.
Towell lives in rural Lambton County Ontario and sharecrops a 75-acre farm with his wife Ann and their four children. [25]
Magnum Photos is an international photographic cooperative owned by its photographer-members, with offices in Paris, New York City, London and Tokyo. It was founded in 1947 in Paris by photographers Robert Capa, David "Chim" Seymour, Maria Eisner, Henri Cartier-Bresson, George Rodger, William Vandivert, and Rita Vandivert. Its photographers retain all copyrights to their own work.
Henri Cartier-Bresson was a French artist and humanist photographer considered a master of candid photography, and an early user of 35mm film. He pioneered the genre of street photography, and viewed photography as capturing a decisive moment.
Josef Koudelka is a Czech-French photographer. He is a member of Magnum Photos and has won awards such as the Prix Nadar (1978), a Grand Prix National de la Photographie (1989), a Grand Prix Henri Cartier-Bresson (1991), and the Hasselblad Foundation International Award in Photography (1992). Exhibitions of his work have been held at the Museum of Modern Art and the International Center of Photography, New York; the Hayward Gallery, London; the Stedelijk Museum Amsterdam; and the Palais de Tokyo, Paris.
Raghu Rai is an Indian photographer and photojournalist. He was a protégé of Henri Cartier-Bresson, who nominated Rai, then a young photojournalist, to join Magnum Photos in 1977.
Martine Franck was a British-Belgian documentary and portrait photographer. She was a member of Magnum Photos for over 32 years. Franck was the second wife of Henri Cartier-Bresson and co-founder and president of the Henri Cartier-Bresson Foundation.
Cornell Capa was a Hungarian-American photographer, member of Magnum Photos, photo curator, and the younger brother of photo-journalist and war photographer Robert Capa. Graduating from Imre Madách Gymnasium in Budapest, he initially intended to study medicine, but instead joined his brother in Paris to pursue photography. Cornell was an ambitious photo enthusiast who founded the International Center of Photography in New York in 1974 with help from Micha Bar-Am after a stint of working for both Life magazine and Magnum Photos.
The Prix Nadar is an annual prize awarded for a photography book edited in France. The prize was created in 1955 by Association Gens d'Images and is awarded by a jury of photojournalists and publishing experts.
Jim Goldberg is an American artist and photographer, whose work reflects long-term, in-depth collaborations with neglected, ignored, or otherwise outside-the-mainstream populations.
Arnaud Maggs was a Canadian artist and photographer. Born in Montreal, Maggs is best known for stark portraits arranged in grid-like arrangements, which illustrate his interest in systems of identification and classification.
Fazal Sheikh is an artist who uses photographs to document people living in displaced and marginalized communities around the world.
Ian Berry is a British photojournalist with Magnum Photos. He made his reputation in South Africa, where he worked for the Daily Mail and later for Drum magazine. He was the only photographer to document the massacre at Sharpeville in 1960, and his photographs were used in the trial to prove the victims' innocence. Ian Berry was also invited by Henri Cartier-Bresson to join Magnum Photos in 1962 when he was based in Paris; five years later he became a full member.
Samuel Bejan Tata was a Chinese photographer and photojournalist of Parsi descent. Tata grew up in Shanghai where he learned the basics of photography from several mentors including Lang Jingshan and Liu Xucang. Due to political unrest, he mostly confined himself in his early career to portraiture in the tradition of pictorialism.
Carolyn Drake is an American photographer based in Vallejo, California. She works on long term photo-based projects seeking to interrogate dominant historical narratives and imagine alternatives to them. Her work explores community and the interactions within it, as well as the barriers and connections between people, between places and between ways of perceiving. her practice has embraced collaboration, and through this, collage, drawing, sewing, text, and found images have been integrated into her work. She is interested in collapsing the traditional divide between author and subject, the real and the imaginary, challenging entrenched binaries.
Robert Delpire was an art publisher, editor, curator, film producer and graphic designer who lived and worked in Paris. He predominantly concerned himself with documentary photography, influenced by his interest in anthropology.
Ferdinando Scianna is an Italian photographer. Scianna won the Prix Nadar in 1966 and became a full member of Magnum Photos in 1989. He has produced numerous books.
Tess Boudreau, also known as Tess Boudreau-Taconis (1919–2007), was a Canadian photographer. Boudreau was known for her documentary photography and portraits of other artists.
Michel Lambeth was a Canadian photographer. He made an in-depth photographic study of Toronto during the 1950s and was one of the country's leading photo-journalists during the 1960s.
Behind the Gare Saint-Lazare is a black and white photograph taken by French photographer Henri Cartier-Bresson in Paris in 1932. The photograph has been printed at variable dimensions; the print donated by Cartier-Bresson to the Museum of Modern Art is listed at 35.2 × 24.1 cm. It is one of his best known and more critically acclaimed photographs and became iconic of his style that attempted to capture the decisive moment in photography. The photograph was considered one of the 100 most influential pictures of all time by Time magazine.
The Henri Cartier-Bresson Foundation, also known as Fondation HCB, is an art gallery and non-profit organisation in Paris that was established to preserve and show the work of Henri Cartier-Bresson and Martine Franck, and show the work of others. It was set up in 2003 by the photographer and painter Cartier-Bresson, his wife, also a photographer, Franck, and their daughter, Mélanie Cartier-Bresson.
Clément Chéroux is a French photography historian and curator. He is Chief Curator of Photography at the Museum of Modern Art in New York City. He has also held senior curatorial positions at the Centre Pompidou in Paris and at the San Francisco Museum of Modern Art. Chéroux has overseen many exhibitions and books on photographers and photography.
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