Mercia was one of the three main Anglic kingdoms founded after Sub-Roman Britain was settled by Anglo-Saxons in an era called the Heptarchy. It was centred on the River Trent and its tributaries, in a region now known as the Midlands of England.
Wulfhere or Wulfar was King of Mercia from 658 until 675 AD. He was the first Christian king of all of Mercia, though it is not known when or how he converted from Anglo-Saxon paganism. His accession marked the end of Oswiu of Northumbria's overlordship of southern England, and Wulfhere extended his influence over much of that region. His campaigns against the West Saxons led to Mercian control of much of the Thames valley. He conquered the Isle of Wight and the Meon valley and gave them to King Æthelwealh of the South Saxons. He also had influence in Surrey, Essex, and Kent. He married Eormenhild, the daughter of King Eorcenberht of Kent.
Lichfield Cathedral is an Anglican cathedral in Lichfield, Staffordshire, England, one of only three cathedrals in the United Kingdom with three spires, and the only medieval one of the three. It is the cathedral of the Diocese of Lichfield, which covers Staffordshire, much of Shropshire, and parts of the Black Country and West Midlands. It is the seat of the Bishop of Lichfield, currently Michael Ipgrave, who was appointed in 2016. It is a Grade I listed building.
Repton is a village and civil parish in the South Derbyshire district of Derbyshire, England, located on the edge of the River Trent floodplain, about 4+1⁄2 miles (7 km) north of Swadlincote. The population taken at the 2001 census was 2,707, increasing to 2,867 at the 2011 census. Repton is close to the county boundary with neighbouring Staffordshire and about 4+1⁄2 miles (7 km) northeast of Burton upon Trent.
The Book of Cerne is an early ninth-century Insular or Anglo-Saxon Latin personal prayer book with Old English components. It belongs to a group of four such early prayer books, the others being the Royal Prayerbook, the Harleian prayerbook, and the Book of Nunnaminster. It is now commonly believed to have been produced sometime between ca. 820 and 840 AD in the Southumbrian/Mercian region of England. The original book contains a collection of several different texts, including New Testament Gospel excerpts, a selection of prayers and hymns with a version of the Lorica of Laidcenn, an abbreviated or Breviate Psalter, and a text of the Harrowing of Hell liturgical drama, which were combined to provide a source used for private devotion and contemplation. Based on stylistic and palaeographical features, the Book of Cerne has been included within the Canterbury or Tiberius group of manuscripts that were manufactured in southern England in the 8th and 9th centuries AD associated with the Mercian hegemony in Anglo-Saxon England. This Anglo-Saxon manuscript is considered to be the most sophisticated and elaborate of this group. The Book of Cerne exhibits various Irish/Celtic, Anglo-Saxon, Continental, and Mediterranean influences in its texts, ornamentation, and embellishment.
The Lichfield Gospels is an 8th-century Insular Gospel Book housed in Lichfield Cathedral. There are 236 surviving pages, eight of which are illuminated. Another four contain framed text. The pages measure 30.8 cm by 23.5 cm. The manuscript is also important because it includes, as marginalia, some of the earliest known examples of written Old Welsh, dating to the early part of the 8th century. The art historian Peter Lord dates the book at 730, placing it chronologically before the Book of Kells but after the Lindisfarne Gospels.
Werburgh was an Anglo-Saxon princess who became the patron saint of the city of Chester in Cheshire. Her feast day is 3 February.
Chad was a prominent 7th-century Anglo-Saxon Catholic monk who became abbot of several monasteries, Bishop of the Northumbrians and subsequently Bishop of the Mercians and Lindsey People. He was later canonised as a saint.
Anglo-Saxon art covers art produced within the Anglo-Saxon period of English history, beginning with the Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of England, whose sophisticated art was influential in much of northern Europe. The two periods of outstanding achievement were the 7th and 8th centuries, with the metalwork and jewellery from Sutton Hoo and a series of magnificent illuminated manuscripts, and the final period after about 950, when there was a revival of English culture after the end of the Viking invasions. By the time of the Conquest the move to the Romanesque style is nearly complete. The important artistic centres, in so far as these can be established, were concentrated in the extremities of England, in Northumbria, especially in the early period, and Wessex and Kent near the south coast.
Romanesque art is the art of Europe from approximately 1000 AD to the rise of the Gothic style in the 12th century, or later depending on region. The preceding period is known as the Pre-Romanesque period. The term was invented by 19th-century art historians, especially for Romanesque architecture, which retained many basic features of Roman architectural style – most notably round-headed arches, but also barrel vaults, apses, and acanthus-leaf decoration – but had also developed many very different characteristics. In Southern France, Spain, and Italy there was an architectural continuity with the Late Antique, but the Romanesque style was the first style to spread across the whole of Catholic Europe, from Sicily to Scandinavia. Romanesque art was also greatly influenced by Byzantine art, especially in painting, and by the anti-classical energy of the decoration of the Insular art of the British Isles. From these elements was forged a highly innovative and coherent style.
Saint-Étienne-du-Mont is a church in Paris, France, on the Montagne Sainte-Geneviève in the 5th arrondissement, near the Panthéon. It contains the shrine of St. Geneviève, the patron saint of Paris. The church also contains the tombs of Blaise Pascal and Jean Racine. Jean-Paul Marat is buried in the church's cemetery.
What is usually referred to as St Cuthbert's coffin is a fragmentary oak coffin in Durham Cathedral, pieced together in the 20th century, which between AD 698 and 1827 contained the remains of Saint Cuthbert, who died in 687. In fact when Cuthbert's remains were yet again reburied in 1827 in a new coffin, some 6,000 pieces of up to four previous layers of coffin were left in the burial, and then finally removed in 1899. This coffin is thought to be Cuthbert's first wooden coffin, and probably to date to 698, when his remains were moved from a stone sarcophagus in the abbey church at Lindisfarne to the main altar.
Insular art, also known as Hiberno-Saxon art, was produced in the post-Roman era of Great Britain and Ireland. The term derives from insula, the Latin term for "island"; in this period Britain and Ireland shared a largely common style different from that of the rest of Europe. Art historians usually group Insular art as part of the Migration Period art movement as well as Early Medieval Western art, and it is the combination of these two traditions that gives the style its special character.
Le Puy Cathedral is a Roman Catholic church located in Le Puy-en-Velay, Auvergne, France. The cathedral is a national monument. It has been a centre of pilgrimage in its own right since before the time of Charlemagne, as well as being a stopover on the pilgrimage route to Santiago de Compostela. Since 1998 it has been part of a multi-location UNESCO World Heritage Site along France's Santiago pilgrimage routes. It is the seat of the Bishop of Le Puy.
The origins of the triangular frame harp are unclear. Triangular objects on the laps of seated figures appear in artwork of Ireland, Scotland, England and Wales, as well as other parts of north-west Europe. This page outlines some of the scholarly controversies and disagreements on this subject.
The Easby Cross is an Anglo-Saxon sandstone standing cross from 800–820, now in the Victoria and Albert Museum, London. It originally came from Easby near Richmond in the Richmondshire district of North Yorkshire, where a plaster replica is kept in the church. Easby was then in the Kingdom of Northumbria. The width of the long faces at the bottom of the lowest fragment is 31 cm (12 in), with a depth of 18 cm (7.1 in), and the whole cross would originally have been up to 3 metres (9.8 ft) high.
The Staffordshire Hoard is the largest hoard of Anglo-Saxon gold and silver metalwork yet found. It consists of almost 4,600 items and metal fragments, amounting to a total of 5.1 kg (11 lb) of gold, 1.4 kg (3 lb) of silver and some 3,500 pieces of garnet cloisonné jewellery. It is described by the historian Cat Jarman as "possibly the finest collection of early medieval artefacts ever discovered".
St Peter's Church is the former parish church of Barton-upon-Humber in North Lincolnshire, England. It is one of the best known Anglo-Saxon buildings, in part due to its role in Thomas Rickman's identification of the style. It has been subject to major excavations. The former Church of England church is now run by English Heritage and houses an exhibition exploring its history.
The Mercian Trail is the name given to a group of museums and historical sites in the West Midlands of England that will be used to display objects from the Staffordshire Hoard. The trail is organised by a partnership of Lichfield District, Tamworth Borough Council, Staffordshire County Council, Stoke-on-Trent City Council and Birmingham City Council, and features the following locations:
The Church of St Margaret of Antioch is the Anglican parish church for the village of Bygrave in Hertfordshire. Dedicated to St Margaret of Antioch, the church has been a Grade II* listed building since 1968 and comes under the Diocese of St Albans.
