Ars antiqua, also called ars veterum or ars vetus, is a term used by modern scholars to refer to the Medieval music of Europe during the High Middle Ages, between approximately 1170 and 1310. This covers the period of the Notre-Dame school of polyphony, and the subsequent years which saw the early development of the motet, a highly varied choral musical composition. Usually the term ars antiqua is restricted to sacred (church) or polyphonic music, excluding the secular (non-religious) monophonic songs of the troubadours, and trouvères. Although colloquially the term ars antiqua is used more loosely to mean all European music of the 13th century, and from slightly before.
Carl Dahlhaus was a German musicologist who was among the leading postwar musicologists of the mid to late 20th-century. A prolific scholar, he had broad interests though his research focused on 19th- and 20th-century classical music, both areas in which he made significant advancements. However, he remains best known in the English-speaking world for his writings on Wagner. Dahlhaus wrote on many other composers, including Josquin, Gesualdo, Bach and Schoenberg.
The American Musicological Society (AMS) is a musicological organization which researches, promotes and produces publications on music. Founded in 1934, the AMS was begun by leading American musicologists of the time, and was crucial in legitimizing musicology as a scholarly discipline.
Richard Filler Taruskin was an American musicologist and music critic who was among the leading and most prominent music historians of his generation. The breadth of his scrutiny into source material as well as musical analysis that combines sociological, cultural, and political perspectives has incited much discussion, debate and controversy. He regularly wrote music criticism for newspapers including The New York Times. He researched a wide variety of areas, but a central topic was Russian music from the 18th century to the present day. Other subjects he engaged with include the theory of performance, 15th-century music, 20th-century classical music, nationalism in music, the theory of modernism, and analysis. He is best known for his monumental survey of Western classical music, the six-volume Oxford History of Western Music. His awards include the first Noah Greenberg Award from the American Musicological Society in 1978 and the Kyoto Prize in Arts and Philosophy in 2017.
In music centonization is a theory about the composition of a melody, melodies, or piece based on pre-existing melodic figures and formulas. A piece created using centonization is known as a "centonate".
Joseph Wilfred Kerman was an American musicologist and music critic. Among the leading musicologists of his generation, his 1985 book Contemplating Music: Challenges to Musicology was described by Philip Brett in The Grove Dictionary of Music and Musicians as "a defining moment in the field". He was Professor Emeritus of Musicology at the University of California, Berkeley.
Margaret Bent CBE, is an English musicologist who specializes in music of the late medieval and Renaissance eras. In particular, she has written extensively on the Old Hall Manuscript, English masses as well as the works of Johannes Ciconia and John Dunstaple.
William Oliver Strunk was an American musicologist. Charles Rosen called him one of the most influential American musicologists of the 1930s to the 1960s. He was known for his anthology Source Readings in Music History (1950) and his work on Byzantine music. He was the son of Elements of Style coauthor William Strunk, Jr. (1869–1946)
Harold Stone Powers was an American musicologist, ethnomusicologist, and music theorist.
Ann Buckley is an Irish musicologist, born in Dublin.
Don Harran was professor of musicology at the Hebrew University of Jerusalem.
Gary Alfred Tomlinson is an American musicologist and Sterling Professor of Music and Humanities at Yale University. He was formerly the Annenberg Professor in the Humanities at the University of Pennsylvania. He graduated from the University of California, Berkeley, with a Ph.D., in 1979 with thesis titled Rinuccini, Peri, Monteverdi, and the humanist heritage of opera.
Lewis H. Lockwood is an American musicologist whose main fields are the music of the Italian Renaissance and the life and work of Ludwig van Beethoven. Joseph Kerman described him as "a leading musical scholar of the postwar generation, and the leading American authority on Beethoven".
Mark Everist is a British music historian, critic and musicologist.
James Haar was an American musicologist and W.R. Kenan Jr. Professor Emeritus of Music at the University of North Carolina at Chapel Hill. A specialist in Renaissance music, he was the Editor-in-chief of the Journal of the American Musicological Society from 1966 to 1969 and served as the president of American Musicological Society from 1976 to 1978. He was elected a member of the American Academy of Arts and Sciences in 1987.
J. Peter Burkholder is an American musicologist and author. He is Distinguished Professor Emeritus of Musicology at the Indiana University Jacobs School of Music. He has written numerous monographs, essays, and journal articles on twentieth-century music, Charles Ives, musical borrowing, American music, musical meaning, analysis, and music history pedagogy. He is the principal author of A History of Western Music, 10th Edition, published by W. W. Norton & Company.
Francis Llewellyn Harrison, FBA, better known as "Frank Harrison" or "Frank Ll. Harrison" was one of the leading musicologists of his time and a pioneering ethnomusicologist. Initially trained as an organist and composer, he turned to musicology in the early 1950s, first specialising in English and Irish music of the Middle Ages and increasingly turning to ethnomusicological subjects in the course of his career. His Music in Medieval Britain (1958) is still a standard work on the subject, and Time, Place and Music (1973) is a key textbook on ethnomusicology.
Harry White is an Irish musicologist and university professor. With specialisations in Irish musical and cultural history, the music of the Austrian baroque composer Johann Joseph Fux, and the development of Anglo-American musicology since 1945, he is one of the most widely published and influential academics in his areas of research. White is also a poet, with two published collections of poetry.
Gaudentius was a Greek music theorist in Classical Antiquity. Nothing is known of his life or background, or when he lived, except what can be inferred from his sole surviving work, Εἰσαγωγὴ ἁρμονική, a treatise.
Kenneth Jay Levy was an American musicologist who specialized in Medieval, Renaissance and Byzantine music. He was described as "among the world’s authorities on early Christian and Byzantine music".
