Libby Van Cleve | |
---|---|
Born | August 22, 1958 |
Occupation(s) | Oboist Director of Yale's Oral History of American Music |
Partner | Jack Vees |
Libby Van Cleve (born August 22, 1958) is an American oboist and Director of Yale University's Oral History of American Music. [1]
Van Cleve has received the following degrees:
She currently resides in Guilford, Connecticut with husband Jack Vees, a composer and bassist, and their daughter Nola. [2]
Libby Van Cleve has recorded works of composers such as Anthony Braxton, Ingram Marshall, Jack Vees, and Eleanor Hovda on oboe, English horn, and oboe d'amore. [3] Through the 1990s, she also collaborated with the avant-garde and now inactive Nancy Meehan Dance Company many times. [4] [5] [6] Van Cleve currently teaches oboe at Wesleyan University in Middletown, Connecticut and at Connecticut College in New London, CT. [3]
In 2004, Van Cleve published her first book, Oboe Unbound: Contemporary Techniques. [3] Composer Anthony Braxton said of the book: "The release of this book will extend the evolution and exploratory dimensions of creative oboe music. It is a must-have for any serious student of oboe music." In 2014, a revised edition was released. Prominent oboist Allan Vogel commented, "Oboe Unbound is inspiring comprehensive, and easy to learn from...I recommend it highly." [7] As a more recent project, Van Cleve has released the first three Bach Cello Suites, edited for oboe, through The Music Source, T.D. Ellis Music Publishing. [8]
Van Cleve began her work at the Oral History of American Music as assistant to the director in 1993 and in 2000, became associate director. [1] In 2004, Van Cleve spearheaded efforts which resulted in a $148,000 grant toward preserving OHAM's recordings from the Save America's Treasures initiative. [9] Her second book was published in 2005, Composers' Voices From Ives to Ellington, co-written with Vivian Perlis. [10] In 2006, the two co-authors received ASCAP's Deems Taylor Special Recognition Award for their work. [11] In 2010, Libby Van Cleve succeeded Vivian Perlis as Director of the Oral History of American Music project. [1]
The oboe is a type of double-reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites.
Joan Linda La Barbara is an American vocalist and composer known for her explorations of non-conventional or "extended" vocal techniques. Considered to be a vocal virtuoso in the field of contemporary music, she is credited with advancing a new vocabulary of vocal sounds including trills, whispers, cries, sighs, inhaled tones, and multiphonics.
David Rosenboom is a composer, performer, interdisciplinary artist, author, and educator known for his work in American experimental music.
Eleanor Hovda was a composer and dancer from the United States of America. She was born in Duluth, Minnesota and died in Springdale, Arkansas.
Heinz Robert Holliger is a Swiss virtuoso oboist, composer and conductor. Celebrated for his versatility and technique, Holliger is among the most prominent oboists of his generation. His repertoire includes Baroque and Classical pieces, but he has regularly engaged in lesser known pieces of Romantic music, as well as his own compositions. He often performed contemporary works with his wife, the harpist Ursula Holliger; composers such as Berio, Carter, Henze, Krenek, Lutosławski, Martin, Penderecki, Stockhausen and Yun have written works for him. Holliger is a noted composer himself, writing works such as the opera Schneewittchen (1998).
Jeremy Beck is an American composer who "knows the importance of embracing the past while also going his own way." The critic Mark Sebastian Jordan has said that "Beck was committed to tonality and a recognizable musical vernacular long before that became the hip bandwagon it is today. Indeed, [he is] ... an original voice celebrating music."
Innova Recordings is the independent record label of the non-profit American Composers Forum based in St. Paul, Minnesota. It was founded in 1982 to document the winners of the McKnight Fellowship offered by its parent organization, the Minnesota Composers Forum.
Arthur Gershwin was one of the four Gershwin family siblings of American musical fame. Although he was a composer, he was not a professional musician, and made his living as a stockbroker.
Dean Rosenthal is an American composer of instrumental and electronic music, sound installations, and field recordings. His pieces have included field recordings, text scores, digital pastiche, and instrumental works focussed on natural observations of properties in mathematics such as perfect tilings, combinations, graph theory, and permutations. He has conducted and performed internationally since 1996. He is the composer of the ongoing international community experimental music work Stones/Water/Time/Breath that is celebrated annually by Fête de la Musique in multiple cities across North America and Europe. He also serves as co-editor of The Open Space Web Magazine and is a contributing editor to The Open Space Magazine. He has worked closely with Guggenheim Fellow David Parker's dance company The Bang Group on several works, including their collaboration Turing Tests. Most recently, he was commissioned by the Oral History of American Music at Yale to compose a new work on the life of Vivian Perlis. This piece, There Was Only One of Her , was placed in the Rodgers and Hammerstein Archives of Recorded Sound at the New York Public Library for the Performing Arts.
Jared Hauser, is an American oboist, recording artist, and educator. He is associate professor of oboe at Vanderbilt University Blair School of Music in Nashville, Tennessee, and also teaches at the National Music Festival in Chestertown, Maryland. Hauser plays with the Blair Woodwind Quintet, the contemporary music group Intersection, and as principal oboe with the Nashville Opera Orchestra. He also performs on period oboes with Early Music City, and Music City Baroque.
Oral History of American Music (OHAM), founded in 1969, is an oral history project and archive of audio and video recordings consisting mainly of interviews with American classical and jazz musicians. It is a special collection of the Irving S. Gilmore Music Library at Yale University and housed within the Sterling Memorial Library building in New Haven, Connecticut. It currently holds approximately 3,000 interviews with more than 900 subjects and is considered the definitive collection of its kind.
Vivian Perlis was an American musicologist and the founder and former director of Yale University's Oral History of American Music.
Jack Vees is an American composer and bassist from Camden, New Jersey.
Ensemble 1995 is a live album by composer and saxophonist Anthony Braxton with an ensemble, recorded at the Knitting Factory in 1995 and released on his own Braxton House label.
Olive Thompson Cowell (1887–1984) was a patron of the arts and music, and a professor of International Relations.
Mary Shipman Howard (1911–1976) was one of the earliest female recording engineers and recording studio owners. She was owner of Mary Howard Recordings studio and MHR label in New York City. She worked with Glenn Miller, Arturo Toscanini, and Charles Ives. After leaving the studio business, she remarried as Mary Howard Pickhardt and was a well-known breeder of pugs. She was also a respected judge of dog shows across the US.
Arthur C. Logan was a surgeon. The year after he died, the 1862-founded Knickerbocker Hospital was renamed in his memory; he had been a member of New York City's Health and Hospitals Corporation and was also described as a civic leader. In 1970, he was honored, with attendees including the Governor, a future governor, an ambassador, and many others.
Lois Wann was an American oboist who was one of the well-known American oboists of the 20th century. She performed as a soloist in chamber music and concertos, specializing in early music but also playing contemporary works. Several contemporary composers wrote pieces for her, including Darius Milhaud. Reviews of Wann's concerts often highlighted her technique and musicianship. As an orchestral musician, she was an early example both of a woman who played the oboe in a professional American orchestra and of a woman principal in a professional orchestra. She spent much of her career in New York, where she was a noted teacher of the oboe, at the Juilliard School and elsewhere.
Victoria Jordanova is an American composer, harpist, and media artist born in 1952 in former Yugoslavia, active in the field of contemporary classical music, experimental music and media arts. Her work encompasses contemporary classical composition, improvisation and electroacoustic music. According to New Music Box "Jordanova has a tightly controlled focus to her work, a singularity of vision, while melding experimental techniques, electronics and improvisation with her classical music education..."