[[Orange, California]]"},"genre":{"wt":"[[Ska punk]]"},"length":{"wt":"44:32"},"label":{"wt":"[[Rock Ridge Music]]"},"producer":{"wt":"Aaron Barrett"},"prev_title":{"wt":"[[Candy Coated Fury]]"},"prev_year":{"wt":"2012"},"next_title":{"wt":""},"next_year":{"wt":""}},"i":0}}]}" id="mwAg">2018 studio albumby Reel Big Fish
Life Sucks...Let's Dance! | ||||
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Studio album by | ||||
Released | December 21, 2018 | |||
Studio | Pot of Gold Studio Orange, California | |||
Genre | Ska punk | |||
Length | 44:32 | |||
Label | Rock Ridge Music | |||
Producer | Aaron Barrett | |||
Reel Big Fish chronology | ||||
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Life Sucks...Let's Dance! is the ninth studio album by American ska punk band Reel Big Fish, released on December 21, 2018, through Rock Ridge Music. [1] It is their first album since 2012's Candy Coated Fury . [2] It is supported by the lead single "You Can't Have All of Me". [2]
The band began working on the album in January 2018 at engineer David Irish's recently built Pot of Gold Studio in Orange, California. [2] Frontman Aaron Barrett stated that "Recording the album with this lineup was really fun" and the album will have a "little pissed off-ness in there and some sarcastic, funny lyrics as usual [...] Also, I just got married, so there might be a few sappy love songs on the album, too. Yuck!" [2]
Trumpet player John Christianson also said to fans about the album that "We're going to make you laugh, we're going to make you dance, we're going to make you raise your middle finger. We're going to make you forget about your problems and live." [3]
All tracks are written by Aaron Barrett, except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Life Sucks... Let's Dance!" | 2:46 | |
2. | "Pissed Off" | 2:58 | |
3. | "You Can't Have All of Me" | Matt Appleton, Daniel Tieger, Aaron Barrett | 2:44 |
4. | "In Love Again" | 3:31 | |
5. | "Tongue Tied and Tipsy Too" | 1:46 | |
6. | "Bleached Thang, Baby" | 4:46 | |
7. | "Another Beer Song" | 2:05 | |
8. | "Bob Marley's Toe" | 2:33 | |
9. | "Ska Show" (The Forces of Evil cover) | 3:15 | |
10. | "The Good Old Days" (The Forces of Evil cover) | 3:40 | |
11. | "G.D. Beautiful Day" | 3:23 | |
12. | "I Should Know by Now" | 2:56 | |
13. | "I'd Rather Get It Wrong" | 3:40 | |
14. | "Walter's Highlife" | 4:12 | |
Total length: | 44:32 |
The Mighty Mighty Bosstones were an American ska punk band from Boston, Massachusetts, formed in 1983. From the band's inception, lead vocalist Dicky Barrett, bassist Joe Gittleman, tenor saxophonist Tim "Johnny Vegas" Burton and dancer ("Bosstone") Ben Carr remained constant members. The band's final line-up also included drummer Joe Sirois, saxophonist Leon Silva, guitarist Lawrence Katz, keyboardist John Goetchius, and trombonist Chris Rhodes.
Reel Big Fish is an American ska punk band from Huntington Beach, California. The band gained mainstream recognition in the mid-to-late 1990s during the third wave of ska with the release of the gold-certified album Turn the Radio Off. Soon after, the band lost mainstream recognition but gained an underground cult following. As of 2006, the band was no longer signed to a major record label and has since been independent. After numerous line-up changes, frontman Aaron Barrett is the last remaining founding member still performing in the band.
Ska punk is a fusion genre that mixes ska music and punk rock music together. Ska-core is a subgenre of ska punk that mixes ska with hardcore punk. Early ska punk mixed both 2 tone and ska with hardcore punk. Ska punk tends to feature brass instruments, especially horns such as trumpets, trombones and woodwind instruments like saxophones, making the genre distinct from other forms of punk rock. It is closely tied to third wave ska which reached its zenith in the mid-1990s.
The Forces of Evil was an Orange County-based ska punk band, formed in January 2001 with the intention of creating a ska supergroup, being the side project of fellow ska punk band Reel Big Fish. The band split in 2005 after releasing a four-song EP, which was available on their website. Their website hasn't seen an update since December 2004, and their touring has ceased.
Turn the Radio Off is the second full-length album by ska punk band Reel Big Fish. It was released in the U.S. in 1996 on Mojo Records.
Suburban Legends are an American ska punk band that formed in Huntington Beach, California, in 1998 and later based themselves in nearby Santa Ana. After building a fanbase in the Orange County ska scene through their numerous regular performances at the Disneyland Resort, a series of lineup changes in 2005 introduced elements of funk and disco into the group's style.
Everything Sucks is Reel Big Fish's first full-length studio album. It was recorded at Sound Art Studios in 1994 and 1995, and released in 1995 on Reel Big Fish's independent label Piss Off Records. The album was engineered by John Gregorius.
Why Do They Rock So Hard? is the third full-length studio album by the ska punk band Reel Big Fish.
Cheer Up! is the fourth studio album by American rock band Reel Big Fish. Released on June 25, 2002, the album was the band's first after the turn of the new millennium, following the release of 1998's Why Do They Rock So Hard? With the advent of the 2000s, and following the band's mainstream success during the third wave of ska, the marketability of and interest in ska waned; despite this, Reel Big Fish continued to tour successfully and maintain a significant fan base while recording Cheer Up! across a number of different recording studios in California. Val Garay produced the majority of the tracks, with frontman Aaron Barrett, trumpeter Scott Klopfenstein and Gordie Johnson producing select songs.
We're Not Happy 'til You're Not Happy is the fifth studio album by ska punk band Reel Big Fish. It was released on April 5, 2005 on Mojo Records to mixed reviews.
The Nuckle Brothers were a third wave ska band from Huntington Beach that was part of the early 1990s music scene in Orange County, California, United States, inspiring such bands as Reel Big Fish, Save Ferris and The Aquabats.
Jeffries Fan Club was a southern California Third-wave ska band formed in 1996. The band released several albums on now-defunct Vegas Records before breaking up in 2001. The band played their final show January 6, 2001, at The Glasshouse in Pomona, which was later released on CD under the title Last Show at the Glasshouse. Their breakup was the cover story in the OC Weekly issue dated January 5, 2001. In the OC Weekly article, it was revealed that the primary reason for the band's breakup was lead singer/guitarist Mike Dziurgot's desire to return to school. In the article, he also mentioned that he and several of the members didn't enjoy performing unless they were under the influence of alcohol, and that this affliction had prompted him to return to his Christian roots.
"Sell Out" is the debut single by American ska punk band Reel Big Fish. Released as the first track on the group's second album Turn the Radio Off on August 13, 1996, the song has proven to be one of Reel Big Fish's more popular releases.
Monkeys for Nothin' and the Chimps for Free is the sixth studio album from Reel Big Fish, This is their first studio album after being dropped by Jive Records and their final album with bassist Matt Wong.
The following is a complete discography of the band Reel Big Fish.
I Voted for Kodos was an American ska punk and pop punk band, signed to Snapdragon Records.
Fame, Fortune and Fornication is a cover album by ska punk band Reel Big Fish.
Candy Coated Fury is the eighth studio album by the American ska punk band Reel Big Fish, released on July 31, 2012. The cover art was made by artist Thom Foolery. The album was recorded at the band's personal studio in Orange, California.
"Beer" is a song by American ska punk band Reel Big Fish and featured on their debut album Everything Sucks in 1995 as well as their major label debut Turn the Radio Off the following year. While not achieving the chart success of the album's lead single, "Sell Out", the song is credited with having kept the band's popularity alive over the years and becoming the band's most downloaded song, and continues to be a staple at live shows.