Lisa Barnard

Last updated

Lisa Barnard (born 1967) is a documentary photographer, political artist, [1] and a reader in photography at University of South Wales. She has published the books Chateau Despair (2012), Hyenas of the Battlefield, Machines in the Garden (2014) and The Canary and the Hammer (2019). Her work has been shown in a number of solo and group exhibitions and she is a recipient of the Albert Renger-Patzsch Award.

Contents

Life and work

Barnard graduated with a BA in Photography from the University of Brighton in 2005. [2] She gained an MA in Photography with Critical Theory. [3]

Her first book, Chateau Despair, [4] explores the disused Conservative Campaign Headquarters of the UK Conservative Party at 32 Smith Square, Westminster, London – nicknamed Chateau Despair, the scene of many televised historic moments in Conservative history from Margaret Thatcher's victory rallies to Iain Duncan Smith's resignation. "Barnard's images speak of the fleeting nature of political power and the often makeshift working environments that lurk beyond the gaze of the TV camera or the official portrait." [5] Chateau Despair was included in critic Sean O'Hagan's list of "The best independent photobooks of 2013" in The Guardian [6] and New Statesman made it their Picture Book Of The Week. [7]

In the group exhibition Theatres of War, curated by Mark Power in 2007, "Barnard documented the tragically tacky 'care packages' dispatched to American troops stationed abroad". Peter Conrad, reviewing the exhibition in The Guardian explained Barnard's photographs by asking "how can soldiers who ask their families to send them Beanie Babies and whoopee cushions hope to understand the gangs of Islamic insurgents they are fighting?". [8]

Barnard's "complicated and intriguing multimedia project" [9] Virtual Iraq "examines the use of interactive media by the US army to recruit, train and treat military personnel before and after they embark on a tour of duty to the Middle East. It [...] explores the relationship between the US army, virtual reality and the gaming industry" [10] in their Flatworld project. Barnard filmed it at the Institute for Creative Technologies, "a research centre also funded by the military to create training applications using virtual reality in advanced technologies." [9] Gordon MacDonald, reviewing Virtual Iraq in Photoworks Biannual, [n 1] said "Barnard’s project does not aim to direct you towards the ridiculous aspects of Flatworld or to point out the serious moral questions its existence raises. It achieves more than this by simply removing Flatworld from its context and holding all of its contradictions still to be viewed." [9]

Her second book, Hyenas of the Battlefield, Machines in the Garden, examines the use of drones in the War on Terror.

Barnard was senior lecturer on documentary photography at University of South Wales, [3] then a reader in photography there from 2017.

Publications by Barnard

Publications with contributions by Barnard

Awards

Exhibitions

Solo exhibitions

Collaborative exhibitions

Group exhibitions

Notes

  1. ↑ Gordon MacDonald's text, Bang bang You're Dead, for Photoworks Biannual 11, is reproduced within Barnard's web site here
  2. ↑ Mark Power's essay for the 2007 Krakow Photomonth catalogue Theatres of War is made available within his web site here

Related Research Articles

Anna Fox is a British documentary photographer, known for a "combative, highly charged use of flash and colour". In 2019 she was awarded an Honorary Fellowship of the Royal Photographic Society.

Mark Power is a British photographer. He is a member of Magnum Photos and Professor of Photography in The Faculty of Arts and Architecture at the University of Brighton. Power has been awarded the Terence Donovan Award and an Honorary Fellowship from the Royal Photographic Society.

Rinko Kawauchi HonFRPS is a Japanese photographer. Her work is characterized by a serene, poetic style, depicting the ordinary moments in life.

<span class="mw-page-title-main">Tim Hetherington</span> British photojournalist

Timothy Alistair Telemachus Hetherington was a British photojournalist. He produced books, films and other work that "ranged from multi-screen installations, to fly-poster exhibitions, to handheld device downloads" and was a regular contributor to Vanity Fair.

Julian Stallabrass is a British art historian, photographer and curator. He was educated at Leighton Park School and New College, Oxford University where he studied PPE. A Marxist, he has written extensively on contemporary art, photography and the history of twentieth-century British art.

David Alan Mellor is a British curator, professor and writer. He has been awarded the Royal Photographic Society's J. Dudley Johnston Award and Education Award.

<span class="mw-page-title-main">Ewen Spencer</span> British photographer and filmmaker

Ewen Spencer is a British photographer and filmmaker based in Brighton, England. His photography is primarily of youth and subcultures.

<span class="mw-page-title-main">Daniel Meadows</span> British photographer, video-maker and teacher

Daniel Meadows is an English photographer turned maker of digital stories, and a teacher of photography turned teacher of participatory media.

Gordon MacDonald works with photography as an artist, writer, curator, press photographer and educator.

Brighton Photo Biennial (BPB), now known as Photoworks Festival, is a month-long festival of photography in Brighton, England, produced by Photoworks. The festival began in 2003 and is often held in October. It plays host to curated exhibitions across the city of Brighton and Hove in gallery and public spaces. Previous editions have been curated by Jeremy Millar (2003), Gilane Tawadros (2006), Julian Stallabrass (2008), Martin Parr (2010) and Photoworks (2012). Brighton Photo Biennial announced its merger with Photoworks in 2006 and in 2020 its name was changed to Photoworks Festival.

Val Williams is a British curator and author who has become an authority on British photography. She is the Professor of the History and Culture of Photography at the London College of Communication, part of the University of the Arts London, and was formerly the Curator of Exhibitions and Collections at the Hasselblad Center.

Photography and the Archive Research Centre (PARC) is an organisation in London that commissions new research into photography and culture, curates and produces exhibitions and publications, organises seminars, study days, symposia and conferences, and supervises PhD students. It is a part of University of the Arts London (UAL), is based at UAL's London College of Communication at Elephant & Castle and was designated by UAL in 2003.

Photoworks is a UK development agency dedicated to photography, based in Brighton, England and founded in 1995. It commissions and publishes new photography and writing on photography; publishes the Photoworks Annual, a journal on photography and visual culture, tours Photoworks Presents, a live talks and events programme, and produces the Brighton Photo Biennial, the UK’s largest international photography festival Brighton Photo Biennial,. It fosters new talent through the organisation of the Jerwood/Photoworks Awards in collaboration with the Jerwood Charitable Foundation.

Archive of Modern Conflict (AMC) is an organisation and independent publisher based in Holland Park, London, England.

Peter van Agtmael is a documentary photographer based in New York. Since 2006 he has concentrated on the wars in Iraq and Afghanistan, and their consequences in the United States. He is a member of Magnum Photos.

<span class="mw-page-title-main">Preston is My Paris</span>

Preston is My Paris Publishing (PPP) is a photography-based project that creates publications, site-specific installations, live events, digital applications, education, writing, talks and workshops. It was started in 2009 by Adam Murray and Robert Parkinson as a photocopied zine with the intention of encouraging the exploration of Preston as a subject for creative practice and to focus more attention on the city. It has been described as "politically and photographically aware", "photographing and publishing a view of a disregarded, ordinary Britain" "in a playful way".

Clare Strand is a British conceptual photographer based in Brighton and Hove in the UK. She makes, as David Campany puts it, "black-and-white photographs that would be equally at home in an art gallery, the offices of a scientific institute, or the archive of a dark cult. ... They look like evidence, but of what we cannot know."

Format International Photography Festival is a biennial photography festival held in Derby, UK. It takes place in March in various venues in Derby including Quad, University of Derby, Derby Museum and Art Gallery, Derwent Valley Mills, Market Place and in nearby cities.

Look Photo Biennial is a biannual photography festival based in Liverpool, UK. It is a four-week programme that takes place in various venues in Liverpool and across the North West in April and May. It dates back to 2007 but began in its current format in 2011. From 2018 it is being led by Open Eye Gallery, where the festival is centred.

<span class="mw-page-title-main">Stuart Griffiths (photographer)</span> British photographer and writer

Stuart Griffiths is a British photographer and writer living in Hastings, East Sussex. He published photographs from his time in the Parachute Regiment in The Myth of the Airborne Warrior (2011) and wrote about that period and later in Pigs' Disco (2013). Griffiths has had a solo exhibition, Closer, at MAC, Birmingham and his work is held in the collection of the Imperial War Museums.

References

  1. ↑ Partos, Hannah (23 July 2015). "Lisa Barnard's best photograph: Margaret Thatcher found in a cupboard". The Guardian . London. Retrieved 23 July 2015.
  2. ↑ "Lisa Barnard Archived 3 November 2014 at the Wayback Machine ", University of Brighton. Accessed 21 December 2014.
  3. 1 2 "Lisa Barnard", University of South Wales. Accessed 21 December 2014.
  4. ↑ Rawnsley, Andrew (25 March 2013). "Chateau Despair by Lisa Barnard; The Real Iron Lady by Gillian Shephard – review". The Observer . Retrieved 21 December 2014.
  5. ↑ O'Hagan, Sean (28 February 2013). "How Margaret Thatcher's HQ turned into Chateau Despair". The Guardian . Retrieved 21 December 2014.
  6. ↑ Sean O'Hagan (13 December 2013). "The best independent photobooks of 2013". The Guardian .
  7. ↑ "Picture Book Of The Week: Chateau Despair". New Statesman . 15 February 2013. Retrieved 22 December 2014.
  8. ↑ Conrad, Peter (15 July 2007). "Modern wounds stir ghost of Schindler". The Guardian . Retrieved 22 December 2014.
  9. 1 2 3 Macdonald, Gordon (2008). "Bang bang You're Dead". Photoworks Biannual. Photoworks (11). ISBN   978-1903796283.
  10. 1 2 "Virtual Iraq comes to school". Eastbourne Herald . 11 September 2008. Retrieved 21 December 2014.
  11. ↑ Derbyshire, David (24 September 2003). "Exposed: the weird and the wonderful". The Daily Telegraph . Retrieved 21 December 2014.
  12. ↑ "Guardian Student Media Awards 2005". The Guardian . 21 September 2005. Retrieved 21 December 2014.
  13. ↑ "Danny Wilson Memorial Award". Brighton Photo Fringe. Archived from the original on 21 December 2014. Retrieved 21 December 2014.
  14. ↑ "Grants and Prizes", Museum Folkwang. Accessed 21 December 2014.
  15. ↑ "Getty Images announces recipients of new Prestige Grant". Getty Images. 7 October 2015. Retrieved 8 October 2015.
  16. ↑ James, Sarah (2010). "Lisa Barnard: Maggie". Photoworks Biannual. Photoworks (15): 72–79. ISBN   978-1903796320.
  17. ↑ Smyth, Diane (22 September 2010). "Brighton Photo Biennial". The Daily Telegraph . Retrieved 21 December 2014.
  18. ↑ "Artist of the Day 2014". Flowers Gallery. Retrieved 3 January 2019.
  19. ↑ "Lisa Barnard: Hyenas of the Battlefield, Machines in the Garden". Rencontres d'Arles . Retrieved 23 July 2015.
  20. ↑ Eccleshare, Julia (8 June 2007). "Spooky view of children's laureates in new portraits". The Guardian . Retrieved 22 December 2014.
  21. ↑ "Brighton Photo Biennial 2008", Brighton Photo Biennial. Accessed 21 December 2014.
  22. ↑ "Poles are on track in town". Hastings & St. Leonards Observer . 17 April 2009. Retrieved 22 December 2014.
  23. ↑ "Theatres of War", Mark Power. Accessed 21 December 2014.
  24. ↑ "Kill House: An architecture of fear Archived 21 December 2014 at the Wayback Machine ", University of Brighton. Accessed 21 December 2014.
  25. ↑ "Bringing the War Home Archived 4 March 2016 at the Wayback Machine ", Impressions Gallery. Accessed 3 December 2014.
  26. ↑ "23rd year for London Art Fair Archived 21 December 2014 at the Wayback Machine ", London Art Fair. Accessed 21 December 2014.
  27. ↑ "Collateral Damage", University of the Arts London. Accessed 21 December 2014.
  28. ↑ "Libya death photographer Tim Hetherington's work shown". BBC News. 12 May 2011. Retrieved 21 December 2014.
  29. ↑ "XXI: Conflicts in a New Century - Photography Exhibit", D Magazine. Accessed 23 December 2014.
  30. ↑ "Engines of War Archived 21 December 2014 at the Wayback Machine ", Gasser and Grunert. Accessed 21 December 2014.
  31. ↑ "Libya death photographer Tim Hetherington's work shown". Format Festival. Archived from the original on 16 November 2015. Retrieved 10 November 2015.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.