Lotti Golden

Last updated

Lotti Golden
Lotti Golden, Lower East Side c.1968.jpg
Lotti Golden, Lower East Side c. 1968
Background information
Birth nameLotti Golden
Born (1949-11-27) November 27, 1949 (age 75)
New York City
OriginNew York City
Genres
Occupation(s)Singer-songwriter, songwriter, lyricist, record producer/mixer, session singer, poet, writer, artist
Instrument(s)Guitar, keyboards, vocals
Years active1967–present
Labels Atlantic, GRT
Website www.lottigolden.com

Lotti Golden (born November 27, 1949) is an American singer-songwriter, record producer, poet and artist. Golden is best known for her 1969 debut album Motor-Cycle , on Atlantic Records.

Contents

Winner of the ASCAP Pop Award for songwriting [1] and RIAA-certified Gold and Platinum awards as a writer/producer, Golden has written and produced Top 5 hits in the US [2] [3] and abroad. [4] [5] Credited for her innovative work in early electro and hip hop music, [6] Golden is featured in the Rap Attack 3: African Rap To Global Hip Hop by David Toop, and Signed, Sealed, and Delivered: True Life Stories of Women of Pop for her pioneering work as a female record producer. [7] Golden's songs have been recorded by Grammy Award winning artists: Diana Ross, Celine Dion, Al Green, Patti LaBelle, B. B. King, Patti Austin, Sheena Easton and more.

Early life

Childhood

Lotti Golden was born in Manhattan to Sy (Seymour) Golden and Anita Golden (née Cohn), the elder of two daughters. Golden's parents, a strikingly handsome and fashionable pair, were avid jazz aficionados and foreign film buffs. Golden soaked up the sounds of Billie Holiday and John Coltrane from an early age [8] developing a lifelong passion for music and the arts.

Golden grew up in Brooklyn, New York where she attended Canarsie High School, serving as the school's Poet Laureate. [9] Voted Most Likely to Succeed, [10] Golden graduated with honors in 1967, winning the Creative Writing medal, the Lincoln Center Student Award for Academic Excellence, the Scholastic Magazine Award for National Achievement in Art, and a New York State Regents Scholarship. [10] Golden was awarded the National League of Pen Women Prize for poetry [11] and went on to attend Brooklyn College.

1964–1968: Early music career

A birthday gift (a guitar) from Golden's parents at age eleven would chart her future course. [10] Golden studied classical guitar and voice, but needing more of a creative outlet, soon found her niche as a singer-songwriter, using her abilities as both wordsmith and vocalist. [8] To sing her compositions on demos Golden spent hours using a reel to reel tape recorder to perfect her vocal craft: "When women talk of their idols and influences…they tell stories about singing along with records, trying to emulate someone's voice…until they can begin to develop their own style." [7] Golden explains: "I would practice singing to Aretha, Ray Charles, and the Marvelettes, till I could sing all of their licks and runs… the girls' bathroom in high school was a great place to try it out." [7]

By the age of fourteen Golden was making forays into Manhattan, singing on demo sessions and peddling her songs to publishers, [7] landing her first cover by Patti LaBelle and the Blue Belles. [12] [13] By the time Golden completed high school, she had the beginnings of a musical autobiography about her adventures in New York's East Village and Lower East Side where she was a resident member of the Henry Street Settlement Playhouse, honing her skills as an actress and playwright. [14] This would become the basis of her Atlantic Records debut LP, Motor-Cycle. [15]

Recording artist

1969: Debut LP: Motor-Cycle

Released on Atlantic Records in 1969, Motor-Cycle is a chronicle of Golden's life informed by New York City's counterculture. "It was a strange, way out scene for pretty, 19-year-old Golden," [15] who wrote her memoir in music and lyrics because, according to Golden, "a book is too flat." [14] The songs on Motor-Cycle deal with subjects like gender identity ("The Space Queens (Silky is Sad)"), drug use ("Gonna Fay's"), and urban alienation ("Who Are Your Friends"). [15] So essential was Golden's poetry and lyrics to the project, that a lyric sheet insert was included with the original release. The back cover of the LP contains the poem, "Night was a Better Blanket," alluding to the LP's backstory. [16]

Golden was part of a new wave of female singers who began to shake up the status quo in the late Sixties. Breaking from the confines of pop they defined themselves by their confessional lyrics, taking on new controversial subject matter. [17] In July 1969, Newsweek ran a feature story, "The Girls: Letting Go": "There has surfaced a new school of talented female troubadours, who not only sing, but write their own songs. What is common to them – to Joni Mitchell and Lotti Golden, to Laura Nyro, Melanie, and to Elyse Weinberg, are the personalized songs they write, like voyages of self-discovery, brimming with keen observation, and startling in the impact of their poetry" [18] [19]

Listed among the most influential albums of the era in The New York Times , "The Best of Rock: A Personal Discography," by music critic Nat Hentoff, [20] Motor-Cycle is a synthesis of stream of consciousness confessional poetry, R&B infused vocals and a "sometimes satiric mélange of rock, jazz, blues and soul" [10] with lyrics that evoke "a Kerouac novel." [21]

On an album of "restlessly epic roadhouse suites" [22] Golden uses the story-based format, featuring a cast of archetypal characters while playing the part of "emcee" of her own "aberrant cabaret." [22] Golden's coming of age saga is likely the first rock concept album by a female recording artist. [23]

Music critic Path, of Tiny Mix Tapes, explains how Motor-Cycle plays like a musical, transporting the listener to the late 1960s underground: "Golden gets help on Motor-Cycle from an impeccably arranged Atlantic Records session band… with a flawless, swinging rhythm team. Then, at key moments, the curtain goes up and they've got rows of saxes, trumpets, vibes…and you begin to realize that this is not the same song and dance… it's as if The Velvet Underground recorded for Motown." [22] Golden writes of a "season in hell " [15] she somehow manages to survive. "It's an extraordinary evocation of a life-style… and one girl's plunge into and out of it." [14]

1968–69: The Making of Motor-Cycle

Lotti Golden and Ahmet Ertegun, NYC 1968 Lotti Golden and Ahmet Ertegun 1968.jpg
Lotti Golden and Ahmet Ertegun, NYC 1968

Golden signed a publishing deal as a staff writer with Saturday Music during her senior year of high school. One afternoon as Golden was riding the elevator to her demo session, the company's owner, Bob Crewe stepped in while Golden was singing. When Crewe nodded his approval, Golden seized the opportunity, and in one breath told Crewe she was a staff writer at his publishing company and working on material for her own artist album. Intrigued, Crewe set up a meeting: "When Lotti brought her material to Crewe in the fall of 1967, he exclaimed, 'Good God, who are your friends?'" [10] referring to the outrageous characters populating Golden's songs. Crewe was sold on doing the project, but asked Golden if she could wait one year while he cleared his schedule, and in 1968 the pair began recording Golden's autobiographical opus, Motor-Cycle, "a synthesis of funky singing and honest hip lyrics about urban teenage trauma." [10] Atlantic Records moguls, Jerry Wexler and Ahmet Ertegün [24] bought the [demo] tapes after one hearing, with Wexler "modestly telling his staff Golden would be the greatest single pop artist since Aretha Franklin." [10]

The release of Motor-Cycle in 1969 generated considerable media interest in Golden. Look magazine described Golden's songs and poetry as "rich in metaphor and starkly descriptive of people and places," stating: "Even in her musically precocious generation, she [Golden] stands out as a singer composer of phenomenal power and originality." [10] In addition to features in national publications, Lotti Golden was identified by Carrie Donovan of Vogue as a fashion trendsetter, making several appearances in the magazine. [25] [26] [27] Though Golden made no TV appearances, her impact on the contemporary music scene was such that she is referenced in the cultural commentary on television, The Glass Teat . [28] Still, Golden had concerns about the business side of her career, which she voiced in her Look magazine interview: "The easy part is to sit down and create. The hard part is trying to make yourself heard, the promotion." [10]

For reasons that remain unclear today, Atlantic Records suddenly dropped the ball, failing to promote Motor-Cycle. It is curious that none of the songs, (all over five minutes in length), were edited down to the standard 7" format for radio, and no single was released ahead of the LP, a standard Industry practice. Atlantic was going through a major corporate restructuring; its roster was packed in 1969, with Golden's mentors Ahmet Ertegun signing British rock bands, and Jerry Wexler dividing his time between Miami and Muscle Shoals (Dusty Springfield, released on Atlantic that year) moving on. [29]

In the years since its release, Motor-Cycle continues to gain popularity via the Internet, and social media "thanks to the unusual persistence of her [Golden's] art, and the power of listeners' preferences." [30] The LP remains a rich source of samples, with Mark Oliver Everett using Golden's spoken voice from "Gonna Fay's" on his MC Honky project, to the original track from the LP, "Get Together (With Yourself)” appearing on the 2022 Hulu TV miniseries and soundtrack, Pam & Tommy. [31]

Track listings

Side one
No.TitleWriter(s)Length
1."Motor-Cycle Michael"Lotti Golden8:14
2."Gonna Fay's"Golden8:31
3."A Lot Like Lucifer (Celia Said Long Time Loser)"Golden6:32
Side two
No.TitleWriter(s)Length
4."The Space Queens (Silky Is Sad)"Golden7:21
5."Who Are Your Friends"Golden, Bob Crewe 5:52
6."Get Together (With Yourself)"Golden5:38
7."You Can Find Him"Golden5:13

Motor-Cycle samples

2003: Golden's spoken voice on "Gonna Fay's" (Motor-Cycle) is the centerpiece for "What a Bringdown" [32] on I Am the Messiah (Spin-ART) by MC Honky, "widely considered to be Mark Oliver Everett (or "E") of the rock band Eels." 2006: Golden's African (Olatunji) inspired drumbeat on "Motor-Cycle Michael" (Motor-Cycle) appears on Beat Konducta Vol 1–2 Movie Scenes (Stones Throw Records) on the track "Gold Jungle (Tribe)" by hip-hop artist Madlib.

1970s

Lotti Golden in 1971 Lotti Golden Nashville 1971.jpg
Lotti Golden in 1971

Lotti Golden's eponymous sophomore offering was released on GRT Records (U.S. Label) in 1971. In a live performance for industry executives at NYC's Playboy Club, [33] Golden was described by Cashbox as "GRT's Lotti: Incredible." [34] Although elements of Golden's confessional approach remained (Billboard labeled one song "biographical") [35] for the most part, Golden's self-titled LP moved away from the innovative format of Motor-Cycle. Writer Mitchell Shannon characterizes the shift: "Second time around, her music was more conventional and approachable, but lacked that initial compelling insistence of the previous release." [30] Music critic, Robert Christgau, though not a fan of Golden (or Laura Nyro) [36] thought the GRT record could take off with the proper promotion: "He [Christgau] wrote: 'Golden's egregious overstatement registers as a strength.' If you know about Christgau, you'll take that as an honest compliment." [30] Shortly after Golden's album was released, financial problems caused the GRT label to go out of business. [37]

Music journalism

In the 1970s, Lotti Golden wrote rock journalism, primarily covering her musician friends. In a Crawdaddy! feature story Golden provides unique perspective on the genius of Mike (Michael) Bloomfield chronicling her 1972 San Francisco visit with the legendary guitar player [38] and in Rolling Stone , Golden explores the making of keyboardist (and co-founder with Bloomfied of Electric Flag) Barry Goldberg's first solo LP. [39] Golden's articles have appeared in Creem , Circus and other publications.

Writer/producer

1980–85: Electro/hip hop

Golden in 1981 Lotti Golden- Riverside Park, NYC, 1981.jpg
Golden in 1981

In the early 1980s, Golden transitioned from artist to writer/producer. Golden's 1982 international dance hit "I Specialize in Love" co-written with musician Richard Scher, enabled her to move into record production: "The success gave [Golden] the freedom to demand production rights to her songs." [40] In an interview for the anthology, Signed, Sealed and Delivered-True Life Stories of Women in Pop, Golden stated that performing live was OK, but she preferred the recording studio, "that wonderful world of sound [where] anything was possible." [7]

As a writer/producer, Golden gained artistic control of her work, becoming a major progenitor of electro and early hip hop. [6] UK music historian Kevin Pearce describes Golden's transition from artist to producer: "I can still remember the delight at reading [David] Toop's "Rap Attack" and realizing that the Lotti Golden involved as part of electro pioneers Warp 9 in the early 1980s was the same Lotti Golden recording for Atlantic in 1969... with Bob Crewe producing the fantastic Motor-Cycle, one of the greatest and criminally rarest records ever". [41] Golden, with co-writer/producer Scher, wrote and recorded under the moniker Warp 9, a studio production project at the forefront of the electro movement, to which they eventually added live personnel. [42] Warp 9's electro classics Nunk (1982) and Light Years Away (1983), a tale of ancient astronaut visitation, characterize the sci-fi, afrofuturist aspect of electro. Described as "the perfect instance of hip hop's contemporary ramifications," [6] Golden and Scher worked "real emotion and intelligence into the world of experimental hip-hop and electro." [43] Their records are ranked among the most iconic of the electro hip hop era. [6] [44] [45] [46] [47] Among the early production teams using the Roland TR-808 drum machine, Golden and Scher [48] created a brand of "electo hip hop records with gorgeous textures and multiple layers." [6] Newsweek's "Language Arts & Disciplines" highlighted Warp 9's experimental use of vocoders in Light Years Away. [49] The Guardian (May 2014) characterized Light Years Away as " a cornerstone of early 80s beatbox afrofuturism, inspired by Grandmaster's Flash's The Message, a brilliantly spare and sparse piece of electro hip-hop traversing inner and outer space." [43] DJ Greg Wilson, the first to embrace electro in the UK, calculates the genre's influence on art and culture as "huge," ushering in the computer age, hip hop, and generating "a whole new approach to popular music." [50]

Warp 9's hits brought Golden to the attention of Island Record's chief Chris Blackwell, resulting in a worldwide publishing deal with Island Music. [51] Golden (with Scher) went on to write for, produce and/or remix artists including Diana Ross' hit single "Dirty Looks" from her Red Hot Rhythm & Blues album and TV Special, Patti Austin, Jennifer Holliday ( Say You Love Me ), The Manhattans, Brenda K. Starr ( I Want Your Love featuring guest rapper Adam Yauch of the Beastie Boys), Nina Hagen and Jimmy Cliff.

During the early 1980s Golden began a longstanding collaborative relationship with producer Arthur Baker, [52] co-writing the Latin Freestyle music classic "Pickin' Up Pieces" by Brenda K Starr [53] and co-producing Jennifer Holliday's Billboard Hot 100 hit, "Hard Times For Lovers" (Geffen). [54] Golden contributed background vocals/arrangements for many of Baker's projects including the Goon Squad's "Eight Arms to Hold You," featured on The Goonies: Original Motion Picture Soundtrack . Golden worked with Baker on Artists United Against Apartheid, Sun City , [55] and is among the sixty-one artists (including Lou Reed, Bono, Grandmaster Melle Mel, Keith Richards, Bob Dylan and Gil Scott Heron) who participated in what rock critic Dave Marsh describes as "the most diverse line up of popular musicians ever assembled for a single session." [56] [57] Golden appears in the video.

1985–89

Lotti Golden relocated to Los Angeles in 1985 establishing herself in LA's burgeoning songwriting scene, signing a worldwide publishing deal with MCA Music [8] (later renewing and extending her contract with David Renzer, Chairman/CEO of the Universal Music Publishing Group). In 1986, MCA Creative Director Carol Ware introduced Golden to writer/producer Tommy Faragher, "on a hunch that the two young writer/producers would click as a team." [48] The pair quickly gained a reputation for "richly produced, finely crafted urban dance music." [8] By 1987 Golden was working almost exclusively with Faragher, [8] [58] telling Cashbox: "We have a gold record [The Jets] our first year working together." [51] Golden returned to New York's Upper West Side with Faragher, building a state-of-the-art recording studio, "decorated with archival black and white photos of John Coltrane, Billie Holiday, [and] Lester Young, souvenirs from Lotti's jazz-fan parents." [8]

On Valentine's Day, 1988, Golden and Faragher were featured in the Business Section of the New York Daily News . The article disclosed the pair feared romantic involvement would ruin their working relationship, [58] but they took the chance, got married and formed their own production operation. [48] The production on their own material was "so good they were invited in to produce tracks they didn't write," [51] which included the R&B Pop group, the Jets' album, Magic on MCA (1987), certified RIAA Platinum, [59] followed by Brenda K. Starr , certified RIAA Gold, yielding the single "You Should Be Loving Me," which appeared on the soundtrack and film She's Out of Control . [60] In 1988, Golden and Faragher were enlisted by A&M to write and produce EG Daily's sophomore effort Lace Around the Wound (1989), featuring the single "Some People." Although the album never got the promotional push it deserved, [61] several songs were later covered by Celine Dion [62] and appeared on the hit TV show California Dreams.

The real breakthrough for Golden in her partnership with Faragher came in 1989, when producer Arthur Baker phoned, announcing that Clive Davis was looking for a hit single to launch Taylor Dayne's sophomore LP. [63] By the time Baker arrived, Golden had a working chord progression and title. The three completed the song in one session and Baker left with the demo in his pocket, vocals by Golden, resulting in the Top 5 Billboard Hot 100 hit, "With Every Beat of My Heart," the lead single from Dayne's Certified RIAA 3× Platinum Can't Fight Fate (Arista) album. [48]

1990s

Lotti Golden was honored with the ASCAP Pop Award for "With Every Beat of My Heart" in 1991. Golden's "If You Lean on Me," was recorded by Canadian artist Colin James Sudden Stop LP [64] and featured in the 1991 action film, Run . Golden and Faragher's work with the O'Jays, fused urban R&B with their classic soul sound, coming "closest to accomplishing that fusion with the smoking, politically charged "Something For Nothing." [65] The album won the O'Jays their first American Music Award in 1991. Dubbed "luminous tunesmiths and veteran popsters" in Billboard, [66] the team's 1993 international hit, The Right Kind of Love (Giant Records) co-produced with Robbie Nevil (Billboard Top 15) featured on Fox's hit TV series Beverly Hills, 90210 (listed by Entertainment Weekly at No. 20 of the top TV shows of the past 25 years) [67] also appeared on the Beverly Hills 90210: The Soundtrack .

Golden and Faragher made music history in 1993, producing the British R&B girl band Eternal, the first female group to reach one million units (album sales) in the UK. [68] Eternal's debut LP, Always & Forever (EMI), certified 4× Platinum by BPI paved the way for other female UK groups like All Saints and the Spice Girls. [69] Golden's experience as a vocalist helped shape Eternal's vocal sound on the four songs she co-produced and wrote with Faragher, including the international hit single "Oh Baby I...", which topped the UK Singles Chart at No. 4. [70] The first UK girl group with six singles to reach the Top 15 on the UK charts from their debut LP, [71] Eternal went on to become one of Britain's most successful girl groups achieving both international and domestic success. [72]

In 1994, Golden co-wrote Keep on Pushing Love for veteran soul singer Al Green. The four way collaboration (Golden, Green, Baker & Faragher) resulted in "one of [Green's] finest recent releases." [73] The single appears on Green's 1995 LP, Your Heart's in Good Hands, "a solid project that approaches the Rev. Green's classic work with Hi Records." [74] In 1993 and 1994, Golden and Faragher reached No. 1 on Billboard's Jazz Charts, with Soul Embrace by Richard Elliot and Diane Schuur's Heart To Heart album, (GRP) featuring "Freedom" [75] performed by B.B. King.

Throughout the 1990s Golden and Faragher continued to write and produce international hits that appeared on the UK Singles Chart and UK Albums Chart for artists including Dana Dawson [76] the group Montage and Arthur Baker. [77] In 1998, Golden & Faragher introduced UK R&B artist Hinda Hicks with the Top 25 hit, "If You Want Me" [78] propelling her debut album, Hinda (Island Records) to No. 20 on the UK Albums Chart, winning two 1999 Brit Awards nominations.

Golden's partnership with Faragher continued for over a decade. An interview in the "Music Connection" provides insight into the collaborative methodology that made the pair a successful team: "I get involved in a lot of technical things, working out the arrangement and stuff like that," Faragher states, "[and] Lotti works on the complete feeling." Describing how songwriters can sometimes get too close to their work, becoming unwilling to modify or delete sections, Faragher pointed out, it was Golden, the iconoclast, who was willing to scrap work she felt wasn't up to par: "I might be attached to a certain section we worked so hard getting, and Lotti would say, 'Maybe we should throw this part out.' I go, 'Oh, no, you're kidding. I'm shocked-[but] she's right. She's absolutely right."' By the close of the decade, Golden's professional partnership with Faragher ended in divorce; they have one child.

In 2000, Golden's "I Should've Never Let You Go" co-written with Faragher, was the second hit single from the Australian girl group Bardot's No. 1 debut album, Bardot , certified 2× Platinum by ARIA, from the Popstars reality TV show. Golden continued working into the early 2000s, [79] but because her recording studio was lost in the divorce process, she could no longer artistically justify writing songs without creative control. The "Music Connection" interview, appearing over ten years before the partnership break-up, reveals just how important the production aspect of songwriting had become for Golden: "Golden & Faragher's pursuit of songwriting and production seems eons beyond the days of a cluttered Brill Building office with an upright piano. What environment does a songwriter need today? Golden: 'This one.' (She gestures towards the conglomeration of keyboards, computers and recording equipment)."

Discography

Literacy advocacy

In collaboration with the 92nd Street Y's Educational Outreach Program, Golden designed a songwriting workshop for the advancement of literacy, engaging New York City public school children in the art and craft of songwriting. The classroom based program, "Lyrics & Literacy/Words are Power" was created by Golden in accordance with the New York State Learning Standards for the Arts and implemented in East Harlem by Golden and the 92nd St. Y. [80]

2010–present

The Rolling Stone Years, a 2011 memoir by rock photographer Baron Wolman featured a previously unreleased portrait of Golden. In the book, Wolman recalls first hearing about Golden from Ahmet Ertegun and Jann Wenner; the trio routinely hit the New York clubs, scouting new talent, (see photo "The Making of Motor-Cycle, 1968-9"). [81] A review of Wolman's book in The Wire , references Golden's previously unpublished portrait: "You'll have your own personal favorites...but [Wolman's] portrait of Lotti Golden, an artist who is unknown to me, appears interesting, intriguing, and important because of Wolman's great photograph."

On Record Store Day, April 16, 2016, [82] High Moon Records reissued the original Atlantic 7" single that followed Motor-Cycle (with the participation of Warner Bros. Records and Rhino Records). The reissue is a remastered version of a medley of the Isley Brothers song It's Your Thing and "Sock It to Me Baby". The Atlantic release of Golden performing a cover in 1969 was certainly an unusual way to introduce an artist who writes all her own material, with no single release ahead of the LP. On the B-side, is a girl-group inspired song written by Golden, "Annabelle With Bells (Home Made Girl)," a "gem that sounds like the Ronettes for the hippie generation." [83] The reissue contains a picture sleeve with new cover art, a previously unreleased photo of Golden, and remastered audio. "Annabelle With Bells (Home Made Girl)," was not included in the 1969 album, due to time constraints in pre-digital recording.

Related Research Articles

Freestyle, or Latin freestyle is a form of electronic dance music that emerged in the New York metropolitan area, Philadelphia, and Miami, primarily among Black Americans, Hispanic Americans, and Italian Americans.

<span class="mw-page-title-main">Mary J. Blige</span> American singer (born 1971)

Mary Jane Blige is an American singer, songwriter, rapper, actress, and entrepreneur. Often referred to as the "Queen of Hip-Hop Soul" and "Queen of R&B", her accolades include nine Grammy Awards, a Primetime Emmy Award, four American Music Awards, twelve NAACP Image Awards, and twelve Billboard Music Awards, including the Billboard Icon Award.

<span class="mw-page-title-main">Eve (rapper)</span> American musician (born 1978)

Eve Jihan Cooper is an American rapper, singer, songwriter, and actress. Her debut studio album, Let There Be Eve...Ruff Ryders' First Lady (1999) peaked atop the Billboard 200, received double platinum certification by the Recording Industry Association of America (RIAA), and spawned the hit singles "What Ya Want", "Love Is Blind", and "Gotta Man". That same year, she guest featured on the Roots' Grammy Award-winning single "You Got Me", as well as Missy Elliott's single "Hot Boyz", both of which peaked within the top 40 of the Billboard Hot 100.

<span class="mw-page-title-main">2000s in music</span> Music-related events during the 2000s

This article is an overview of the major events and trends in popular music in the 2000s.

Electro is a genre of electronic dance music directly influenced by the use of the Roland TR-808 drum machines, with an immediate origin in early hip hop and funk genres. Records in the genre typically feature heavy electronic sounds, usually without vocals; if vocals are present, they are delivered in a deadpan manner, often through electronic distortion such as vocoding and talkboxing. It palpably deviates from its predecessor boogie by being less vocal-oriented and more focused on electronic beats produced by drum machines.

<i>Brandy</i> (album) 1994 studio album by Brandy

Brandy is the debut studio album by American singer Brandy. It was released on September 27, 1994, by Atlantic Records. Chiefly produced by Keith Crouch, the album contains a range of contemporary genres, including hip-hop, pop-soul, and R&B. Aside from Crouch, Norwood worked with a range of other writers and producers, including R&B group Somethin' for the People, Arvel McClinton, Damon Thomas, and Crouch's brother Kenneth.

<span class="mw-page-title-main">Brenda K. Starr</span> American musician

Brenda Joy Kaplan, known by her stage name Brenda K. Starr, is an American singer and songwriter. She is well known originally in R&B, dance and pop but now mostly in salsa-based music. She is also well known for her 1980s work with freestyle music.

<span class="mw-page-title-main">It's Your Thing</span> 1969 single by The Isley Brothers

"It's Your Thing" is a funk single by The Isley Brothers. Released in 1969, the anthem was an artistic response to Motown chief Berry Gordy's demanding hold on his artists after the Isleys left the label in late 1968.

Manuel Parrish is an American songwriter, vocalist and producer. He, along with artists such as Yellow Magic Orchestra, Kraftwerk, Art of Noise, Arthur Baker, Afrika Bambaataa, John Robie, Jellybean Benitez, Lotti Golden, Richard Scher and Aldo Marin, helped create and define electro in the early 1980s.

<span class="mw-page-title-main">With Every Beat of My Heart</span> 1989 single by Taylor Dayne

"With Every Beat of My Heart" is a song recorded by American singer Taylor Dayne for her second studio album, Can't Fight Fate (1989), which reached the Top 5 position on the Billboard Hot 100. Released on October 10, 1989, the song written by Lotti Golden, Tommy Faragher and Arthur Baker, and produced by Ric Wake, was the lead single, kicking off Dayne’s Arista Records debut LP, Can't Fight Fate.

<i>I Want Your Love</i> (album) 1985 studio album by Brenda K. Starr

I Want Your Love is the debut album by American dance/pop singer, Brenda K. Starr. While it was a small label release on Mirage Records, distributed by Atlantic Records, It featured her first Freestyle music hit, "Pickin' Up Pieces," which peaked at #9 on the Hot Dance Music/Club Play chart in 1986. Other noteworthy songs on the album include "Love Me Like The First Time", which would be recorded soon after by r&b/soul artist Stacy Lattisaw. While contemporary listeners will liken this album to the similar style of Latin Freestyle, many of the songs were produced in a sleeker, more polished, electro style. While the album itself was not a blockbuster success, Starr soon found herself on MCA Records for the release of her second, self titled, studio album.

<span class="mw-page-title-main">Oh Baby I...</span> 1994 single by Eternal

"Oh Baby I..." is a song by English girl group Eternal, written by Lotti Golden and Tommy Faragher. It was the fifth single released from their debut album, Always & Forever (1993), in October 1994 by EMI and 1st Avenue. The song entered the UK Singles Chart at number seven on October 30th, climbing to its peak of number four a week later. The single spent 10 weeks in the top 40, which up to this point was their longest chart run, and was certified Silver by the BPI on 1 January 1995 for shipments over 200,000. The song also reached the top 10 in the Netherlands and narrowly missed the top 10 in Ireland and New Zealand, charting at number 11 in both countries. The music video for "Oh Baby I..." was directed by British director and editor Tim Royes.

<span class="mw-page-title-main">I Specialize in Love</span>

"I Specialize in Love" is a song written by Lotti Golden and Richard Scher. Mixed by Tee Scott, the song was a club hit in the early 1980s when recorded by American singer Sharon Brown, the niece of songwriter Phil Medley. Released as a single in March 1982, by Profile Records, it spent three weeks at number two on the US Hot Dance Club Play chart, her only song to reach this survey. The single also charted on the UK Singles Chart, becoming an international club hit. A remixed version of the song was released in 1994, entering the UK Singles Chart for a second time.

<i>Lace Around the Wound</i> 1989 studio album by E. G. Daily

Lace Around the Wound is the second studio album by the American singer, actress and musician E. G. Daily, released by A&M in 1989.

<i>Motor-Cycle</i> (album) 1969 studio album by Lotti Golden

Motor-Cycle is the debut album by singer-songwriter Lotti Golden released on Atlantic Records in 1969. The album is a semiautobiographical account of Golden's immersion in the life of New York's LES and East Village, written in music and lyrics because, according to Golden, "a book is too flat." Motor-Cycle describes the underground world of the late sixties counterculture, "down to the last Seconal capsule."

<span class="mw-page-title-main">Warp 9</span> American hip-hop group

Warp 9, an American sci-fi themed electro-funk, hip hop group is best known for its ground breaking, influential singles including "Nunk," "Light Years Away," and "Beat Wave," which ranked among the most iconic groups of the electro hip hop era. Described as the "perfect instance of hip hop's contemporary ramifications," Warp 9 was the brainchild of writer-producers Lotti Golden and Richard Scher. The duo wrote and recorded under the moniker Warp 9, a production project at the forefront of the electro movement.

<span class="mw-page-title-main">The Right Kind of Love</span> 1992 single by Jeremy Jordan

"The Right Kind of Love" is a song by American recording artist Jeremy Jordan. The single was released in late 1992 as one of the lead tracks from the Beverly Hills 90210 soundtrack, later appearing on his debut album, Try My Love (1993), on Giant Records. Written and produced by Tommy Faragher, Lotti Golden and Robbie Nevil, the song became an international hit, peaking at number 14 on the US Billboard Hot 100 and number five in Australia.

<span class="mw-page-title-main">Dirty Looks (song)</span> 1987 single by Diana Ross

"Dirty Looks" is a song from the 1987 album Red Hot Rhythm & Blues by Diana Ross. It was written by Lotti Golden and Richard Scher, and produced by Tom Dowd. It was also released as the album's lead single on April 29, 1987, by RCA and EMI. The song, which peaked at #12 on Billboard's Hot R&B Singles, originally appeared on Warp 9's second LP on Motown, Fade in, Fade Out. The European releases of Red Hot Rhythm & Blues features the short version of the song.

<i>Its a Beat Wave</i> Album by Warp 9

It's a Beat Wave is the debut album by American electro group Warp 9. Released in 1983, the album's producers, Lotti Golden and Richard Scher, "worked real emotion and intelligence into the world of experimental hip-hop and electro." Warp 9 was the moniker under which Golden and Scher created their brand of electro-futurism. The group's first single, "Nunk,"(1982), secured Warp 9's album deal with New York independent label Prism Records. The LP was released in 1983 in conjunction with the group's 3rd single, "Beat Wave." Warp 9's large following in the New York metropolitan area came to the attention of Island Records chief Chris Blackwell who signed Warp 9 to a world wide deal on Island Records.

<span class="mw-page-title-main">Cardi B</span> American rapper (born 1992)

Belcalis Marlenis Cephus, known professionally as Cardi B, is an American rapper. Noted for her unfiltered public image and lyrics, Cardi B is one of the most successful female artists in contemporary music. From 2015 to early 2017, she gained recognition on Vine and Instagram, as a cast member on VH1's Love & Hip Hop: New York, and by releasing two mixtapes.

References

  1. The Hollywood reporter, Volume 317, Issues 19–34 Wilkerson Daily Corp., 1991-Performing Arts : "Lotti Golden, Arthur Baker, writers; Matak Music, MCA Inc., Mygag Music, publishers Most Performed Standards from OCT. 1, 1989 to SEPT. 30, 1990" "With Every Beat of My Heart"
  2. "With Every Beat of My Heart" Joel Whitburn (1994) Top Pop Singles 1955–1993 Record Research Inc. Wisconsin, USA, page 155 (Top 5)
  3. "With Every Beat of My Heart"
  4. "Oh Baby I..." Dave McAleer (1999) Top 20 Charts, US and UK Miller Freeman Books, San Francisco CA 94107. Page 336.
  5. "Oh Baby I..."
  6. 1 2 3 4 5 Toop, David (2000). Rap Attack 3: African Rap To Global Hip Hop. (Expanded Third Edition) Serpent's Tail, London N4 2BT pp. 146, 148, 150–151 ISBN   1-85242-627-6.
  7. 1 2 3 4 5 Steward, Sue and Garratt, Sheryl (1984) Signed, Sealed, and Delivered: True Life Stories of Women in Pop, South End Press, Boston, MA, 02116 pp. 78, 79, 80, 99.
  8. 1 2 3 4 5 6 Wheeler, Drew (May 16–29, 1988) "Golden & Faragher Have Something in Common". Music Connection, p. 24.
  9. "Canarsie, Newest HS, Is Dedicated to the Future". (January 16, 1965). Brooklyn World-Telegram, p. B1.
  10. 1 2 3 4 5 6 7 8 9 Barry, Thomas (September 9, 1969). "The Salty Socking Soul of Lotti Golden". Look , pp. 76,76,78
  11. "Pen Women Award Poetry Prizes". (February 2, 1967). The Villager (Greenwich Village. New York), p.5.
  12. "Dance to the Rhythm of Love". Over the Rainbow: The Atlantic Years." Popular Albums. All Media Guide, 2010. Answers.com June 27, 2010
  13. "Artie's Hits & Misses". Archived from the original on July 7, 2011. Retrieved November 3, 2010.
  14. 1 2 3 Hentoff, Nat (July 1969) "Cosmo Listens to Records". Cosmopolitan, p.74.
  15. 1 2 3 4 Saal, Hubert (July 14, 1969). " The Girl's-Letting Go". Newsweek, pp. 68,71.
  16. "Galactic Ramble: Lotti Golden: 'real and deep and touching'". Galacticramble.blogspot.com. September 29, 2011.
  17. Barton, Laura (January 26, 2017). "From Joni Mitchell to Laura Marling: how female troubadours changed music". The Guardian . London. Retrieved May 6, 2021.
  18. "Joni Mitchell Library – THE GIRLS—LETTING GO: Newsweek, July 14, 1969". Jonimitchell.com. Retrieved March 26, 2023.
  19. "Library: THE GIRLS—LETTING GO" (PDF). JoniMitchell.com. Newsweek. July 14, 1969.
  20. Hentoff, Nat (March 8, 1970). "The Best of Rock: A Personal Discography". Sunday Section: Rock Recordings, The New York Times , p. M3.
  21. https://web.archive.org/web/20231112070623/http://www.guttermagazine.com/blog/index.php?option=com_content&view=article&id=693:jmg&catid=67:needle-points&Itemid=118 [ bare URL ]
  22. 1 2 3 PATH ( May 29, 2008). 1969 "Lotti Golden- Motor-Cycle", Delorean, Tiny Mix Tapes
  23. Baker, Robb, (June 8, 1969). "The Sound", Chicago Tribune, p. S2.
  24. Wolman, Baron (2011). The Rolling Stone Years (Hardcover Edition) Omnibus Press, ISBN   1-84772-740-9, p. 155,
  25. "Vogue's Own Boutique: "How Does It Look in the Camera, Jack?" (February 1, 1969), Vogue, p. 234.
  26. "Hair on Hair" (February 16, 1970). Vogue, p. 57.
  27. "youthquakers: 15th February 1970 – US Vogue". July 8, 2011. Archived from the original on July 8, 2011. Retrieved March 26, 2023.
  28. Ellison, Harlan (1977). The Glass Teat: Essays of Opinion on The Subject of Television, Jove Publications Inc., p. 219 "...isn't as gravelly as Judy Henske, she isn't as heavy or as gorgeous as Lotti Golden, but would you believe she puts Joan Baez and Judy Collins away proper?" "She and Lotti Golden and Janis Joplin and Laura Nyro are the female equivalents (coming on the scene a little later than their male counterparts) of Mose Allison, Mick Jagger, Bob Dylan, and most recently Tony Joe White. ..."
  29. "Jerry Wexler: The Man Who Invented Rhythm & Blues". Rolling Stone . August 15, 2008.
  30. 1 2 3 Shannon, Mitchell (May 4, 2009) "For This No-hit Musical Wonder, the Golden Age May Be Just Beginning".
  31. "NYLON". Nylon. Retrieved December 8, 2022.
  32. "MC Honky – What a Bringdown Track 6". Archived from the original on June 14, 2011. Retrieved November 3, 2010.
  33. "GRT Records introduces singer-composer Lotti Golden to the trade and consumer press...at the Playboy Club of New York". (November 28, 1970). Billboard, p. 10
  34. Merllis. Bob Moore (November 1970). "GRT's Lotti: Incredible". Cashbox, p. 54.
  35. "Album Reviews" (December 5, 1970). Billboard, p. 64.
  36. Wolk, Douglas (July 9, 2010). "Music's Time Capsules: 41 Years of Christgau's 'Consumer Guide'". Daily Entertainment, Vulture New York online.
  37. "GRT Closing N.J. Plant in Cost -Cutting Move" (March 27, 1971). Billboard, p. 18.
  38. Golden, Lotti (May 1973), "Whatever Happened to Michael Bloomfield?". Crawdaddy! (four photos of Bloomfield) pp. 39–42.
  39. Golden, Lotti (February 1974) "Goldberg Returns with an LP and a Friend". Rolling Stone, pp. 12.
  40. Martin, Steven (April 4, 1988). "Movers & Shakers" The Island Ear, p. 32.
  41. Pearce, Kevin (2009) "…Your Heart Out…For Dancers". Your Heart Out, 4th issue p. 14.
  42. "Warp 9 Biography – Music Artist Band Biographies – Artists Bands Bio". March 7, 2012. Archived from the original on March 7, 2012. Retrieved March 26, 2023.
  43. 1 2 Fitzpatrick, Rob (May 14, 2014). "The 101 strangest records on Spotify: Warp 9 – It's A Beat Wave". The Guardian . London. Retrieved March 26, 2023.
  44. Larkin, Colin (1998), The Virgin Encyclopedia of Dance Music (Virgin Encyclopedias of Popular Music), Better World Books, Mishawaka, IN, U.S.A, p.384 ISBN   0-7535-0252-6 Google Book Search.
  45. "Electro". Archived from the original on July 13, 2011. Retrieved May 22, 2023.{{cite web}}: CS1 maint: bot: original URL status unknown (link)
  46. Toop, David (January 5, 2007). "A to Z Of Electro", The Wire (Adventures in Modern Music) Issue No. 145, March 1996.
  47. "The Face Magazine". Archived from the original on January 26, 2013. Retrieved May 22, 2023.{{cite web}}: CS1 maint: bot: original URL status unknown (link)
  48. 1 2 3 4 Lewis, Pat (December 6, 1992). "Lotti Golden & Tommy Faragher", Music Connection, p. 13.
  49. "Scifi Street Sounds" (1983), Newsweek, Volume 153, Issue 5.
  50. Wilson, Greg (2003) "Electro-Funk: What Did It All Mean?"
  51. 1 2 3 Levy, Joe (March 19, 1988), East Coastings, Cash Box, p. 15.
  52. Grabel, Richard (May 21, 1983) "Burn This Disco Out" Archived December 22, 2010, at the Wayback Machine . NME Magazine.
  53. "Music Diva's". Archived from the original on July 9, 2012. Retrieved September 13, 2019.{{cite web}}: CS1 maint: bot: original URL status unknown (link)
  54. Joel Whitburn (1994), Top Pop Singles 1955–1993, Record Research Inc. Wisconsin, USA, page. 277.
  55. "African-Americans Who Fought Against Apartheid". Bet.com. Retrieved March 26, 2023.
  56. Marsh, Dave & Bernard, James (1994), New Book of Rock Lists, Fireside 1230 Avenue of the Americas, New York, NY 10020 ISBN   0-671-78700-4.
  57. "U2 Discography – Sun City Album / Artists Against Apartheid". U2wanderer.org. Retrieved March 26, 2023.
  58. 1 2 Lavan, Metzler Rosemary (February 14, 1988). "When Cupid & Mammon Meet: It Can Be a Pofitable Venture Daily News "Business Section" New York.
  59. https://archive.today/20130209093611/http://www.wikimusicguide.com/The_Jets%23Awards_.26_Certifications [ bare URL ]
  60. "She's Out of Control (1989) – Soundtracks". IMDb. Retrieved March 26, 2023.
  61. "Lace Around the Wound by E.G. Daily". January 1, 1989. Retrieved March 26, 2023 via Apple Music.
  62. "Passion Celine Dion: Discography – Cry Just a Little". Archived from the original on July 17, 2012. Retrieved May 22, 2023.
  63. Davis, Clive −2013, The Soundtrack of My Life, Simon and Schuster, page 362.
  64. ""Colin James biography"". Canadianbands.com. Retrieved March 26, 2023.
  65. Brackett Nathan, Hoard Christian (2004). The New Rolling Stone Album Guide, Simon & Schuster, Fireside 1230 Avenue of the Americas, New York, NY 10020 p. 602 ISBN   0-7432-0169-8
  66. Flick, Larry (1993). "Dayne Delivers 1st Set in 3 Years" Artists & Music, Billboard
  67. "The New Classics: TV". Ew.com. Retrieved March 26, 2023.
  68. "Eternal". March 12, 2012. Archived from the original on March 12, 2012. Retrieved March 26, 2023.
  69. "1001 POP CLASSICS YOU MUST DOWNLOAD # 2 – Eternal " Just A Step From Heaven "". Dirtypop-dirtypop.blogspot.com. July 28, 2010. Retrieved March 26, 2023.
  70. "i saw the light | full Official Chart History". Officialcharts.com. Retrieved March 26, 2023.
  71. "Whatever Happened ToEternal?". Femalefirst.co.uk. January 19, 2009. Retrieved March 26, 2023.
  72. "Eternal music, videos, stats, and photos". Last.fm. Retrieved March 26, 2023.
  73. "Al Green Page". Soulwalking.co.uk. Retrieved March 26, 2023.
  74. Krbechek, Randy (January 10, 1996). "Music Reviews, Metronews"
  75. "B.B. King Lyrics – Blues Songs". Archived from the original on July 14, 2011. Retrieved January 31, 2011.
  76. "this house is not a home | full Official Chart History". Officialcharts.com. Retrieved March 26, 2023.
  77. "warrior | full Official Chart History". Officialcharts.com. Retrieved March 26, 2023.
  78. "HINDA HICKS | full Official Chart History | Official Charts Company". Official Charts .
  79. "Introducing..." Amazon. March 26, 2011. Retrieved March 26, 2023.
  80. McGuire, Cara Mae (October–December 2010) "Interview: Lotti Golden: Then and Now" Helmet Hair Magazine
  81. "Book Review: 'The Rolling Stone Years' by Baron Wolman : Music Indust…" (Press release). Archived from the original on July 14, 2012. Retrieved May 22, 2023.{{cite press release}}: CS1 maint: bot: original URL status unknown (link)
  82. "SpecialRelease". Record Store Day. April 16, 2016. Retrieved October 2, 2016.
  83. [ permanent dead link ]