Ancient Egyptian religion was a complex system of polytheistic beliefs and rituals that formed an integral part of ancient Egyptian culture. It centered on the Egyptians' interactions with many deities believed to be present in, and in control of the world. About 1500 deities are known. Rituals such as prayer and offerings were provided to the gods to gain their favor. Formal religious practice centered on the pharaohs, the rulers of Egypt, believed to possess divine powers by virtue of their positions. They acted as intermediaries between their people and the gods, and were obligated to sustain the gods through rituals and offerings so that they could maintain Ma'at, the order of the cosmos, and repel Isfet, which was chaos. The state dedicated enormous resources to religious rituals and to the construction of temples.
A grimoire is a textbook of magic, typically including instructions on how to create magical objects like talismans and amulets, how to perform magical spells, charms, and divination, and how to summon or invoke supernatural entities such as angels, spirits, deities, and demons. In many cases, the books themselves are believed to be imbued with magical powers, although in many cultures, other sacred texts that are not grimoires have been believed to have supernatural properties intrinsically. The only contents found in a grimoire would be information on spells, rituals, the preparation of magical tools, and lists of ingredients and their magical correspondences. In this manner, while all books on magic could be thought of as grimoires, not all magical books should be thought of as grimoires.
The Temple of Set is an occult initiatory order founded in 1975. A new religious movement and form of Western esotericism, the Temple espouses a religion known as Setianism, whose practitioners are called Setians. This is sometimes identified as a form of Satanism, although this term is not often embraced by Setians and is contested by some academics.
Magic, sometimes spelled magick, is an ancient practice rooted in rituals, spiritual divinations, and/or cultural lineage—with an intention to invoke, manipulate, or otherwise manifest supernatural forces, beings, or entities in the natural world. It is a categorical yet often ambiguous term which has been used to refer to a wide variety of beliefs and practices, frequently considered separate from both religion and science.
Nephthys or Nebet-Het in ancient Egyptian was a goddess in ancient Egyptian religion. A member of the Great Ennead of Heliopolis in Egyptian mythology, she was a daughter of Nut and Geb. Nephthys was typically paired with her sister Isis in funerary rites because of their role as protectors of the mummy and the god Osiris and as the sister-wife of Set.
Apep, also spelled Apepi or Aapep or Apophis, was the ancient Egyptian deity who embodied chaos and was thus the opponent of light and Ma'at (order/truth). He appears in art as a giant serpent. Apep was first mentioned in the Eighth Dynasty, and he was honored in the names of the Fourteenth Dynasty king 'Apepi and of the Greater Hyksos king Apophis.
Heka was the deification of magic and medicine in ancient Egypt. The name is the Egyptian word for "magic". According to Egyptian literature, Heka existed "before duality had yet come into being." The term ḥk3 was also used to refer to the practice of magical rituals.
In Egyptian mythology, Heryshaf, or Hershef, transcribed in Greek as Harsaphes or Arsaphes was an ancient ram deity whose cult was centered in ancient Heracleopolis Magna. He was identified with Ra and Osiris in ancient Egyptian religion, as well as Dionysus or Heracles in the interpretatio graeca. The identification with Heracles may be related to the fact that in later times his name was sometimes reanalysed as ḥrj-šf.t "He who is over strength". One of his titles was "Ruler of the Riverbanks". Heryshaf was a creator and fertility god who was born from the primordial waters. He was pictured as a ram or a man with a ram's head.
The Book of the Dead is an ancient Egyptian funerary text generally written on papyrus and used from the beginning of the New Kingdom to around 50 BC. The original Egyptian name for the text, transliterated r(ꜣ)w n(y)w prt m hrw(w), is translated as Book of Coming Forth by Day or Book of Emerging Forth into the Light. "Book" is the closest term to describe the loose collection of texts consisting of a number of magic spells intended to assist a dead person's journey through the Duat, or underworld, and into the afterlife and written by many priests over a period of about 1,000 years. Karl Richard Lepsius introduced for these texts the German name Todtenbuch, translated to English as Book of the Dead.
A nomarch was a provincial governor in ancient Egypt; the country was divided into 42 provinces, called nomes. A nomarch was the government official responsible for a nome.
An incantation, a spell, a charm, an enchantment or a bewitchery, is a magical formula intended to trigger a magical effect on a person or objects. The formula can be spoken, sung or chanted. An incantation can also be performed during ceremonial rituals or prayers. In the world of magic, wizards, witches, and fairies allegedly perform incantations.
The Pyramid Texts are the oldest ancient Egyptian funerary texts, dating to the late Old Kingdom. They are the earliest known corpus of ancient Egyptian religious texts. Written in Old Egyptian, the pyramid texts were carved onto the subterranean walls and sarcophagi of pyramids at Saqqara from the end of the Fifth Dynasty, and throughout the Sixth Dynasty of the Old Kingdom, and into the Eighth Dynasty of the First Intermediate Period. The oldest of the texts have been dated to c. 2400–2300 BCE.
The opening of the mouth ceremony was an ancient Egyptian ritual described in funerary texts such as the Pyramid Texts. From the Old Kingdom to the Roman Period, there is ample evidence of this ceremony, which was believed to give the deceased their fundamental senses to carry out tasks in the afterlife. Various practices were conducted on the corpse, including the use of specific instruments to touch body parts like the mouth and eyes. These customs were often linked with childbirth, which denoted rebirth and new beginnings. For instance, cutting bloody meat from animals as offerings for the deceased signified the birthing process, which typically involves blood, and represented the commencement of a new life. Additionally, tools like the peseshkef, which resembled the tail of a fish and were originally employed for cutting infants' umbilical cords, further emphasized the idea of "rebirth".
The Opet Festival was an annual ancient Egyptian festival celebrated in Thebes (Luxor), especially in the New Kingdom and later periods, during the second month of the season of Akhet, the flooding of the Nile.
The Greek Magical Papyri is the name given by scholars to a body of papyri from Graeco-Roman Egypt, written mostly in ancient Greek, which each contain a number of magical spells, formulae, hymns, and rituals. The materials in the papyri date from the 100s BCE to the 400s CE. The manuscripts came to light through the antiquities trade, from the 1700s onward. One of the best known of these texts is the Mithras Liturgy.
In classical antiquity, including the Hellenistic world of ancient Greece and ancient Rome, historians and archaeologists view the public and private rituals associated with religion as part of everyday life. Examples of this phenomenon are found in the various state and cult temples, Jewish synagogues, and churches. These were important hubs for ancient peoples, representing a connection between the heavenly realms and the earthly planes. This context of magic has become an academic study, especially in the last twenty years.
Padiamenope was an ancient Egyptian royal scribe and chief lector priest between the late 25th Dynasty and the early 26th Dynasty, known mainly for his immense tomb, one of the largest ever built in ancient Egypt.
Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world around them. The beliefs that these myths express are an important part of ancient Egyptian religion. Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain a complete account of a myth and often describe only brief fragments.
Egyptian temples were built for the official worship of the gods and in commemoration of the pharaohs in ancient Egypt and regions under Egyptian control. Temples were seen as houses for the gods or kings to whom they were dedicated. Within them, the Egyptians performed a variety of rituals, the central functions of Egyptian religion: giving offerings to the gods, reenacting their mythological interactions through festivals, and warding off the forces of chaos. These rituals were seen as necessary for the gods to continue to uphold maat, the divine order of the universe. Housing and caring for the gods were the obligations of pharaohs, who therefore dedicated prodigious resources to temple construction and maintenance. Out of necessity, pharaohs delegated most of their ritual duties to a host of priests, but most of the populace was excluded from direct participation in ceremonies and forbidden to enter a temple's most sacred areas. Nevertheless, a temple was an important religious site for all classes of Egyptians, who went there to pray, give offerings, and seek oracular guidance from the god dwelling within.
Mîs-pî, inscribed KA-LUḪ.Ù.DA and meaning “washing of the mouth,” is an ancient Mesopotamian ritual and incantation series for the cultic induction or vivification of a newly manufactured divine idol. It involved around eleven stages: in the city, countryside and temple, the workshop, a procession to the river, then beside the river bank, a procession to the orchard, in reed huts and tents in the circle of the orchard, to the gate of the temple, the niche of the sanctuary and finally, at the quay of the Apsû, accompanied by invocations to the nine great gods, the nine patron gods of craftsmen, and assorted astrological bodies.
