Author | Jacques Derrida |
---|---|
Subject | J. L. Austin |
Published | 1988 |
Media type |
Limited Inc is a 1988 book by the French philosopher Jacques Derrida, containing two essays and an interview.
The first essay, "Signature Event Context," is about J. L. Austin's theory of the illocutionary act outlined in his How To Do Things With Words. [1] The second essay, "Limited Inc a b c...", is Derrida's response to John Searle's "Reply to Derrida: Reiterating the Differences," which criticizes Derrida's interpretation of Austin. The book concludes with a letter by Derrida, written in response to questions posed by Gerald Graff in 1988: "Afterword: Toward an Ethic of Discussion". Searle's essay is not itself included: he denied Northwestern University Press permission to reprint it. A summary is included between the two Derrida essays, and Derrida quotes the essay extensively. [2]
"Signature Event Context" was originally delivered at a Montreal conference entitled "Communication," organized by the Congrès international des Sociétés de philosophie de langue française in August 1971. It was subsequently published in the Congrès' Proceedings and then collected in Derrida's Marges de la philosophie in 1972. It first appeared in English translation in the inaugural issue of the journal Glyph in 1977 and was followed in the same issue by Searle's "Reply to Derrida: Reiterating the Differences". Derrida's reply to Searle's reply, "Limited Inc a b c...", was published in Glyph's second issue later in 1977. A French edition of Limited Inc was published by Éditions Galilée under that same title (but with a point added after Inc) in 1990.
The essay has three section headings, beginning with: "Writing & Telecommunication" on the third page, and then followed by "Parasites. Iter, of Writing: That It Perhaps Does Not Exist", and concluding with "Signatures".
Derrida highlights Austin's theory of illocutionary acts in the "Parasites..." section because he finds it in contradiction to the definition of communication he has formulated in "Writing & Telecommunication". There he considers all communication in terms traditionally reserved for writing. Derrida lists three traits of writing. First, it subsists without the subject who inscribed it. Second, the meaning of the text is never constrained by its context. "[T]he sign", Derrida explains, "possesses the characteristic of being readable even if the moment of its production is irrevocably lost and even if I do not know what its alleged author-scriptor intended to say at the moment he wrote it". [3] Third, this possibility of rupture from its origin is provided by a text's elements (e.g. words) being separated by spacing. Derrida says that these traits "are valid not only for all orders of 'signs' and for languages in general but moreover, beyond semio-linguistic communication, for the entire field of what philosophy would call experience". [4]
In 1972, Derrida wrote "Signature Event Context," an essay on J. L. Austin's speech act theory; following a critique of this text by John Searle in his 1977 essay Reiterating the Differences, Derrida wrote the same year Limited Inc abc ..., a long defense of his earlier argument.
Searle exemplified his view on deconstruction in The New York Review of Books , February 2, 1984; [5] for example:
...anyone who reads deconstructive texts with an open mind is likely to be struck by the same phenomena that initially surprised me: the low level of philosophical argumentation, the deliberate obscurantism of the prose, the wildly exaggerated claims, and the constant striving to give the appearance of profundity by making claims that seem paradoxical, but under analysis often turn out to be silly or trivial.
In 1983, Searle told to The New York Review of Books a remark on Derrida allegedly made by Michel Foucault in a private conversation with Searle himself; Derrida later decried Searle's gesture as gossip, and also condemned as violent the use of a mass circulation magazine to fight an academic debate. [6] According to Searle's account, Foucault called Derrida's prose style "terrorist obscurantism"; Searle's quote was:
Michel Foucault once characterized Derrida's prose style to me as "obscurantisme terroriste." The text is written so obscurely that you can't figure out exactly what the thesis is (hence "obscurantisme") and when one criticizes it, the author says, "Vous m'avez mal compris; vous êtes idiot" (hence "terroriste").
In 1988, Derrida wrote "Afterword: Toward An Ethic of Discussion", to be published with the previous essays in the collection Limited Inc. Commenting on criticisms of his work, he wrote: [6] [7]
I just want to raise the question of what precisely a philosopher is doing when, in a newspaper with a large circulation, he finds himself compelled to cite private and unverifiable insults of another philosopher in order to authorize himself to insult in turn and to practice what in French is called a jugement d'autorité, that is, the method and preferred practice of all dogmatism. I do not know whether the fact of citing in French suffices to guarantee the authenticity of a citation when it concerns a private opinion. I do not exclude the possibility that Foucault may have said such things, alas! That is a different question, which would have to be treated separately. But as he is dead, I will not in my turn cite the judgment which, as I have been told by those who were close to him, Foucault is supposed to have made concerning the practice of Searle in this case and on the act that consisted in making this use of an alleged citation."
In the main text he argued that Searle avoided reading him [8] and didn't try to understand him and even that, perhaps, he was not able to understand, and how certain practices of academic politeness or impoliteness could result in a form of brutality that he disapproved of and would like to disarm, in his fashion. [9]
Derrida also criticized Searle's work for pretending to talk about "intention" without being aware of traditional texts about the subject and without even understanding Husserl's work when talking about it. [10] Because he ignored the tradition he rested blindly imprisoned in it, repeating its most problematic gestures, falling short of the most elementary critical questions. [11]
Derrida would even argue that in a certain way he was more close to Austin than Searle was and that, in fact, Searle was more close to continental philosophers that he himself tried to criticize. [12] He would also argue about the problem he found in the constant appeal to "normality" in the analytical tradition from which Austin and Searle were only paradigmatic examples. [13]
In the description of the structure called "normal," "normative," "central," "ideal,"this possibility must be integrated as an essential possibility. The possibility cannot be treated as though it were a simple accident-marginal or parasitic. It cannot be, and hence ought not to be, and this passage from can to ought reflects the entire difficulty. In the analysis of so-called normal cases, one neither can nor ought, in all theoretical rigor, to exclude the possibility of transgression. Not even provisionally, or out of allegedly methodological considerations. It would be a poor method, since this possibility of transgression tells us immediately and indispensably about the structure of the act said to be normal as well as about the structure of law in general.
He continued arguing how problematic was establishing the relation between "nonfiction or standard discourse" and "fiction," defined as its "parasite", "for part of the most originary essence of the latter is to allow fiction, the simulacrum, parasitism, to take place-and in so doing to 'de-essentialize' itself as it were". [13] He would finally argue that the indispensable question would then become: [13]
what is "nonfiction standard discourse", what must it be and what does this name evoke, once its fictionality or its fictionalization, its transgressive "parasitism", is always possible (and moreover by virtue of the very same words, the same phrases, the same grammar, etc.)?
This question is all the more indispensable since the rules, and even the statements of the rules governing the relations of "nonfiction standard discourse" and its fictional "parasites", are not things found in nature, but laws, symbolic inventions, or conventions, institutions that, in their very normality as well as in their normativity, entail something of the fictional.
Deconstruction is a loosely-defined set of approaches to understanding the relationship between text and meaning. The concept of deconstruction was introduced by the philosopher Jacques Derrida, who described it as a turn away from Platonism's ideas of "true" forms and essences which are valued above appearances.
Postmodern philosophy is a philosophical movement that arose in the second half of the 20th century as a critical response to assumptions allegedly present in modernist philosophical ideas regarding culture, identity, history, or language that were developed during the 18th-century Age of Enlightenment. Postmodernist thinkers developed concepts like différance, repetition, trace, and hyperreality to subvert "grand narratives", univocity of being, and epistemic certainty. Postmodern philosophy questions the importance of power relationships, personalization, and discourse in the "construction" of truth and world views. Many postmodernists appear to deny that an objective reality exists, and appear to deny that there are objective moral values.
Post-structuralism is a philosophical movement that questions the objectivity or stability of the various interpretive structures that are posited by structuralism and considers them to be constituted by broader systems of power. Although post-structuralists all present different critiques of structuralism, common themes among them include the rejection of the self-sufficiency of structuralism, as well as an interrogation of the binary oppositions that constitute its structures. Accordingly, post-structuralism discards the idea of interpreting media within pre-established, socially constructed structures.
The Sokal affair, also called the Sokal hoax, was a demonstrative scholarly hoax performed by Alan Sokal, a physics professor at New York University and University College London. In 1996, Sokal submitted an article to Social Text, an academic journal of cultural studies. The submission was an experiment to test the journal's intellectual rigor, specifically to investigate whether "a leading North American journal of cultural studies—whose editorial collective includes such luminaries as Fredric Jameson and Andrew Ross—[would] publish an article liberally salted with nonsense if (a) it sounded good and (b) it flattered the editors' ideological preconceptions."
In the philosophy of language and linguistics, speech act is something expressed by an individual that not only presents information but performs an action as well. For example, the phrase "I would like the kimchi; could you please pass it to me?" is considered a speech act as it expresses the speaker's desire to acquire the kimchi, as well as presenting a request that someone pass the kimchi to them.
Jacques Derrida was a French philosopher. He developed the philosophy of deconstruction, which he utilized in a number of his texts, and which was developed through close readings of the linguistics of Ferdinand de Saussure and Husserlian and Heideggerian phenomenology. He is one of the major figures associated with post-structuralism and postmodern philosophy although he distanced himself from post-structuralism and disowned the word "postmodernity".
John Rogers Searle is an American philosopher widely noted for contributions to the philosophy of language, philosophy of mind, and social philosophy. He began teaching at UC Berkeley in 1959, and was Willis S. and Marion Slusser Professor Emeritus of the Philosophy of Mind and Language and Professor of the Graduate School at the University of California, Berkeley, until June 2019, when his status as professor emeritus was revoked because he was found to have violated the university's sexual harassment policies.
Différance is a French term coined by Jacques Derrida. It is central to Derrida's concept of deconstruction, a critical outlook concerned with the relationship between text and meaning. The term différance means both "difference of meaning" and "deferral of meaning", and is made of combining the two French words. Roughly speaking, the method of différance is a way to analyze how signs come to have meanings. It suggests that meaning is not inherent in a sign but arises from its relationships with other signs, a continual process of contrasting with what comes before and later. That is, a sign acquires meaning by being different from other signs. The meaning of a sign changes over time, as new signs keep appearing and old signs keep disappearing.
In the philosophy of language and speech acts theory, performative utterances are sentences which not only describe a given reality, but also change the social reality they are describing.
In the fields of philosophy, the terms obscurantism and obscurationism identify and describe the anti-intellectual practices of deliberately presenting information in an abstruse and imprecise manner that limits further inquiry and understanding of a subject. The two historical and intellectual denotations of obscurantism are: (1) the deliberate restriction of knowledge — opposition to the dissemination of knowledge; and (2) deliberate obscurity — a recondite style of writing characterized by deliberate vagueness.
The concept of illocutionary acts was introduced into linguistics by the philosopher J. L. Austin in his investigation of the various aspects of speech acts. In his framework, locution is what was said and meant, illocution is what was done, and perlocution is what happened as a result.
"The Death of the Author" is a 1967 essay by the French literary critic and theorist Roland Barthes (1915–1980). Barthes' essay argues against traditional literary criticism's practice of relying on the intentions and biography of an author to definitively explain the "ultimate meaning" of a text. Instead, the essay emphasizes the primacy of each individual reader's interpretation of the work over any "definitive" meaning intended by the author, a process in which subtle or unnoticed characteristics may be drawn out for new insight. The essay's first English-language publication was in the American journal Aspen, no. 5–6 in 1967; the French debut was in the magazine Manteia, no. 5 (1968). The essay later appeared in an anthology of Barthes' essays, Image-Music-Text (1977), a book that also included his "From Work to Text".
Performativity is the concept that language can function as a form of social action and have the effect of change. The concept has multiple applications in diverse fields such as anthropology, social and cultural geography, economics, gender studies, law, linguistics, performance studies, history, management studies and philosophy.
The following is a bibliography of works by Jacques Derrida.
Citationality, in literary theory, is an author's citation (quoting) of other authors' works. Some works are highly citational, while others seem to exist in a vacuum, without explicit references to other authors or texts. Some writers, such as the Argentinian writer Jorge Luis Borges, are highly citational. Citationality is often seen as a typical feature of postmodernism, especially in its pop culture manifestations.
Trace is one of the most important concepts in Derridian deconstruction. In the 1960s, Jacques Derrida used this concept in two of his early books, namely Writing and Difference and Of Grammatology.
Documentality is the theory of documents that underlies the ontology of social reality put forward by the Italian philosopher Maurizio Ferraris. The theory gives to documents a central position within the sphere of social objects, conceived as distinct from physical and ideal objects. Ferraris argues that social objects are "social acts that have been inscribed on some kind of support", be it a paper document, a magnetic support, or even memory in people's heads. Thus the constitutive rule of social objects is that Object = Inscribed Act. Therefore, documents as inscriptions possessing social relevance and value embody the essential and prototypical features of any social object, and it is on this basis that it is possible to develop an ontology capable of classifying documents and their selective storage, beginning with the grand divide between strong documents, which make up social objects in the full sense, and weak documents, which are secondary derivatives and of lesser importance. This theory is inspired, on the one hand, by the reflection on the centrality of writing developed by Jacques Derrida and, on the other hand, by the theory of social acts devised by Adolf Reinach (1913) and the theory of linguistic acts by John L. Austin (1962).
"Cogito and the History of Madness" is a 1963 paper by the French philosopher Jacques Derrida that critically responds to Michel Foucault's book History of Madness. In this paper, Derrida questions the intentions and feasibility of Foucault's book, particularly in relation to the historical importance attributed by Foucault to the treatment of madness by Descartes in the Meditations on First Philosophy. Derrida's paper began a high-profile exchange between Derrida and Foucault as well as a considerable amount of attention from scholars. Foucault responded directly to Derrida in an appendix added to the 1972 edition of the History of Madness titled "My body, this paper, this fire." Derrida again considered Foucault's 1961 text on madness with "To do Justice to Freud: The History of madness in the age of psychoanalysis" in 1991. The exchange between Derrida and Foucault was sometimes acrimonious and it is said that "the two writers stopped communicating for ten years." Commentators on the exchange include Shoshana Felman, Gayatri Spivak, Geoffrey Bennington, Slavoj Žižek, Edward Saïd, Rémi Brague, Manfred Frank, and Christopher Norris.
Leonard "Len" Lawlor is Edwin Erle Sparks Professor of Philosophy at Pennsylvania State University. He specializes in nineteenth- and twentieth-century Continental philosophy.
The Searle–Derrida debate is a famous intellectual controversy opposing John Searle and Jacques Derrida, after Derrida responded to J. L. Austin's theory of the illocutionary act in his 1972 paper "Signature Event Context". In his 1977 essay Reiterating the Differences: A Reply to Derrida, Searle argued that Derrida's apparent rejection of Austin was unwarranted, but later refused to let this 1977 reply be printed along with Derrida's papers in the 1988 collection Limited Inc — in which a new text by Derrida ridiculed Searle's positions on the topic. In the 1990s, Searle clarified why he did not consider Derrida's approach to be legitimate philosophy.