Lena Braun | |
---|---|
Born | |
Education | FU Berlin |
Known for | Performance art, Visual arts, Curatorial projects |
Lena Braun (born 4 April 1961 in Wuppertal, Germany) is a Berlin-based artist, curator and author. She works as a cross-genre artist in the fields of performance and visual arts, [1] often addressing non-normative femininity and gender expression. The art spaces that she has curated since 1988 have earned her the reputation of being a "Grand Dame" of Berlin's art scene. [2]
Braun grew up in western Germany and came to Berlin in 1981 to study at FU Free University. In 1987, she wrote her master's thesis on the novel "The Tigress: A Strange Love Story" by Walter Serner.
In 1988, she opened the first of her – to this day - 9 art spaces in Berlin. The art magazine Kunstforum International called it a "meeting place for the young, experimental art scene" [3] and Braun soon made a name for herself as "a real diva of Berlin's cultural scene". [4] One of her art spaces, the Boudoir in Berlin-Mitte (1991 – 1995), was honored by the Museum of Modern Art (MoMA) in New York with the exhibition “Boudoir in Exile [5] and is now considered the “First Queer Art Salon” in Berlin. [6]
In 1993, she founded the Queen Barbie Lodge, defined as an “underground organization” for women artists. The lodge, which Braun chaired until 2009, was the female counterpart to an all-male association called Lord Jim Lodge, operated by artists like Martin Kippenberger and Albert Oehlen (among others). The Queen Barbie Lodge regularly organized exhibitions and performances ironizing sexism and championing female empowerment. The Berlin city magazine Tip wrote: “Lena Braun aka Queen Barbie is not only a curator, but also a visual artist and above all an intrepid performer. As a curator, she … mainly promotes and exhibits female artists, without being dogmatic about it.” [7]
Alongside her curatorial projects, Lena Braun also works as a freelance author and artist. In the 1990s and 2000s, she wrote plays, acted in films [8] and published a periodical for the Queen Barbie Lodge (36 issues, Xerox art). In 2013 she founded a literary label called Edition Fortyfour, where she publishes her novels. Braun's artistic oeuvre includes performances, collages and installations. She exhibits both in Germany and internationally.
Lena Braun has been initiating and curating art spaces in Berlin since 1988. She sees her spaces as installations, i.e. artificial environments that stage art (as opposed to showing it in a white cube). For an exhibition on "Today's Avant-Garde" at the Kindl Center for Contemporary Art in Berlin (2017) [9] Braun created an installation that reflects her point of view: "My art spaces are campy environments that shape alternative queer lifestyles and suspend classic markers of social exclusion such as age, origin, or saleability." [10]
The press often focuses on the ambience in which Braun presents art. The British Guardian, for example, listed her art space Barbie Deinhoff's as one of the ten best bars in Berlin. [16] The German national weekly Die Zeit described another of her art spaces, the BOUDOIR, as a mixture of "club, gallery and art happening". [17]
Similar comments were made by media such as Die Welt, Die tageszeitung and Tagesspiegel. [18] [19] [20]
In a recent interview with the Berlin-based radio station RBB, Braun described this very mix as intentional: Her art spaces, says Braun, are social spaces meant to transcend art world elitism. [21]
Braun appeared in several films, among them Gender X, which premiered at the Berlin International Film Festival in 2005 [22] and B-Movie: Lust & Sound in West-Berlin 1979-1989, which was released in 2015. [23]
Braun was a voice actress in Nekromantik 2, [24] and she co-wrote and co-directed a film for German television (“Der hellblaue Engel”, The Light-Blue Angel, 1996). [25]
In 2007, she wrote and directed the video “Hairspray II", based on the Film Hairspray by John Waters (director). Braun also played the role of "Mom". The video was shown in Amsterdam in 2010 and in Berlin in 2021 [26] [27]
Braun performed in Robyn Orlin's play “Ski-fi-Jenni”, with performances in Montpellier, Paris and Berlin (2002). [28]
Braun also wrote, produced and directed own plays, among them:
In 2013, Lena Braun published three novels in homage to Djuna Barnes: Ladies Almanach, Nachtschatten, Tyler. [31] The titles echo those chosen by Barnes: Ladies Almanack, Nightwood, Ryder. Braun's novels tell stories that reflect and rewrite the ones Barnes told: For example, Braun's Ladies Almanach transposes the lesbian circle in Paris that Barnes portrayed in 1928 to Berlin in the 1990s. Braun's homage also simulates the editorial gesture: Like Barnes, who published her Almanack as a private print, Braun self-published her novels, founding the literary label EDITION FortyFour for this purpose.
All texts & publications are in German:
Braun is a multi-genre artist in the fields of visual and performance art. In her performances, Braun often puts herself in the roles of famous women artists, reenacting scenes from their lives. The reenactments are captured in photos. Braun is present in the images as an art director and performer:
"As a performer I often slip into the skin of others, Djuna Barnes, for example, or Peggy Guggenheim, Anita Berber or Hedy Lamarr. I incorporate biographical scraps, and gradually this creates a kind of rage - a rage that suspects the truth but can't grasp it. I always do long research for these performances. They are an attempt to revive history, or rather, repressed and misrepresented history.” [32]
Braun processes the photos taken during performances into prints and collages. Her works have been exhibited both in Germany and abroad. In 2020, they were shown in the U.S., alongside works by Elsa von Freytag-Loringhoven and as part of the exhibition "The Art of Djuna Barnes." [33] The genres of collage and installation remain central to Braun's work today, with a wide range of materials including found objects of all kinds.
"I find materials everywhere, in the street, in the garden, and while travelling. I immortalize the carelessly discarded and give it a new meaning." [34]
In 2017, she created an installation of discarded ball gowns from the Vienna Opera Ball, that was shown in Berlin in 2017 [35] and at the art festival open art Lausitz in South Brandenburg in 2021. [36]
Since 2019, Lena Braun has been producing woven objects and concrete sculptures. For her, the 100th anniversary of the German art school Bauhaus was an invitation to suspend its gender code - concrete for men, weaving for women – by working in both media. The genre of collage also plays a central role here: Braun's woven objects often collage textile with non-textile materials. Her concrete casts immortalize found objects in sculptural works that turn into a kind of time capsule.
Djuna Barnes was an American artist, illustrator, journalist, and writer who is perhaps best known for her novel Nightwood (1936), a cult classic of lesbian fiction and an important work of modernist literature.
Midori (美登里) is a sexologist, educator, author, artist, speaker, and coach. Midori wrote the first English language book with instruction on Japanese Rope Bondage and continues to write on alternative sexual practices, including BDSM and sexual fetishism, bondage, erotic fiction, and more. She teaches classes, presents at conferences, coaches individuals and professionals, and facilitates in-depth weekend intensives. She is based in San Francisco, California.
Elsa Baroness von Freytag-Loringhoven (née Else Hildegard Plötz; was a German-born avant-garde visual artist and poet, who was active in Greenwich Village, New York, from 1913 to 1923, where her radical self-displays came to embody a living Dada. She was considered one of the most controversial and radical women artists of the era.
Thelma Ellen Wood was an American artist, specialising in the traditional fine line drawing technique known as Silverpoint. She was noted for her hectic private life, and her lesbian relationship with Djuna Barnes was fictionalized in Barnes' novel Nightwood.
Ladies Almanack, its complete title being Ladies Almanack: showing their Signs and their Tides; their Moons and their Changes; the Seasons as it is with them; their Eclipses and Equinoxes; as well as a full Record of diurnal and nocturnal Distempers, written & illustrated by a lady of fashion, was written by Djuna Barnes in 1928. This roman à clef catalogues the amorous intrigues of Barnes' lesbian network centered in Natalie Clifford Barney's salon in Paris. Written as a winking pastiche of Restoration wit, the slender volume is illustrated by Barnes's Elizabethan-inspired woodcuts.
Yuki Kihara is an interdisciplinary artist of Japanese and Samoan descent. In 2008, her work was the subject of a solo exhibition at the Metropolitan Museum of Art in New York; it was the first time a New Zealander had been the subject of one-person show at the institution. Titled Shigeyuki Kihara: Living Photographs, the exhibition opened from 7 October 2008 to 1 February 2009. Kihara's self-portrait photographs in the exhibitions included nudes in poses that portrayed colonial images of Polynesian people as sexual objects. Her exhibition was followed by an acquisition of Kihara's work for the museum's collection.
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Boudoir was Berlin's first lounge, an exhibition site and a stage for performance art.
The jam-packed event programme features everything from readings to DJ nights, a singer-songwriter lounge curated by indie scene queen Kitty Solaris to a “Barbitches” talk show from Braun herself. At this point whatever Braun does is bound to prick up ears, but these new digs in a “new” area of town, with just the right mix of old-West nightflair, are sure to be a magnet for any long-term arty Berliner, German or not.
Boudoir was Berlin's first lounge, an exhibition site and a stage for performance art