The Lichfield War Memorial, also known as the Men of Lichfield Memorial, [1] is a grade II* listed building in Lichfield, Staffordshire, in England. The memorial sits within the Garden of Remembrance located near to the city's cathedral and Minster Pool. The site was designed by Charles Bateman and was constructed between 1919 and 1920 to commemorate people from the city who were killed fighting in the First World War. The memorial is formed of limestone; it is slab-like and rendered in the English Renaissance style with some classical features. The central feature is a life-size sculpture of Saint George standing atop the vanquished dragon. Slate plaques list the names of the dead; additional plaques were added later to commemorate the dead of the Second World War.
The Lichfield War Memorial lies within the Garden of Remembrance, to the north-west of Minster Pool and south-west of Lichfield Cathedral. The site has high brick walls to the north and east edges, a balustrade with gate onto Bird Street to the west and more balustrade on the boundary with Minster Pool to the south. There are two pairs of decorative urns atop the balustrade on the south and west boundaries. The wrought-iron gate bears the lettering "PAX–1919" [2] referring to the 1919 Treaty of Versailles which ended the First World War (though fighting ended with the armistice of 11 November 1918). [3] The gate piers are brick with stone caps that support sculptures of lions bearing the coat of arms of the city. [3] [4]
The war memorial abuts the eastern wall of the gardens and is slab-like, measuring 7.25 metres (23.8 ft) in height, 9.25 metres (30.3 ft) in width and is 0.8 metres (2 ft 7 in) in depth. [4] The memorial is English Renaissance in style and resembles a classical basilica façade and is rendered in limestone from Guiting Power, Gloucestershire. [3] Two panelled piers at either end of the memorial are topped with balls and foliage. [3] From the piers swept parapets lead up to the central bay of the memorial, which is its highest. The faces of the parapets contain relief carvings of wreaths surmounted by crowns and the parapet is topped with a scroll details. [4]
Two classical style, Ionic reeded and fluted pilasters frame the centre of the memorial. [3] [4] Within this frame is a niche containing a life-sized Portland stone sculpture of Saint George. [4] George stands atop the slain dragon, he holds a bronze Christian cross in his right hand and his left hand rests on a shield with the same symbol. [4] [3] The pose is similar to that of Renaissance-era sculptor Giulio Angolo del Moro's statue of the saint on the façade of the San Giorgio Maggiore church in Venice. George is depicted as proud and youthful, his armour is inspired by that depicted in Donatello's sculpture of St George at the Orsanmichele church in Florence. [4] The niche has a semi-circular top with a shell detail. [3] Between the niche and the pilasters on each side a relief of a lion's head stands at the head of the years (1914–1919), denoting the years of the First World War, interposed with inverted bouquets, also in relief. [4] The central bay is topped by a tympanum decorated with carvings of a scallop shell and leaves. [3]
The names of the war dead are inscribed on two sets of three Westmoreland slate panels, one set for each of the world wars, below Saint George and the carvings. [4] [1] The 209 names of the First World War dead are on panels 1.2 metres (3 ft 11 in) in height, the outer two panels are 1 metre (3 ft 3 in) wide while the central panel is 1.3 metres (4 ft 3 in) wide. [3] [4] The 83 names of the Second World War dead are on similar panels of the same width but shorter in height, on the plinth below the other panels. The centre of each central panel contains an inscription commemorating the sacrifice of those named. [4]
REMEMBER WITH THANKSGIVING / THE MEN OF THIS CITY / WHO IN THEIR / COUNTRY'S HOUR OF NEED / WENT FORTH / ENDURED HARDNESS / FACED DANGER / AND FINALLY /PASSED OUT OF / THE SIGHT OF MEN / BY THE PATH OF SACRIFICE / AND THE GATE OF DEATH. / LET ALL WHO COME AFTER / SEE TO IT / THAT THESE DEAD / SHALL NOT HAVE DIED / IN VAIN / THAT THEIR NAME / BE NOT FORGOTTEN / AND WHAT THEY STROVE FOR / PERISH NOT.
— Inscription on the central First World War plaque [4]
THESE LOWER PANELS / ARE DEDICATED / TO THOSE / WHO DIED / IN THE CAUSE / OF FREEDOM / DURING / THE WORLD WAR / 1939–1945 / AND THE / STRUGGLES WHICH / FOLLOWED.
— Inscription on the central Second World War plaque [4]
In the years prior to the First World War the city of Lichfield housed the depot for the four reserve battalions of the South Staffordshire Regiment and the North Staffordshire Regiment. During the course of the war each regiment raised a further three New Army battalions in the city; these went on to serve in France and Italy. The South Staffordshire Regiment also raised a garrison battalion in the city for service in India. After the war, a War Memorial Committee chaired by Major Longstaff was established in Lichfield to commemorate the city's men who had lost their lives in the war. [3]
The architect Charles Bateman was appointed to design the works, which utilised a site already owned by the Lichfield Corporation, and works began in 1919 under the supervision of the Lichfield City Surveyor P. A. Benn. The site was laid out as a garden within the existing 18th-century walls. [3] According to Historic England the balustrade and urns were relocated here from Shenstone Court in Staffordshire but George T. Noszlopy and Fiona Waterhouse, writing in 2005, state they came from Moxhull Hall in Warwickshire. [3] [4] The right-hand gate pier incorporates an ancient boundary stone. The gates were manufacturer by J. C. Culwick of Lichfield. [3]
Bateman designed the war memorial and Messrs Robert Bridgeman and Sons of Lichfield built it. [3] [4] The garden and memorial were opened on 20 October 1920 by the mayor, H. G. Hall, and dedicated the same day by the Bishop of Lichfield John Kempthorne. The ceremony was attended by a large number of dignitaries, the buglers of the 6th Battalion of the North Staffordshire Regiment, the band of the 2nd Battalion of the Oxfordshire and Buckinghamshire Light Infantry and choirs from the cathedral and local churches. [3]
The additional plaques for the Second World War dead were added shortly after that war's conclusion in 1945. The memorial first received statutory protection as a grade II listed building on 5 February 1952. This listing includes the walls, gate piers and balustrade but the memorial is noted as the primary object of interest. [3] The gardens and memorial were restored between 2009 and 2012 in a £60,000 project part funded by the Heritage Lottery Fund and the War Memorials Trust. The restoration work received a British Association of Landscape Industries award in 2012. [1] [3] The memorial and gardens protection was raised to grade II* on 24 June 2016 as part of commemorations for the centenary of the start of the Battle of the Somme. [5]
The Tower Hill Memorial is a pair of Commonwealth War Graves Commission memorials in Trinity Square Gardens, on Tower Hill in London, England. The memorials, one for the First World War and one for the Second, commemorate civilian, merchant seafarers and fishermen who were killed as a result of enemy action and have no known grave. The first, the Mercantile Marine War Memorial, was designed by Sir Edwin Lutyens and unveiled in 1928; the second, the Merchant Seamen's Memorial, was designed by Sir Edward Maufe and unveiled in 1955. A third memorial, commemorating merchant seamen who were killed in the 1982 Falklands War, was added to the site in 2005.
Capesthorne Hall is a country house near the village of Siddington, Cheshire, England. The house and its private chapel were built in the early 18th century, replacing an earlier hall and chapel nearby. They were built to Neoclassical designs by William Smith and (probably) his son Francis. Later in the 18th century, the house was extended by the addition of an orangery and a drawing room. In the 1830s the house was remodelled by Edward Blore; the work included the addition of an extension and a frontage in Jacobean style, and joining the central block to the service wings. In about 1837 the orangery was replaced by a large conservatory designed by Joseph Paxton. In 1861 the main part of the house was virtually destroyed by fire. It was rebuilt by Anthony Salvin, who generally followed Blore's designs but made modifications to the front, rebuilt the back of the house in Jacobean style, and altered the interior. There were further alterations later in the 19th century, including remodelling of the Saloon. During the Second World War the hall was used by the Red Cross, but subsequent deterioration prompted a restoration.
Beacon Park is a public park in the centre of the city of Lichfield, Staffordshire, in England. The park was created in 1859 when the Museum Gardens were laid out adjacent to the newly built Free Museum and Library. The park has since been extended in stages and now forms 69 acres (28 ha) of open parkland in the city centre. The park is in the northwest of the city centre and to the west of the Cathedral Close across the road from the Garden of Remembrance.
Armley Park is a large public park located next to Stanningley Road in Armley, on the outskirts of Leeds, in West Yorkshire, Northern England.
Charles Edward Bateman FRIBA was an English architect, known for his Arts and Crafts and Queen Anne-style houses and commercial buildings in the Birmingham area and for his sensitive vernacular restoration and extension work in the Cotswolds.
Minster Pool is a reservoir located between Bird Street and Dam Street in the heart of the city of Lichfield, Staffordshire in the United Kingdom. The pool lies directly south of Lichfield Cathedral and historically has been important to the defence of the Cathedral Close. The pool was originally formed in the 11th century when a boggy stream was dammed at its eastern end to drive a mill on Dam Street. The pool was used as a mill pond and fishery until 1856 when the mill was demolished; it has since been retained for public amenity.
The Nicholson War Memorial in Leek, Staffordshire, England is a 1925 war memorial. It was commissioned by local manufacturer Sir Arthur Nicholson and his wife Lady Marianne, née Falkner, in memory of their son Lieutenant Basil Lee Nicholson, who was killed in action at Ypres, Belgium, in 1915, at the age of 24; and in memory of all the other local men who died fighting in World War I. It now has plaques commemorating and naming 535 Leek and district men and women who died during World War I and World War II.
Lieutenant-Colonel Michael Alexander Wilsone Swinfen-Broun JP (1858–1948) was a soldier, magistrate, High Sheriff and Deputy Lieutenant of Staffordshire, and benefactor of the city of Lichfield, England, where he lived at Swinfen Hall.
The City War Memorial, Nottingham, also known as the Nottingham Municipal War Memorial and the City of Nottingham War Memorial, is the main war memorial for the city of Nottingham in England. It comprises a memorial arch of Portland stone with three openings and wrought iron gates, and stone flanking arcades. It was unveiled in 1927 beside a new park overlooking the River Trent, and became a Grade II listed building in 1972.
Southport War Memorial is in London Square, Lord Street, Southport, Merseyside, England. It consists of an obelisk flanked by two colonnades in the form of Greek temples. Outside the colonnades are memorial gardens, each containing a Pool of Remembrance and fountains. The memorial was designed by the local architects Grayson and Barnish, and the carving was executed by Herbert Tyson Smith. It was unveiled in 1923 by the Earl of Derby. Following the Second World War and subsequent conflicts further inscriptions and names have been added. The memorial is recorded in the National Heritage List for England as a designated Grade II* listed building.
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Oldham War Memorial is a war memorial in Oldham, England, comprising a large bronze sculpture group on a granite plinth. It was built to commemorate the men of Oldham who were killed in the First World War. Bronze plaques on the wall of the churchyard nearby list the fallen, including Mabel Drinkwater, a nurse who died after an operation at Oldham Royal Infirmary. A mechanised roll of honour was added in the 1950s, listing the men from Oldham who were killed in the Second World War. The memorial became a Grade II listed building in 1973. The listing was upgraded to Grade II* in December 2016.
The York City War Memorial is a First World War memorial designed by Sir Edwin Lutyens and located in York in the north of England. Proposals for commemorating York's war dead originated in 1919 but proved controversial. Initial discussions focused on whether a memorial should be a monument or should take on some utilitarian purpose. Several functional proposals were examined until a public meeting in January 1920 opted for a monument. The city engineer produced a cost estimate and the war memorial committee engaged Lutyens, who had recently been commissioned by the North Eastern Railway (NER) to design their own war memorial, also to be sited in York.
The Lancashire Fusiliers War Memorial is a First World War memorial dedicated to members of the Lancashire Fusiliers killed in that conflict. Outside the Fusilier Museum in Bury, Greater Manchester, England, it was unveiled in 1922—on the seventh anniversary of the landing at Cape Helles, part of the Gallipoli Campaign in which the regiment suffered particularly heavy casualties. The memorial was designed by Sir Edwin Lutyens. He was commissioned in light of a family connection—his father and great uncle were officers in the Lancashire Fusiliers, a fact noted on a plaque nearby. He designed a tall, slender obelisk in Portland stone. The regiment's cap badge is carved near the top on the front and rear, surrounded by a laurel wreath. Further down are inscriptions containing the regiment's motto and a dedication. Two painted stone flags hang from the sides.
The Bank of England War Memorial, in the internal Garden Court at the headquarters of the Bank of England in the City of London, commemorates the bank's staff who were killed while serving in the First World War and Second World War. It includes a bronze sculpture by Richard Reginald Goulden portraying Saint Christopher carrying the Christ Child. It became a Grade II listed building in 2017. The surrounding buildings of the bank are separately listed at Grade I.
The City of Portsmouth War Memorial, also referred to as the Guildhall Square War Memorial, is a First World War memorial in Guildhall Square in the centre of Portsmouth, Hampshire, on the south coast of England. Portsmouth was and remains a port and home to a major naval dockyard. The dockyard and the armed forces provided much of the employment in the area in the early 20th century. As such, the town suffered significant losses in the First World War. Planning for a war memorial began shortly after the end of the conflict and a committee was established for the purpose. It selected a site adjacent to a railway embankment close to the Town Hall and chose the architects James Gibson and Walter Gordon, with sculptural elements by Charles Sargeant Jagger, from an open competition.
The Second Boer War Memorial lies in the city centre of York, in England.
The Burton upon Trent war memorial commemorates those from the town that were killed in the First and Second World Wars. The memorial was commissioned by the county borough of Burton upon Trent from sculptor Henry Charles Fehr shortly after the end of the First World War. The finished memorial was unveiled by William Legge, 6th Earl of Dartmouth on 2 August 1922. Its principal figure is that of Victory, standing atop a pedestal that is flanked by the smaller figures of Saint George and Peace. The memorial is a grade II* listed building.
Peter Walker is a British sculptor and artist who works in public art, monumental bronze and other materials, fine and installation art... His work consists of large-scale sculpture, commissioned and bespoke sculptural works, paintings, drawings and large-scale installations. Walker is a fellow of the Royal Society of British Artists, and a member of the Royal Society of Sculptors.