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Liberal Animation | ||||
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Studio album by | ||||
Released | 1988 | |||
Recorded | January 9–11, 1988 | |||
Studio | Westbeach Recorders | |||
Genre | Hardcore punk | |||
Length | 30:22 | |||
Label | Wassail, Epitaph | |||
Producer | Brett Gurewitz, NOFX | |||
NOFX chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Liberal Animation is the debut studio album by the American punk rock band NOFX. [2] [3] It was originally released in 1988 through Wassail Records, which was Fat Mike's label before Fat Wreck Chords. Brett Gurewitz produced the record, and even offered to release it on his label, Epitaph Records. [4] The band decided to self-release it instead. It was re-released through Epitaph Records in 1991 with all new artwork. The title is a spoonerism of "animal liberation" and the cover artwork is a reflection of that. Bassist/Singer, Fat Mike has stated many times that he thinks it's the worst NOFX album. He wrote the majority of the album on a guitar he bought from Lynn Strait of Snot. [5] The track "Shut Up Already" features a short cover of the Led Zeppelin song "Black Dog". It is the only full length album by NOFX to feature Dave Casillas on guitar. Amateur style music videos were made for the tracks "Shut Up Already" and "Mr. Jones."
All tracks are written by Fat Mike, except where noted
No. | Title | Writer(s) | Notes | Length |
---|---|---|---|---|
1. | "Shut Up Already" | Fat Mike, Dave Casillas | contains an interpolation of Led Zeppelin’s “Black Dog” | 2:44 |
2. | "Freedumb" | 0:45 | ||
3. | "Here Comes the Neighborhood" | Fat Mike, Eric Melvin | 2:58 | |
4. | "A200 Club" | 1:55 | ||
5. | "Sloppy English" | 1:20 | ||
6. | "You Put Your Chocolate in My Peanut Butter" | Fat Mike, Melvin | 2:31 | |
7. | "Mr. Jones" | Fat Mike, Melvin, Casillas | 3:18 | |
8. | "Vegetarian Mumbo Jumbo" | Fat Mike, Melvin | 3:32 | |
9. | "Beer Bong" | 2:30 | ||
10. | "Piece" | 1:35 | ||
11. | "I Live in a Cake" | Fat Mike, Melvin | 1:09 | |
12. | "No Problems" | 1:20 | ||
13. | "On The Rag" | 1:42 | ||
14. | "Truck Stop Blues" | Melvin, Casillas | 3:03 | |
Total length: | 29:33 |
NOFX is an American punk rock band formed in Los Angeles in 1983. Bassist/lead vocalist Fat Mike, rhythm guitarist Eric Melvin and drummer Erik Sandin are original founding and longest-serving members of the band, who have appeared on every release by the band, although Sandin departed briefly in 1985, only to rejoin the following year. El Hefe joined the band in 1991 to play lead guitar and trumpet, rounding out the best-known iteration of the lineup.
Epitaph Records is an American independent record label owned by Bad Religion guitarist Brett Gurewitz. A large portion of the record label, known as Hellcat Records, is owned by Tim Armstrong, frontman of the punk rock band Rancid. Several sister labels also exist, such as ANTI-, Burning Heart Records, Hellcat Records, and Heart & Skull Records that have signed other types of bands.
Suffer is the third studio album by American punk rock band Bad Religion, released on the Californian independent record label Epitaph Records on September 8, 1988. It was the first album that was both released and distributed by the label. Following the release of the EP Back to the Known (1985), Bad Religion went on a temporary hiatus, then reunited with its original members and went to work on their first full-length studio album in five years.
Pump Up the Valuum is the eighth studio album by the American punk rock band NOFX. It was released on June 13, 2000, on Epitaph Records, their last through the company.
Punk in Drublic is the fifth studio album by the American punk rock band NOFX. It was released on July 19, 1994, through Epitaph Records. The title is a spoonerism of "Drunk in Public".
Punk-O-Rama is the title given to a series of ten compilation albums published by Epitaph Records. The first volume was released in 1994, the second in 1996, and the rest annually from 1998 to 2005. The albums included artists from Epitaph's roster as well as from its subsidiary label ANTI- and its partnership labels Hellcat Records and Burning Heart Records. In total the series included 257 songs contributed by 88 different artists.
Rich Kids on LSD (RKL) is a Californian hardcore punk band formed in 1982 in Montecito, California, a suburb of Santa Barbara. They were associated with the "Nardcore" scene that evolved out of nearby Oxnard. Their music expanded over the years from West Coast hardcore to a mix of hardcore with rock and metal elements. This style, along with touring, made them very popular on the European scene, especially among skaters in the 1980s and 1990s. Guitarist Chris Rest was the band's only consistent member.
Fat Wreck Chords is an independent record label based in San Francisco focused on punk rock. It was started by NOFX lead singer Michael Burkett and his wife at the time, Erin Burkett in 1990. As of 2009 Fat Wreck Chords has released over 300 studio albums.
So Long and Thanks for All the Shoes is the seventh studio album by the American punk rock band NOFX. It was released on November 11, 1997, through Epitaph Records.
Heavy Petting Zoo is the sixth studio album by the American punk rock band NOFX. It was released on January 31, 1996, through Epitaph Records. The record reached a position of No. 63 on the American Billboard 200 Albums chart, the first NOFX album to do so. In Austria, Heavy Petting Zoo peaked at No. 20, while the album achieved the No. 13 position in both Sweden and Finland.
S&M Airlines is the second studio album by the American punk rock band NOFX. It was released on September 5, 1989, through Epitaph Records. It was also the group's first release on Epitaph. A music video was made for the title track. The album was recorded and mixed in only six days at Westbeach Recorders. Bad Religion's Greg Graffin and Brett Gurewitz appear on the final track, a cover of the Fleetwood Mac song "Go Your Own Way". They also did harmonies on a few other songs. Bassist/singer, Fat Mike considers it to be the first real NOFX album. It was heavily inspired by Bad Religion and Rich Kids on LSD, and showed the band moving more towards a melodic and metallic sound. The album sold 3,500 copies upon its release.
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Ribbed is the third studio album by the American punk rock band NOFX, released in 1991 through Epitaph Records. It was their last album to feature Steve Kidwiler on guitar; he was replaced by El Hefe. Ribbed is also the last NOFX album produced by Brett Gurewitz, who also produced their first two Epitaph albums. The album sold 8,000 copies upon its release.
The Greatest Songs Ever Written (By Us) is a greatest hits compilation album released on November 9, 2004 by NOFX consisting of previously released songs that have been cleaned up and restored using a more recent technology. Some songs were even re-mixed for the compilation.
The P.M.R.C. Can Suck on This is an EP by the American punk rock band NOFX. It was originally released in 1987 through Wassail Records with hand-written labels and was re-released on January 1, 1990, through Fat Wreck Chords. The original version of the EP featured a black-and-white photo montage of Tammy Faye Bakker pegging then-husband Jim Bakker as its cover, but was eventually changed to a picture of guitarist Eric Melvin playing on stage. The track "Shut Up Already" borrows a riff from the Led Zeppelin song "Living Loving Maid", while the Liberal Animation version ended with a riff from "Black Dog". All the tracks were compiled on the Longest EP compilation as tracks 26-30 respectively, where Johnny B. Goode appears at the end of "The Punk Song".
The Loved Ones are an American punk rock band from Philadelphia, Pennsylvania. Founded in late 2003, the band consists of Dave Hause, David Walsh (guitar), Chris Gonzalez (bass/guitar), Michael Cotterman (bass) and Mike Sneeringer (drums). They are presently signed to Fat Wreck Chords.
Never Trust a Hippy is an EP by the American punk rock band NOFX, released March 14, 2006 through Fat Wreck Chords. Released a month in advance of the band's tenth studio album, Wolves in Wolves' Clothing, the EP includes two tracks from the album and four others recorded during the album's recording sessions. The EP was made available for streaming on March 12 via Alternative Press.
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