Blackface is the practice of non-Black performers using burnt cork or theatrical makeup to portray a caricature of Black people on stage or in entertainment.
Bert Williams was a Bahamian-born American entertainer, one of the pre-eminent entertainers of the vaudeville era and one of the most popular comedians for all audiences of his time. He is credited as being the first Black man to have the leading role in a film: Darktown Jubilee in 1914.
The Ziegfeld Follies were a series of elaborate theatrical revue productions on Broadway in New York City from 1907 to 1931, with renewals in 1934, 1936, 1943, and 1957. They became a radio program in 1932 and 1936 as The Ziegfeld Follies of the Air.
Biograph Studios was an early film studio and laboratory complex, built in 1912 by the Biograph Company at 807 East 175th Street, in The Bronx, New York City, New York.
The Biograph Company, also known as the American Mutoscope and Biograph Company, was a motion picture company founded in 1895 and active until 1916. It was the first company in the United States devoted entirely to film production and exhibition, and for two decades was one of the most prolific, releasing over 3000 short films and 12 feature films. During the height of silent film as a medium, Biograph was the most prominent U.S. film studio and one of the most respected and influential studios worldwide, only rivaled by Germany's UFA, Sweden's Svensk Filmindustri and France's Pathé. The company was home to pioneering director D. W. Griffith and such actors as Mary Pickford, Lillian Gish, and Lionel Barrymore.
Abriea "Abbie" Mitchell Cook, also billed as Abbey Mitchell, was an American soprano opera singer. She performed the role of Clara in the premiere production of George Gershwin's Porgy and Bess in 1935, and was also the first to record "Summertime" from that musical.
Sam Lucas was an American actor, comedian, singer, and songwriter. Sam Lucas's exact date of birth is disputed. Lucas's year of birth, to freed former slaves, has also been cited as 1839, 1841, 1848 and 1850.
The 49th National Society of Film Critics Awards, given on 3 January 2015, honored the best in film for 2014.
The Golden Louis is a 1909 American drama film written by Edward Acker, directed by D. W. Griffith, and produced by the Biograph Company in New York City. Originally, this short was distributed to theaters on a "split reel", accompanying another Griffith-directed film, the comedy The Politician's Love Story.
Thomas Hayes Hunter was an American film director and producer of the silent era. He directed a total of 34 films between 1912 and 1934.
A Natural Born Gambler is a 1916 silent film short, the first of only two films starring Broadway comic and singer Bert Williams. The film was Williams' first two-reel comedy, and was a film that was expected not to disappoint audiences and was highly anticipated. It was produced by the Biograph Company and released by The General Film Company. Williams directed and G. W. Bitzer, also known as Billy Bitzer, who was usually D. W. Griffith's cameraman, was the cinematographer. This is a still-surviving film, featuring Williams in his famous blackface routine. It is an authentic comedic film for its time (1916) in which Williams is still humorous without heavily relying on the popular physical style of slapstick comedy. Special and strategic advertising along with the name Williams had created for himself made it possible for the film to get exposure throughout the country. Most of this exposure came from newspaper prints.
The House of Discord (1913) is a silent American drama film directed by James Kirkwood, Sr., written by F. E. Woods and A. Clayton Harris from a play by William C. deMille. The film stars Lionel Barrymore and marked the theatrical film debut of actor Jack Mulhall.
Odessa Warren Grey was milliner, entrepreneur, and performer in Harlem, New York. She is best known as the star of the silent film, Lime Kiln Field Day (1913) where she co-stars with Bert Williams.
The Lime-Kiln Club was a fictitious fraternal organization of African-Americans created by writer and journalist Charles Bertrand Lewis for the Detroit Free Press in the late 19th century.
George Walker and Bert Williams were two of the most renowned figures of the minstrel era. However the two did not start their careers together. Walker was born in 1873 in Lawrence, Kansas. His onstage career began at an early age as he toured in black minstrel shows as a child. George Walker became a better known stage performer as he toured the country with a traveling group of minstrels. George Walker was a "dandy", a performer notorious for performing without makeup due to his dark skin. Most vaudeville actors were white at this time and often wore blackface. As Walker and his group traveled the country, Bert Williams was touring with his group, named Martin and Selig's Mastodon Minstrels. While performing with the Minstrels, African American song-and-dance man George Walker and Bert Williams met in San Francisco in 1893. George Walker married Ada Overton in 1899. Ada Overton Walker was known as one of the first professional African American choreographers. Prior to starring in performances with Walker and Williams, Overton wowed audiences across the country for her 1900 musical performance in the show Son of Ham. After falling ill during the tour of Bandana Land in 1909, George Walker returned to Lawrence, Kansas where he died on January 8, 1911. He was 38.
Blackface in contemporary art covers issues from stage make-up used to make non-black performers appear black, to non-black creators using black personas. Blackface is generally considered an anachronistically racist performance practice, despite or because of which it has been widely used in contemporary art. Contemporary art in this context is understood as art produced from the second half of the 20th century until today. In recent years some black artists and artists of color have engaged in blackface as a form of deconstruction and critique.
Wes Jenkins (1859-1930) was an American actor active during Hollywood's silent era. He appears in an untitled Biograph film from 1913 that has been dubbed Lime Kiln Field Day; held by MoMA, the seven-reel clip is thought to be the oldest surviving footage of black actors.
Edwin Middleton (1865–1929) was a film director in the United States.
African American cinema is loosely classified as films made by, for, or about Black Americans. Historically, African American films have been made with African-American casts and marketed to African-American audiences. The production team and director were sometimes also African American. More recently, Black films featuring multicultural casts aimed at multicultural audiences have also included American Blackness as an essential aspect of the storyline.
A Sound Sleeper is a 1909 American comedy film directed by D. W. Griffith and produced by the American Mutoscope and Biograph Company. The short was filmed in one day in the Coytesville borough of Fort Lee, New Jersey, which at the time was a popular filming location for many early motion-picture studios in the northeastern United States. Due to the brief running time of this comedy, it was originally distributed in April 1909 on a split reel with another Biograph release, a longer dramatic film titled The Winning Coat.
