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El día que me quieras is an Argentine tango with music by Carlos Gardel and lyrics by Alfredo Le Pera. It is considered one of the most popular songs of the 20th century and one of the best Latin songs of all time. Originally featured in the 1935 film of the same name, sung by Gardel himself, it became a heavily recorded tango standard, even by artists outside of the realm of tango. It has subsequently been covered by various artists such as Luis Miguel, Julio Iglesias, Michael Bolton Roberto Carlos, Raphael de España and Shlomo Idov who translated the song to Hebrew. The song was inducted into the Latin Grammy Hall of Fame in 2001. "El día que me quieras" was honored at the 2014 La Musa Awards as "La Canción de Todos los Tiempos". It was among the tango standards selected by Plácido Domingo for his 1981 album Plácido Domingo Sings Tangos. In addition to Domingo, the song has been covered by operatic tenors including José Carreras, Juan Diego Florez, Christian Ketter, and Alfredo Kraus.
Pecado Original(English: Original Sin) is the third studio album by Mexican singer Ana Gabriel. It was released by CBS Records on December 8, 1987. The album was produced by Mariano Perez Bautista.
"Como Tu Mujer" is a song and title track written and produced by Mexican singer-songwriter Marco Antonio Solís and first recorded by Spanish performer Rocío Dúrcal. It was released in 1988 as the first single from studio album Como Tu Mujer (1988), this would be the first album produced by Solís for the singer. This song became a hit all over Latin America and in the United States where it went on to number-one for 10 consecutive weeks. This song is considered by some to be one of her most successful singles. This song earned her many awards such as the Premio Aplauso FM 98, given by "Spanish Broadcasting System", in Los Angeles, California and Premio TV y Novelas for 'Best Female Artist'.
"Non c'è" is an Italian ballad written by Pietro Cremonesi, Angelo Valsiglio and Federico Cavalli and recorded by pop singer Laura Pausini. It is the second single from the singer's first album, Laura Pausini. The song was also recorded in Spanish under the title "Se fue" and included in Pausini's Spanish-language debut album, released in 1994. A remix version of "Se fue" was released in 1994 and became popular in Spanish dance clubs. The song later became one of Pausini's best known singles.
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Gente is an Italian-language song recorded by Laura Pausini and written by Cheope, Marco Marati and Angelo Valsiglio. It was released in 1994 as the second single from Pausini's second album, Laura. The song bears a striking resemblance to the Marco Ferradini song "Teorema."
"Hombres al Borde de un Ataque de Celos" is a dance song written by J.R. Florez, produced by Gian Pietro Felisatti and Loris Ceroni, and performed by Mexican singer Yuri. It was released in 1988 as the first single from her studio album Isla del Sol (1988), and became her second number-one single in the Billboard Hot Latin Tracks chart after "Qué Te Pasa" in 1988. Isla del Sol was the first album recorded by the singer on CBS, her record label until 1995. This song became one of her staple on every live performance and was also included on the live album Vive la Historia.
"La Incondicional" is a song written, produced, and arranged by Spanish musician Juan Carlos Calderón and performed by Mexican singer Luis Miguel. It was released in 1989 via WEA Latina as the third single from Miguel's sixth studio album, Busca una Mujer (1988). The song became his second #1 single on the Billboard Hot Latin Tracks chart after "Ahora Te Puedes Marchar" in 1987. The song broke several airplay records in Latin America, topping the charts in Mexico, Chile and Peru; and the top-ten in other countries. The success of the song helped push the album to #3 on the Billboard Latin Pop Albums with approximate sales of four million units.
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"Tengo Todo Excepto a Ti" is a song written, produced, and arranged by Juan Carlos Calderón, and performed by Mexican singer Luis Miguel. It was released as the lead single from his studio album 20 Años (1990). It reached the number one position all over Ibero-America, became his fourth number-one single in the Billboard Hot Latin Songs chart after "Ahora Te Puedes Marchar", "La Incondicional" and "Fría Como el Viento" and was nominated for Pop Song of the Year at the Lo Nuestro Awards. The parent album peaked at number two in the Latin Pop Albums chart and sold more than 600,000 copies in its first week of release.
"Fuego Contra Fuego" is the debut single by Puerto Rican singer Ricky Martin from his debut solo studio album Ricky Martin '91 (1991). It was released by Sony Music Mexico and CBS Discos on September 9, 1991. A music video was also released.
"Inolvidable" ("Unforgettable") is a song written by Julio Gutiérrez in 1944. It is considered one of the most popular boleros released during the Cuban musical movement led by pianists. The song has been recorded by several performers, including Roberto Carlos, Diego El Cigala, Fania All-Stars, Eydie Gormé, Danny Rivera, Tito Rodríguez and Bebo Valdés, among others.
"América América" is a song written by José Luis Armenteros and Pablo Herrero and performed by Spanish performer Nino Bravo. It was released as a single for his fifth studio album y volumen 5 (1973). The song reached number one on the Spanish Singles Chart in 1973. In 2013, the song was inducted into the Latin Grammy Hall of Fame.
"Sudor" is a song by the Mexican singer Thalía released as the first single of her second album release Mundo de Cristal, in 1991. "Sudor" is the second of four songs in which Thalía talks about body fluids, the others are "Saliva", "Sangre" and "Lágrimas" from the albums Thalía, Love and En éxtasis, respectively.
"Sangre" is the first single taken from the album Love by Mexican singer Thalía. The song was composed by the singer herself and the lyrics are dedicated to Alfredo Díaz Ordáz who died before the album was released. The song was successful in Mexico peaking at number two in the Notitas Musicales chart. "Sangre" is the third of four songs in which Thalía talks about body fluids, the others are "Saliva", "Sudor" and "Lágrimas" from the albums Thalía, Mundo de Cristal and En éxtasis, respectively.
"La Media Vuelta" is a song written and performed by Mexican singer José Alfredo Jiménez released in 1963. One of Jiménez' most famous compositions, the song has become part of the traditional Mexican musical repertoire, and has been recorded by dozens of singers and groups.
"Todo y Nada" is a song written and performed by Mexican singer Vicente Garrido Calderón released in 1957 and originally recorded by Los Tres Ases and Lucho Gatica. It was covered by Mexican singer Luis Miguel on his album Segundo Romance (1994) where it was released as the third single from the album in 1995 and reached number three on the Billboard Hot Latin Songs and number one on the Latin Pop Airplay charts, becoming his third number-one song on the latter chart. "Todo y Nada" became Miguel's third consecutive number-one song from Segundo Romance in Mexico; and became a top-five hit in Chile, Panama and Puerto Rico.
Señales de Humo is the second single of Juan Luis Guerra sixth studio album Areito (1992). The track is divided in two parts: The first part is a bachata and the second one the rhythm transformed to Mambo with elements of son and salsa. The title made reference of the communication that the indigenous use between vast and unpopulated areas and that are made by bonfires. The song met with critical acclaim and won Song of The Year at the 1994`s BMI Latin Awards. The track was a great success in Latin America and Billboard US Latin charts. The track was included on Guerra`s compilation album Colección Romantica (2001).
La Cosquillita is the lead single of the seventh studio album Fogarate! by dominican superstar Juan Luis Guerra. It was released on June 21, 1994 by Karen Records. The rural merengue track was written and produced with the Dominican accordionist Francisco Ulloa and his band. About the success of the track, Guerra stated "With the `perico ripiao' we are doing the same thing that we did with the `bachata,' breaking down the barriers that prevent it from reaching all of Dominican society, and then exporting it". The song became Guerra's first number-one hit in his native Dominican Republic; and became a top-ten hit in Spain, Venezuela and the US Hot Latin Songs chart.
References
- ↑ "Laura Pausini - Lettera". Discogs . Retrieved 9 August 2012.
- ↑ "Laura Pausini – Lettera" (in Dutch). Ultratop 50.
- ↑ "Tipparade week 46 van 1994 (12-11-1994)" (PDF) (in Dutch). Dutch Top 40. Archived from the original (PDF) on 4 March 2016. Retrieved 9 August 2012.
- ↑ "Laura Pausini – Lettera" (in Dutch). Single Top 100.
- ↑ "Discos más populares en Latinoamérica". El Siglo de Torreón (in Spanish): 39. July 15, 1995. Retrieved August 11, 2021.
- ↑ "Discos más populares en Latinoamérica". El Siglo de Torreón (in Spanish): 37. September 23, 1995. Retrieved August 11, 2021.
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