| Latin Playboys | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | March 8, 1994 | |||
| Studio | Big Stink Studios, Hercules, CA & at Sunset Sound Factory, Hollywood | |||
| Genre | ||||
| Length | 37:09 | |||
| Label | Slash/Warner Bros. | |||
| Producer | Latin Playboys | |||
| Latin Playboys chronology | ||||
| ||||
Latin Playboys is the debut album of experimental rock band Latin Playboys.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| Chicago Tribune |  [2] |
| Christgau's Consumer Guide | A+ [3] |
| Entertainment Weekly | B+ [4] |
| Los Angeles Times | [5] |
| The Philadelphia Inquirer | [6] |
| Rolling Stone | [7] |
| Spin Alternative Record Guide | 9/10 [8] |
Robert Christgau of The Village Voice named the album the best release of 1994 [9] and described it as "impressionistic fragments coalescing into a self-sustaining aural counterreality." [3] The Indianapolis Star called it "a freewheeling mix of raw garage rock, Mexican mariachi music and progressive jazz." [10]
Writing for The A.V. Club , Joshua Klein called the album a "casual masterpiece" consisting of "found sounds, low-fidelity recording techniques, distorted drum loops, deep-dungeon blues, fragmented guitar parts, and some gorgeous songs." [11] In his AllMusic review, Richie Unterberger stated that the album's "lyrics and song structures are almost impressionistic in tone, creating an effect similar to listening to your car radio as stations drift in and out of reach while you drive along the Mexican border." [1] Christgau later named it among his 10 best albums from the 1990s. [12]
All songs written by David Hidalgo and Louie Pérez.
Buffalo Springfield Again is the second album by Buffalo Springfield, released on Atco Records in October 1967. The album features some of the group's best-known songs, including "Mr. Soul", "Bluebird", "Expecting to Fly" and "Rock & Roll Woman", all of which were released as singles. In contrast to the band's hastily made debut album, recording for Again took place over a protracted nine-month span and was fraught with dysfunction, with each member eventually producing his own material largely independent of one another.
L.A. Woman is the sixth studio album by the American rock band the Doors, released on April 19, 1971, by Elektra Records. It is the last to feature lead singer Jim Morrison during his lifetime, due to his death exactly two months and two weeks following the album's release, though he would posthumously appear on the 1978 album An American Prayer. Even more so than its predecessors, the album is heavily influenced by blues. It was recorded without producer Paul A. Rothchild after he quit the band over the perceived lack of quality in their studio performances. Subsequently, the band co-produced the album with longtime sound engineer Bruce Botnick.
Bricks Are Heavy is the third studio album by American rock band L7, released on April 14, 1992, by Slash Records. The album peaked at number 160 on the US Billboard 200 and number one on the Heatseekers Albums chart. As of June 2000, Bricks Are Heavy has sold 327,000 copies in the United States, according to Nielsen Soundscan.
"La Bamba" is a Mexican folk song, originally from the state of Veracruz, also known as "La Bomba". The song is best known from a 1958 adaptation by Ritchie Valens, a Top 40 hit on the U.S. charts. Valens's version is ranked number 345 on Rolling Stone magazine′s list of the 500 Greatest Songs of All Time, and is the only song on the list not written or sung in English.
Wild Gift is the second studio album by American rock band X, released on May 6, 1981, by Slash Records. It was very well received critically, and was voted the year's second best album in The Village Voice's Pazz & Jop poll. Wild Gift was later ranked at number 334 on Rolling Stone magazine's list of the 500 greatest albums of all time.
Los Angeles is the debut studio album by American rock band X, released on April 26, 1980, by Slash Records. It was produced by ex-Doors keyboardist Ray Manzarek and includes a cover of the 1967 Doors song "Soul Kitchen".
First Rays of the New Rising Sun is a compilation album credited to American rock musician Jimi Hendrix, issued in April 1997 on MCA Records. Featuring songs mostly intended for his planned fourth studio album, it was one of the first releases overseen by Experience Hendrix, the family company that took over management of his recording legacy. It reached the album charts in the United States, United Kingdom, and four other countries.
Colossal Youth is the only studio album by Welsh post-punk band Young Marble Giants, released in February 1980 on Rough Trade Records. Young Marble Giants were offered the opportunity to record the album after Rough Trade heard just two songs by the band on the local Cardiff music compilation Is the War Over?
Hips and Makers is the debut solo album by Kristin Hersh, best known as the primary singer and songwriter of the band Throwing Muses. The album was released by 4AD in the UK on January 24, 1994, and by Sire Records in the US on February 1, 1994. In contrast to Hersh's rock-oriented work with Throwing Muses, the album is primarily acoustic, with Hersh usually playing unaccompanied. Other credited musicians include Jane Scarpantoni on cello and Michael Stipe of R.E.M., who sings backing vocals on the opening track, "Your Ghost". In addition to Hersh's own material, the album features a cover of the traditional song "The Cuckoo".
Distant Plastic Trees is the debut studio album by American indie pop band the Magnetic Fields, released in 1991. Lead vocals on the album are performed by Susan Anway.
Louis Frausto Pérez, Jr. is an American songwriter, percussionist and guitarist for Los Lobos and Latin Playboys.
How Will the Wolf Survive? is the first major label album of Los Lobos, released in 1984.
By the Light of the Moon is the third album by the Mexican American rock group Los Lobos, released in 1987.
Latin Playboys was a musical group formed by David Hidalgo, Louie Pérez, Mitchell Froom and Tchad Blake, active in the 1990s.
The Neighborhood is the fifth album by the rock band Los Lobos. It was released in 1990 and includes contributions from Levon Helm and John Hiatt, among others.
"Spill the Wine" is the debut single by singer Eric Burdon and the band War, released in May 1970. It was backed by the non-album track "Magic Mountain", and was War's first Billboard chart hit.
"Soldier of Love (Lay Down Your Arms)," also known as "Soldiers of Love," is a 1962 song written by Buzz Cason and Tony Moon It was originally recorded by soul artist Arthur Alexander and released as a B-side of the single "Where Have You Been (All My Life)", which reached #58 in the Billboard Hot 100 in June 1962. The song was later covered by The Beatles during a 1963 session at the BBC, released on the 1994 album Live at the BBC. It was also covered by The Kaisers, Marshall Crenshaw, Pearl Jam, Little Steven, and The Derailers.
...And a Time to Dance is a 1983 EP by Los Lobos. It was co-produced by T-Bone Burnett and Steve Berlin and was the band's first release on Slash Records. The EP brought the band its first wide acclaim. It was voted best EP of the year in the Village Voice's influential Pazz & Jop critics poll. Critic Robert Christgau gave the record an "A−" in his Consumer Guide, calling it "good old rock and roll East L.A. style." Trouser Press raved about "a spicy romp back and forth across musical borders few can traverse with such ease," while Rolling Stone called it "an infectious dance record that deserves to be heard by rock fans."
Of Rivers and Religion is an album by American folk musician John Fahey, released in 1972. It was his first recording on a major label and is credited to John Fahey and His Orchestra. It marked a significant change from Fahey's previous releases, incorporating a backing band and performing songs and arrangements in a Dixieland jazz style. Although Time picked it as one of the Top Ten albums of 1972, it was also a difficult album to market and had little enthusiasm at Reprise.
Guitar is a 1986 solo studio album by American jazz guitarist Sonny Sharrock. He recorded the album with producer Bill Laswell at RPM Sound Studios in New York City. As the project's sole instrumentalist, Sharrock performed and overdubbed his guitar improvisations onto other sections of a song he had recorded beforehand.
