Critical reception
In its "New & Noteworthy" section, Billboard praised Jeremy Jordan's "The Right Kind of Love" as an "urbanized pop ditty" that showcased the "great promise" of the photogenic newcomer. The review highlighted its "finger-snappin' rhythm base," "retro-soul keyboards," and vocals "slightly reminiscent of Color Me Badd and New Kids on the Block." The single was described as a "shoo-in" for teen-oriented Top 40 radio formats and a strong indicator of Jordan's potential ahead of his debut album. [3]
Tom Doyle from Smash Hits gave the song a score of three out of five, describing it as "bumpy grindy soul stuff". He added that "it's a very convincing New Kids impersonation which will very likely turn Mr Jordan into an international pop sensation." [1] In his Gavin Report review, Dave Sholin described "The Right Kind of Love" as a well-crafted debut single from Jeremy Jordan, noting its "cool, rhythmic hook" and "slick production" by Robbie Nevil, Tommy Faragher, and Lotti Golden. Sholin remarked that, judging by Jordan's image, he looked like someone who could easily fit into the cast of Beverly Hills, 90210, the hit TV series whose soundtrack featured the song. [4]
Music scholar Amy Coddington discussed the single in her book How Hip Hop Became Hit Pop: Radio, Rap, and Race, describing it as a mid-tempo, doo-wop-inspired pop song featuring multi-part vocal harmonies and elements influenced by acts associated with producer Michael Bivins, such as Bell Biv DeVoe and Boyz II Men. According to Coddington, the song incorporated a rap section that reflected the pop industry's engagement with hip hop culture during the early 1990s. However, she noted that Jordan's relationship with hip hop was "tenuous", as his label did not classify the single as rap despite including mixes like the "Hip Hop Jeep Mix". Coddington also analyzed the song's music video, observing how it portrayed Jordan navigating racial identity in the context of early-1990s multicultural pop. She highlighted that while the video positioned Jordan alongside Black dancers and teammates, it ultimately reinforced traditional racial boundaries in its romantic narrative. [5]
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