For the proposed skyscraper in Paris, see Le Phare (skyscraper).
Le Phare | ||||
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Studio album by | ||||
Released | 20 February 1998 | |||
Recorded | 1998 | |||
Length | 43:56 | |||
Label | Ici, d'ailleurs... | |||
Yann Tiersen chronology | ||||
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Le Phare (English: The Lighthouse) is the third studio album by French composer Yann Tiersen. This was the artist's breakthrough album. [1] He collaborated with distinguished French songwriter Dominique A (who wrote and provided vocals to both "Monochrome" and "Les Bras de mer"). It is typical of Tiersen's work for violin, mandolin, accordion and piano to feature heavily. Also a trademark feature of his style is unusual instrumentation, including a bicycle wheel, typewriters and saucepans. Three songs from this album, "La Dispute", "La Noyée", and "Sur le fil" were used later for Tiersen's soundtrack for the film Le Fabuleux Destin d'Amélie Poulain . "L'Homme aux bras ballants" is also the soundtrack to a short film by the same name by Laurent Gorgiard. [2] "Sur le fil" has become a live favourite, normally only the violin section performed with great intensity, sometimes even breaking many hairs on the bow. [3]
Review scores | |
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Source | Rating |
Allmusic | [4] |
This section needs expansion. You can help by adding to it. (May 2012) |
All tracks are written by Yann Tiersen except track #12, "Les Bras de mer", written by Dominique A
No. | Title | Lead vocals | Length |
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1. | "Le Quartier" | 2:01 | |
2. | "La Rupture" | Claire Pichet | 2:49 |
3. | "Monochrome" | Dominique A | 3:16 |
4. | "La Dispute" | 4:14 | |
5. | "L'Arrivée sur l'île" | 1:03 | |
6. | "La Noyée" | 2:23 | |
7. | "Le Fromveur" | 1:20 | |
8. | "L'Homme aux bras ballants" | 5:05 | |
9. | "Sur le fil" | 7:28 | |
10. | "Les Jours heureux" | 2:10 | |
11. | "La Crise" | 1:37 | |
12. | "Les Bras de mer" (written by Dominique A) | Dominique A | 3:10 |
13. | "La Chute" | 5:48 | |
14. | "L'Effondrement" | 1:32 | |
Total length: | 43:56 |
This also contains all the instruments used on the album. [5] [6]
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Chart (1998) | Peak position |
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French Albums Chart [7] | 50 |
Region | Certification | Certified units/sales |
---|---|---|
France (SNEP) [8] | Gold | 100,000* |
* Sales figures based on certification alone. |
According to Music for New Zealand the album has sold over 160,000 copies. [9]
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)Dominique Ané, better known as "Dominique A", is a French songwriter and singer.
Yann Pierre Tiersen is a French Breton musician and composer. His musical career is split between studio recordings, music collaborations, and film soundtracks songwriting. His music incorporates a large variety of classical and contemporary instruments, primarily the electric guitar, the piano, synthesisers, and the violin, but he also includes instruments such as the melodica, xylophone, toy piano, harpsichord, piano accordion, and even a typewriter.
Good Bye, Lenin! is the original soundtrack album of the film of the same title starring Daniel Brühl and Katrin Sass. The music is composed by Yann Tiersen, with the exception of the non-instrumental version of "Summer 78" sung by Claire Pichet. This album has been released with the Copy Control protection system in some regions.
Françoiz Breut is the stage name of Françoise Breut, a French illustrator and chanteuse of moody and melancholic pop. Breut got involved with music when her then-fiancé, French pop star Dominique A, asked her to contribute vocals on three songs of his 1993 album, Si Je Connais Harry. He then wrote and arranged most of the songs for her eponymous debut album. She has also collaborated with Yann Tiersen, Louise Attaque, and Calexico. She lives in Brussels, Belgium.
La Valse des monstres is the first album released by Breton composer Yann Tiersen. It includes several pieces he wrote as an accompaniment for short films and plays, together with original material. Most tracks had been used for the theatrical adaptation of Freaks, a 1932 American Pre-Code horror film directed by Tod Browning, or for the classic Japanese musical drama The Damask Drum, rewritten by Japanese author, poet and playwright, Yukio Mishima in 1955.
Les Retrouvailles is the fifth studio album by French musician Yann Tiersen. Released in 2005 through Ici, d'ailleurs... record label, it features a number of high-profile guest vocalists, both French and Anglophone alike: Christophe Miossec, Dominique A, Elizabeth Fraser, Jane Birkin, and Stuart Staples. As is customary with his albums, Tiersen showcases his multi-instrumental skills, which on the album encompasses the accordion, piano, mandolin, and harpsichord, among others.
Vingt à Trente Mille Jours is the second album by French singer Françoiz Breut, released in 2000.
Amélie is the soundtrack album to the 2001 film of the same name.
Rue des cascades is the second studio album by the musician and composer Yann Tiersen. It was released through Sine Terra Firma in 1996, and subsequently reissued in 1998, 2001, and 2009 through Ici, d'ailleurs... and Virgin Records in CD and double LP formats. The album, with the exclusion of two pieces, "Naomi" and "La Vie quotidienne", is a collection of short pieces recorded with toy piano, harpsichord, violin, accordion, mandolin, and other conventional and unconventional musical instruments such as an old typewriter in "Pas si simple". The title track, which was used about one year later for the film score of the Palme d'Or nominated French drama film The Dreamlife of Angels, was sung by French soloist singer Claire Pichet, who also provided vocals on the track "Naomi", a song that features words from Allen Ginsberg's poem "Kaddish". François-Xavier Schweyer played the cello on "C'était ici" and "La Fenêtre". Three tracks, "J'y suis jamais allé", "Pas si simple", and "Soir de fête", would find a wider audience five years later when they were featured on the soundtrack to Jean-Pierre Jeunet's acclaimed film Amélie.
Christophe Miossec is a French singer and songwriter born in Brest, Brittany, France on 24 December 1964.
Claire Pichet is a French soloist singer and musician.
On Tour is a live album by Yann Tiersen. It was originally released in 2006 and features songs from Tiersen's past albums as well as some previously unreleased compositions. The album is notable for having a different approach to Tiersen's musical style: the usual multi-instrumental ensemble was replaced with electric guitars and an ondes Martenot, giving the music a fresh rendition.
C'était ici is the second live album of French Avant-Garde musician and composer Yann Tiersen. It was recorded during three concerts performed on 15, 16, and 17 February 2002, at the Cité de la Musique in Paris, France. The album is noteworthy because of the many collaborators appearing in the performances such as the 35-member orchestral group Synaxis, conducted by Guillaume Bourgogne, Claire Pichet, Christine Ott, Christian Quermalet, Marc Sens, Nicolas Stevens, Jean-François Assy, Renaud Lhoest, Olivier Tilkin, Ronan le bars, Les Têtes Raides, Dominique A and Lisa Germano.
L'Absente is the fourth studio album by French composer and musician Yann Tiersen. When French film director Jean-Pierre Jeunet asked Tiersen if he was interested in writing the film score for Amélie, Tiersen was already working on L'Absente. The album was released on 5 June 2001 through EMI France, and was preceded by two promotional singles for "À quai" and "Bagatelle". L'Absente is an album of great variety with Tiersen playing many instruments including an old-fashioned typewriter and a pot, and it is characterized by several guests contributions provided by the 35-member Ensemble Orchestral Synaxis conducted by Guillaume Bourgogne, French folk rock group Têtes Raides, singers Dominique A, Lisa Germano, Neil Hannon, and Belgian actress Natacha Régnier, ondes Martenot player Christine Ott, Christian Quermalet, guitarist Marc Sens, viola player Bertrand Lambert, violinists Yann Bisquay and Sophie Naboulay, saxophonist Grégoire Simon, and drummer Sacha Toorop. L'Absente peaked at number 41 on the French Albums Chart.
Black Session: Yann Tiersen is the first live album of French avant-garde musician and composer Yann Tiersen. The live album was recorded by France International on 2 December 1998 as the opening act of the Rencontres Trans Musicales in the Salle Serreau at the Théâtre National de Bretagne in Rennes, for the C'est Lenoir show broadcast on the French public radio station France Inter. It was subsequently mastered by Radio France, and released in CD format one year later on 2 November 1999. The album features Tiersen with Claire Pichet, Dominique A, Northern Irish singer, songwriter, and frontman of the chamber pop group The Divine Comedy Neil Hannon, singer and songwriter Bertrand Cantat of Noir Désir, singer and illustrator Françoiz Breut, anglophone French rock band The Married Monk, French folk rock group Têtes Raides, the string quartet Quatuor à cordes, guitarist and composer Olivier Mellano, and author Mathieu Boogaerts.
Tabarly is the original soundtrack album of the documentary film of the same title. It is composer Yann Tiersen's first soundtrack since 2003's Good Bye Lenin! and first studio album since 2005's Les Retrouvailles. The album was recorded in Ushant and at Qu'en reste-t-il? studio in Paris, mixed at Davout studios in Paris, mastered at Loud Mastering, and released through Virgin Records and EMI France in CD format on 16 July 2008. A special edition consisting of a CD plus an LP record was released through Ici, d'ailleurs... record label.
Ici, d'ailleurs... is an independent record label based in Nancy, France and established by Stéphane Grégoire in 1997 from his associative label "Sine Terra Firma". It is mainly involved with production, publishing, booking and pressing.
Skyline is the seventh studio album by Yann Tiersen. The album was published by Everything's Calm and released through Mute Records on 17 October 2011 in Europe, and six months later, on 17 April 2012, via ANTI- in North America.
Christine Ott is a French pianist, vocalist, ondist, and composer.
All is the tenth studio album by French musician Yann Tiersen. It was released on 15 February 2019 through Mute Records.