"Light Years Away" | ||||
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Single by Warp 9 | ||||
from the album It's A Beat Wave | ||||
Released | 1983 | |||
Genre | ||||
Length | 7:19 | |||
Label | Prism Records | |||
Songwriter(s) |
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Warp 9 singles chronology | ||||
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"Light Years Away" is the second single by the hip hop group, Warp 9, released in 1983. Written by Lotti Golden and Richard Scher and produced by Lotti Golden, Richard Scher, and John "Jellybean" Benitez, [1] the song appears on the group's debut album It's a Beat Wave (Prism Records) [2] charting on the Billboard R&B and dance charts. [3]
Described as "the perfect instance of hip hop's contemporary ramifications," Warp 9's second record exemplifies the afrofuturist influence in hip hop, "born of a science fiction revival." [4] The UK media outlet, the Guardian, on May 14, 2014, described "Light Years Away" as a "cornerstone of early 80's beatbox afrofuturism." [5] "Light Years Away" a sci-fi tale of ancient alien visitation, partially inspired by "The Message", [4] also pays homage to Sun Ra's film Space Is the Place. Music journalist Rob Fitzpatrick characterizes "Light Years Away" as a cut above: "this new track was something else, a brilliantly spare and sparse piece of electro hip-hop, LYA traversed inner and outer space, matching rolling congas with vocoder voices and the hiss and sizzle of cutting edge synth and drum machine technology." [5] The rhyme in "Light Years Away" invokes a stark, cyberpunk Philip K. Dickian vision of the future. Newsweek highlighted the song's experimental use of vocoders and sci-fi street imagery in "Language Arts & Disciplines: Sci-Fi Street Sounds." [6]
The 12" recording employed other innovative features for its time, such as incorporating both singing and rapping, a feminist rap by Ada Dyre, live Latin percussion overdubs in combination with Roland TR-808 beats, and a unique take on the snare (backbeat). The snare is syncopated so that the backbeat arrives a 1/16th note early on the second beat of each bar; the fourth beat is not syncopated.
Marlon Lu'Ree Williams, better known by his stage name Marley Marl, is an American DJ, record producer, rapper and record label founder, primarily operating in hip hop music. Marlon grew up in Queensbridge housing projects located in Queens, New York. He performed in local talent shows during the early days of rap music, further fueling his interest.
Old-school hip hop is the earliest commercially recorded hip hop music and the original style of the genre. It typically refers to the music created around 1979 to 1983, as well as any hip hop that does not adhere to contemporary styles.
Fred Brathwaite, more popularly known as Fab 5 Freddy, is an American visual artist, filmmaker, and hip hop pioneer. He is considered one of the architects of the street art movement. Freddy emerged in New York's downtown underground creative scene in the late 1970s as a graffiti artist. He was the bridge between the burgeoning uptown rap scene and the downtown No Wave art scene. He gained wider recognition in 1981 when Debbie Harry rapped on the Blondie song "Rapture" that "Fab 5 Freddy told me everybody's fly." In the late 1980s, Freddy became the first host of the groundbreaking hip-hop music video show Yo! MTV Raps.
In music and music theory, the beat is the basic unit of time, the pulse, of the mensural level. The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect. In popular use, beat can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove.
Electro is a genre of electronic dance music directly influenced by the use of the Roland TR-808 drum machines, with an immediate origin in early hip hop and funk genres. Records in the genre typically feature heavy electronic sounds, usually without vocals; if vocals are present, they are delivered in a deadpan manner, often through electronic distortion such as vocoding and talkboxing. It palpably deviates from its predecessor boogie by being less vocal-oriented and more focused on electronic beats produced by drum machines.
"Rockit" is a composition recorded by American jazz pianist Herbie Hancock and produced by Bill Laswell and Michael Beinhorn. Hancock released it as a single from his studio album Future Shock (1983). The selection was composed by Hancock, Laswell, and Beinhorn.
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Hip hop production is the creation of hip hop music in a recording studio. While the term encompasses all aspects of hip hop music creation, including recording the rapping of an MC, a turntablist or DJ providing a beat, playing samples and "scratching" using record players and the creation of a rhythmic backing track, using a drum machine or sequencer, it is most commonly used to refer to recording the instrumental, non-lyrical and non-vocal aspects of hip hop.
The Psycho-Social, Chemical, Biological & Electro-Magnetic Manipulation of Human Consciousness is the debut album of underground hip hop group Jedi Mind Tricks, consisting of rapper Vinnie Paz and producer Stoupe the Enemy of Mankind. The original version of the album was released in 1997, limited to 1,000 copies on vinyl by Superegular Records, and was re-released on CD in 2003 on Babygrande Records with six bonus tracks, featuring songs recorded by the group before their debut release. It has been a common misconception that the vinyl version was re-issued in 2001, possibly because the back of the vinyl release says "2001 Superegular." The album’s often esoteric lyrics focus on conspiracy theories, astronomy, religion, and violence, themes that JMT would expand on in later albums. The album was inspired by a lot of "crazy books" mentioned by Vinnie Paz in an interview, and is named after one of those books, a 1,900-page tome entitled "Matrix III - The Psycho-Social, Chemical, Biological & Electromagnetic Manipulation of Human Consciousness,” by Valdamar Valerian.
DJ-Kicks: Chicken Lips is a DJ mix album, mixed by Chicken Lips. It was released on 3 November 2003 on the Studio !K7 independent record label as part of the DJ-Kicks series.
Hip-hop or hip hop, formerly known as disco rap, is a genre of popular music that emerged in the late 1960s and early 1970s primarily from African American, Afro-Latin, and Afro-Caribbean musical aesthetics practiced by youth in the South Bronx. Hip-hop music originated as an anti-drug and anti-violence social movement led by the Afrika Bambaataa and the Universal Zulu Nation. The genre is characterized by stylized rhythmic sounds—often built around disco grooves, electronic drum beats, and rapping, a percussive vocal delivery of rhymed poetic speech as consciousness-raising expression. The music developed as part of the broader hip-hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching with turntables, breakdancing, and graffiti art or writing. Knowledge is sometimes described as a fifth element, underscoring its role in shaping the values and promoting empowerment and consciousness-raising through music. In 1999, emcee KRS-One, often referred to as "The Teacher," elaborated on this framework in a Harvard lecture, identifying additional elements that extend beyond the basic four. These include self-expression, street fashion, street language, street knowledge, and street entrepreneurialism, which remain integral to hip-hop's musical expression, entertainment business, and sound production. Girls’ double-dutch was also recognized as a key stylistic component of breakdancing, according to KRS. While often used to refer solely to rapping and rap music, "hip-hop" more properly denotes the practice(s) of the entire subculture. The term hip-hop music is sometimes used synonymously with the term rap music, though rapping may not be the focus of hip-hop music. The genre also centers DJing, turntablism, scratching, beatboxing, and instrumental tracks.
"Change the Beat" is a song written and recorded by Fab Five Freddy, and one of the most sampled songs in music history.
Lotti Golden is an American singer-songwriter, record producer, poet and artist. Golden is best known for her 1969 debut album Motor-Cycle, on Atlantic Records.
Boom bap is a subgenre and music production style that was prominent in East Coast hip hop during the golden age of hip hop from the late 1980s to the early 1990s.
Warp 9, an American sci-fi themed electro-funk, hip hop group is best known for its ground breaking, influential singles including "Nunk," "Light Years Away," and "Beat Wave," which ranked among the most iconic groups of the electro hip hop era. Described as the "perfect instance of hip hop's contemporary ramifications," Warp 9 was the brainchild of writer-producers Lotti Golden and Richard Scher. The duo wrote and recorded under the moniker Warp 9, a production project at the forefront of the electro movement.
"Nunk" (also known as "Nunk (New Wave Funk)") the first single by the group Warp 9, released on Prism Records in 1982, was written and produced by Lotti Golden and Richard Scher. The song appeared as a vocal and instrumental version on the group's 1983 debut album It's a Beat Wave on Prism Records and 4th & Broadway records in the UK.
"Dirty Looks" is a song from the 1987 album Red Hot Rhythm & Blues by Diana Ross. It was written by Lotti Golden and Richard Scher, and produced by Tom Dowd. It was also released as the album's lead single on April 29, 1987, by RCA and EMI. The song, which peaked at #12 on Billboard's Hot R&B Singles, originally appeared on Warp 9's second LP on Motown, Fade in, Fade Out. The European releases of Red Hot Rhythm & Blues features the short version of the song.
It's a Beat Wave is the debut album by American electro group Warp 9. Released in 1983, the album's producers, Lotti Golden and Richard Scher, "worked real emotion and intelligence into the world of experimental hip-hop and electro." Warp 9 was the moniker under which Golden and Scher created their brand of electro-futurism. The group's first single, "Nunk,"(1982), secured Warp 9's album deal with New York independent label Prism Records. The LP was released in 1983 in conjunction with the group's 3rd single, "Beat Wave." Warp 9's large following in the New York metropolitan area came to the attention of Island Records chief Chris Blackwell who signed Warp 9 to a world wide deal on Island Records.
For Record Store Day, April 16, 2016, the 7" single that followed Golden's 1969 debut, Motor-Cycle was reissued on High Moon Records with the participation of Warner Bros. Records and Rhino Records. The reissue, like the 1969 version, is a mash-up- funk cover of The Isley Brothers', It's Your Thing and "Sock it To Me Baby" written by the album's producer Bob Crewe. "Annabelle With Bells ," on the B-side, is a soulful, girl-group inspired song written by Golden. The reissue contains a picture sleeve with new cover art, a previously unreleased photo of Golden, and remastered audio. "Annabelle With Bells ," did not appear on the 1969 LP due to time constraints in a pre-digital world, and is exclusively available on the single.
Memphis rap, also known as Memphis hip hop, or Memphis horrorcore, is a regional subgenre of hip hop music that originated in Memphis, Tennessee in the mid-late 1980s.