"Let's Party" | ||||
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Single by Jive Bunny and the Mastermixers | ||||
B-side | "Auld Lang Syne" | |||
Released | 4 December 1989 [1] | |||
Genre | ||||
Length | 4:25 | |||
Label | Telstar | |||
Songwriter(s) | Various | |||
Producer(s) | Andy Pickles, Ian Morgan | |||
Jive Bunny and the Mastermixers singles chronology | ||||
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"Let's Party" is a song by British novelty pop music act Jive Bunny and the Mastermixers, the third single released by the father-and-son DJ team Andy and John Pickles. Released on 4 December 1989, it reached the top of the UK Singles Chart for a single week the same month. [2] They became only the third act to reach No. 1 with their first three singles, following on from Gerry and the Pacemakers in 1964 and Frankie Goes to Hollywood in 1984, and took the shortest time to achieve the feat.
The record follows on from the formula which took their earlier singles "Swing the Mood" and "That's What I Like" to number one on the charts. Although it did not appear on Jive Bunny: The Album , the track took its melodic hook from Joe Loss's "March of the Mods" - the same as the album's closing track "Hopping Mad". Unlike Jive Bunny's previous two hits, it was not a major international hit, although it reached No. 2 in Ireland, and charted in several other European nations.
The difference was it sampled classic Christmas songs instead. These included the 1973 Christmas No. 1 Slade's "Merry Xmas Everybody" and Gary Glitter's "Another Rock and Roll Christmas". It also included Wizzard's "I Wish It Could Be Christmas Everyday" but, as they did not have permission to use the song, they got the group's lead singer Roy Wood to re-record the song.
Following Gary Glitter's convictions, later editions on download and streaming sites replaced his track with Mariah Carey's "All I Want For Christmas Is You" despite that Carey's song had to be included before Glitter's on the 1996 Christmas Party Album.
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [16] | Gold | 400,000^ |
^ Shipments figures based on certification alone. |
Jive Bunny and the Mastermixers are a British novelty pop music act from Rotherham, South Yorkshire, England. The face of the group was Jive Bunny, a cartoon rabbit who appeared in their music videos. Costumed actors also made promotional appearances as the character.
Stars on 45 was a Dutch novelty pop act that was successful in Europe, the United States, and Australia in the early 1980s. The group later shortened its name to Stars On in the U.S., while in the United Kingdom and Ireland it was known as Starsound. The band, which consisted solely of studio session musicians under the direction of Jaap Eggermont, formerly of Golden Earring, recorded medley recordings made by recreating hit songs as faithfully as possible and joining them together with a common tempo and underlying drum track.
"Santa Claus Is Comin' to Town" is a Christmas song featuring Santa Claus, written by J. Fred Coots and Haven Gillespie and first recorded by Harry Reser and His Band. When it was covered by Eddie Cantor on his radio show in November 1934 it became a hit; within 24 hours, 500,000 copies of sheet music and more than 30,000 records were sold. The version for Bluebird Records by George Hall and His Orchestra was very popular in 1934 and reached the various charts of the day. The song has been recorded by over 200 artists including Bing Crosby and the Andrews Sisters, the Crystals, Neil Diamond, Fred Astaire, Bruce Springsteen, Frank Sinatra, Mitch Miller, Boxcar Willie, Bill Evans, Chris Isaak, the Temptations, The Pointer Sisters, the Carpenters, Michael Bublé, Luis Miguel, and the Jackson 5.
"All I Want for Christmas Is You" is a song by American singer Mariah Carey from her fourth studio album and first holiday album, Merry Christmas (1994). Written and produced by Carey and Walter Afanasieff, the song was released as the lead single from the album on October 29, 1994, by Columbia Records. The track is an uptempo love song that includes bell chimes, backing vocals, and synthesizers. It has received critical acclaim, with The New Yorker describing it as "one of the few worthy modern additions to the holiday canon". The song has become a Christmas standard, with a significant rise in popularity each December.
This is a summary of 1989 in music in the United Kingdom, including the official charts from that year.
"Last Night a D.J. Saved My Life" is a song written by Michael Cleveland, sung by American group Indeep, and released as a single in 1982 by Sound of New York and Becket Records. It features vocals from Réjane "Reggie" Magloire and Rose Marie Ramsey. The track appears as the third track of the namesake album released in 1983.
"Better Best Forgotten" is a song by British pop group Steps, released on 8 March 1999. It was the final single to be taken from their debut album, Step One. The song became the group's fourth top-10 hit in the UK, peaking at number two on the UK Singles Chart, and it also reached the top 20 in Ireland and the Flanders region of Belgium.
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"Swing the Mood" is a song by British novelty pop music act Jive Bunny and the Mastermixers, released as the first single from their debut album, Jive Bunny: The Album (1989). Produced by the father and son DJ team of Andy and John Pickles, "Swing the Mood" is a cut and paste record which fused a number of early rock and roll records with liberal use of Glenn Miller's "In the Mood".
"That's What I Like" is a song by British novelty pop music act Jive Bunny and the Mastermixers, released on 2 October 1989 as the second single from their debut album, The Album (1989). It followed "Swing the Mood" to number one in the United Kingdom, Ireland and Spain and went top ten in several countries. In the United States, it failed to build on the success of the group's first hit, peaking at number 69 on the Billboard Hot 100.
"Merry Xmas Everybody" is a song by the British rock band Slade, released as a non-album single in 1973. The song was written by lead vocalist Noddy Holder and bassist Jim Lea, and it was produced by Chas Chandler. It was the band's sixth and final number-one single in the UK. Earning the UK Christmas number one slot in December 1973, the song beat another Christmas-themed song, Wizzard's "I Wish It Could Be Christmas Everyday", which reached fourth place. It remained in the charts for nine weeks until February 1974.
"Heartbeat" is a song by British pop group Steps, from their debut studio album Step One (1998). Issued as a double A-side with their cover of the 1979 Bee Gees single "Tragedy", it was released on 9 November 1998 as the fourth single off the album. "Heartbeat" was solely written by Jackie James, and it was the first ballad released as a single by the group. While promoting the 2012 Hit Factory Live event, Pete Waterman revealed that the song had sat in a drawer for years before he gave it to the band to record.
"Christmas (Baby Please Come Home)" is a pop song originally sung by Darlene Love and included on the 1963 seasonal compilation album, A Christmas Gift for You from Phil Spector. The song was written by Ellie Greenwich, Jeff Barry, and Phil Spector.
"I Wish It Could Be Christmas Every Day" is a Christmas song recorded by British glam rock band Wizzard. It was first released in December 1973 and, as with most Wizzard songs, was written and produced by the band's frontman Roy Wood—formerly of The Move and a founding member of Electric Light Orchestra. Despite the song's strong, long-lasting popularity, it has reached no higher than number four on the UK Singles Chart, a position it occupied for four consecutive weeks from December 1973 to January 1974. The song was beaten to the 1973 Christmas Number 1 spot by Slade's "Merry Xmas Everybody", which remained at the top of the charts for five weeks, from December 1973 to January 1974.
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Jive Bunny: The Album is the debut album by Jive Bunny and the Mastermixers, released in 1989 by Telstar Records and produced by Les Hemstock and Andy Pickles. It includes two UK number one singles: "Swing the Mood" and "That's What I Like". Each of the album's tracks is made up of a medley of songs and samples from the 1940s to the 1970s.
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