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Author | Maria Edgeworth |
---|---|
Country | United Kingdom |
Language | English |
Genre | Epistolary novel |
Publication date | 1806 |
Media type | Print (Hardback) |
Leonora is a novel written by Maria Edgeworth and published in 1806. [1]
Although Edgeworth is known for having her novels ( Castle Rackrent , The Absentee ) address issues of nationalism in an Anglo-Irish context, Leonora instead privileges English manners over French ones. The plot of the novel centres on the newly married Leonora and her decision to bring back to England a woman who had been exiled to France. The woman, Olivia, is known as a "coquette," and her controversial behaviour with regard to her marriage had driven her to France, where she cultivated an aristocratic, "French" sensibility that exists apart from conventional morality.
The novel is written in an epistolary style, which means all of the action is mediated through personal letters and the letter-writers' points-of-view. By having the main characters tell the story through their own perspectives, the reader gets to read full articulations of competing sensibilities and philosophies, although the narrative clearly prefers Leonora's prudent reserve over Olivia's extravagant emotional displays.
Indeed, this novel can be read as a critique of sensibility, a behavioural phenomenon that tries to correlate a person's emotional sensitivity with her elevated moral sentiments. Olivia, a self-professed woman of sensibility, often makes dramatic displays of feeling that are described by others as "theatrical," or contrived, and in her personal correspondence with her French friend, Gabrielle, Olivia makes grand claims about sentiment and love that, conveniently, justify her insatiable need for attention, particularly male attention. While a conventional reading of Jane Austen's Sense and Sensibility dismisses the heroine Marianne's sensibility as romantic teenage folly, Edgeworth's novel Leonora emphasises Olivia's behaviour as hypocritical narcissism.
Maria Edgeworth's letter to Mrs. Pruxton at Black Castle, Navan, dated 8 June 1806, reads:
"------ Lady Olivia in 'Leonora' is now supposed by all Dublin to be a portrait of Lady Asgill [wife of Sir Charles Asgill, 2nd Baronet] and that wherever they go they have to defend me by asserting that I'm not acquainted with the said Lady Asgill. Very luckily I never did meet her at Lady Holt's where she was intimate. She was educated by Mademoiselle Le Noir who was Miss Bracebridge's governess and who was more like Mademoiselle Panache than Lady Asgill is - to Olivia - at all events this fancy of the Dublin fine world promotes the sale of the book and I am content. -------."
Lady Bessborough, writing to Granville Leveson-Gower from Paris on Thursday, 23 December 1802, had this to say about Maria Edgeworth:
"…..I was introduc'd by him [François de la Harpe] to the famous Miss Edgeworth and her Brother. By the by, I am sure she wrote it all herself, for the brother seems a fool and a coxcomb; she very ugly, but delightful."
A Vindication of the Rights of Woman: with Strictures on Political and Moral Subjects (1792), written by British philosopher and women's rights advocate Mary Wollstonecraft (1759–1797), is one of the earliest works of feminist philosophy. In it, Wollstonecraft responds to those educational and political theorists of the eighteenth century who did not believe women should receive a rational education. She argues that women ought to have an education commensurate with their position in society, claiming that women are essential to the nation because they educate its children and because they could be "companions" to their husbands, rather than mere wives. Instead of viewing women as ornaments to society or property to be traded in marriage, Wollstonecraft maintains that they are human beings deserving of the same fundamental rights as men.
Mary Wollstonecraft was a British writer, philosopher, and advocate of women's rights. Until the late 20th century, Wollstonecraft's life, which encompassed several unconventional personal relationships at the time, received more attention than her writing. Today Wollstonecraft is regarded as one of the founding feminist philosophers, and feminists often cite both her life and her works as important influences.
Sense and Sensibility is the first novel by the English author Jane Austen, published in 1811. It was published anonymously; By A Lady appears on the title page where the author's name might have been. It tells the story of the Dashwood sisters, Elinor and Marianne as they come of age. They have an older half-brother, John, and a younger sister, Margaret.
Maria Edgeworth was a prolific Anglo-Irish novelist of adults' and children's literature. She was one of the first realist writers in children's literature and was a significant figure in the evolution of the novel in Europe. She held critical views on estate management, politics and education, and corresponded with some of the leading literary and economic writers, including Sir Walter Scott and David Ricardo. During the first decade of the 19th century she was one of the most widely read novelists in Britain and Ireland. Her name today most commonly associated with Castle Rackrent, her first novel in which she adopted an Irish Catholic voice to narrate the dissipation and decline of a family from her own landed Anglo-Irish class.
Charlotte Smith was an English novelist and poet of the School of Sensibility whose Elegiac Sonnets (1784) contributed to the revival of the form in England. She also helped to set conventions for Gothic fiction and wrote political novels of sensibility. Despite ten novels, four children's books and other works, she saw herself mainly as a poet and expected to be remembered for that.
Evelina, or the History of a Young Lady's Entrance into the World is a novel written by English author Fanny Burney and first published in 1778. Although published anonymously, its authorship was revealed by the poet George Huddesford in what Burney called a "vile poem".
Sydney, Lady Morgan, was an Irish novelist, best known for The Wild Irish Girl (1806), a romantic, and some critics suggest, "proto-feminist", novel with political and patriotic overtones. Her work, including continental travelogues, sparked controversy and faced censorship. She counted Percy Bysshe Shelley and Lord Byron among her defenders.
Sensibility refers to an acute perception of or responsiveness toward something, such as the emotions of another. This concept emerged in eighteenth-century Britain, and was closely associated with studies of sense perception as the means through which knowledge is gathered. It also became associated with sentimental moral philosophy.
The sentimental novel or the novel of sensibility is an 18th- and 19th-century literary genre which celebrates the emotional and intellectual concepts of sentiment, sentimentalism, and sensibility. Sentimentalism, which is to be distinguished from sensibility, was a fashion in both poetry and prose fiction beginning in the eighteenth century in reaction to the rationalism of the Augustan Age.
Mary: A Fiction is the only complete novel by 18th-century British feminist Mary Wollstonecraft. It tells the tragic story of a woman's successive "romantic friendships" with a woman and a man. Composed while Wollstonecraft was a governess in Ireland, the novel was published in 1788 shortly after her summary dismissal and her decision to embark on a writing career, a precarious and disreputable profession for women in 18th-century Britain.
General Sir Charles Asgill, 2nd Baronet, was a career soldier in the British Army. At the end of the American Revolutionary War he became the principal of the so-called Asgill Affair of 1782, in which his retaliatory death sentence while a prisoner of war was commuted by the American forces who held him, due to the direct intervention of the government of France. Later in his career, he was involved in the Flanders campaign, the suppression of the Irish Rebellion of 1798 and was Commander of the Eastern Division of Ireland during the Irish rebellion of 1803.
Maria: or, The Wrongs of Woman is Mary Wollstonecraft's unfinished novelistic sequel to her revolutionary political treatise A Vindication of the Rights of Woman (1792). The Wrongs of Woman was published posthumously in 1798 by her husband, William Godwin, and is often considered her most radical feminist work.
Belinda is an 1801 novel by the Anglo-Irish writer Maria Edgeworth. It was first published in three volumes by Joseph Johnson of London. The novel was Edgeworth's second published, and was considered controversial in its day for its depiction of an interracial marriage. It was reprinted by Pandora Press in 1986.
The Castle of Wolfenbach (1793) is the most famous novel written by the English Gothic novelist Eliza Parsons. First published in two volumes in 1793, it is among the seven "horrid novels" recommended by the character Isabella Thorpe in Jane Austen's novel Northanger Abbey and an important early work in the genre, predating Ann Radcliffe's The Mysteries of Udolpho and Monk Lewis's The Monk.
Dear creature! How much I am obliged to you; and when you have finished Udolpho, we will read The Italian together; and I have made out a list of ten or twelve more of the same kind for you.
Have you, indeed! How glad I am! What are they all?
I will read you their names directly; here they are, in my pocketbook. Castle of Wolfenbach, Clermont, Mysterious Warnings, Necromancer of the Black Forest, Midnight Bell, Orphan of the Rhine, and Horrid Mysteries. Those will last us some time.
Yes, pretty well; but are they all horrid, are you sure they are all horrid?
Patronage is a four volume fictional work by Anglo-Irish writer Maria Edgeworth and published in 1814. It is one of her later books, after such successes as Castle Rackrent (1800), Belinda (1801), Leonora (1806) and The Absentee in 1812, to name a few. The novel is a long and ambitious one which she began writing in 1809. It is the longest of her novels.
A Simple Story is a novel by English author and actress, Elizabeth Inchbald. Published in early 1791 as an early example of a "novel of passion", it was very successful and became widely read in England and abroad. It went into a second edition in March 1791. It is still in print today.
Honora Edgeworth was an eighteenth-century English writer, mainly known for her associations with literary figures of the day particularly Anna Seward and the Lunar Society, and for her work on children's education. Sneyd was born in Bath in 1751, and following the death of her mother in 1756 was raised by Canon Thomas Seward and his wife Elizabeth in Lichfield, Staffordshire until she returned to her father's house in 1771. There, she formed a close friendship with their daughter, Anna Seward. Having had a romantic engagement to John André and having declined the hand of Thomas Day, she married Richard Edgeworth as his second wife in 1773, living on the family estate in Ireland till 1776. There she helped raise his children from his first marriage, including Maria Edgeworth, and two children of her own. Returning to England she fell ill with tuberculosis, which was incurable, dying at Weston in Staffordshire in 1780. She is the subject of a number of Anna Seward's poems, and with her husband developed concepts of childhood education, resulting in a series of books, such as Practical Education, based on her observations of the Edgeworth children. She is known for her stand on women's rights through her vigorous rejection of the proposal by Day, in which she outlined her views on equality in marriage.
The Asgill Affair or Huddy-Asgill Affair was a diplomatic incident during the American Revolution named after a British army officer, Captain Charles Asgill.
Arabella Lawrence (1787–1873) was an English educator, one of the Lawrence sisters, Unitarians who ran a noted school at Gateacre. She is now known as a tutor for Ada Lovelace in the period 1830–2.
Ennui is a novel by Maria Edgeworth published in 1809. It is a fictitious memoir of the Earl of Glenthorn, an English man who experiences excessive boredom (ennui) and attempts to find novelty and meaning in life. Edgeworth began writing the novel before 1805, and though she said she finished it that year, she likely continued revising it until around 1808.