A list of films produced in Argentina in 1968:
Olivia Hussey is a British-Argentine actress. Her awards include a Golden Globe Award and a David di Donatello Award. The daughter of Argentine opera singer Andrés Osuna, Hussey was born in Buenos Aires but spent most of her early life in her mother's native England. She aspired to become an actress at a young age and studied drama for five years at Italia Conti Academy of Theatre Arts in London.
Boris Claudio "Lalo" Schifrin is an Argentine-American pianist, composer, arranger, and conductor. He is best known for his large body of film and TV scores since the 1950s, incorporating jazz and Latin American musical elements alongside traditional orchestrations. He is a five-time Grammy Award winner; he has been nominated for six Academy Awards and four Emmy Awards.
Héctor Eduardo Babenco was an Argentine-Brazilian film director, screenwriter, producer and actor who worked in several countries including Brazil, Argentina, and the United States. He was one of the first Brazilian filmmakers to gain international critical acclaim, through his films which often dealt with social outcasts on the fringes of society. His best-known works include Pixote (1980), Kiss of the Spider Woman (1985), Ironweed (1987), At Play in the Fields of the Lord (1990) and Carandiru (2003).
A sexploitation film is a class of independently produced, low-budget feature film that is generally associated with the 1960s and early 1970s, and that serves largely as a vehicle for the exhibition of non-explicit sexual situations and gratuitous nudity. The genre is a subgenre of exploitation films. The term "sexploitation" has been used since the 1940s.
Adrián Kirzner Schwartz, better known as Adrián Suar, is an Argentine actor, media producer and businessman who is the program director of Canal 13.
Fernando Ezequiel "Pino" Solanas was an Argentine film director, screenwriter, score composer and politician. His films include; La hora de los hornos (1968), Tangos: el exilio de Gardel (1985), Sur (1988), El viaje (1992), La nube (1998) and Memoria del saqueo (2004), among many others. He was National Senator representing the Autonomous City of Buenos Aires for six years, from 2013 to 2019.
Cinema of Argentina refers to the film industry based in Argentina. The Argentine cinema comprises the art of film and creative movies made within the nation of Argentina or by Argentine filmmakers abroad.
The Mar del Plata International Film Festival is an international film festival that takes place every November in the city of Mar del Plata, Argentina. It is the only competitive feature festival recognized by the FIAPF in Latin America, and the oldest in this category in the Americas. The festival is organized by the National Institute of Cinema and Audiovisual Arts (INCAA).
This is an index to pages listing Argentine films ordered by year of release. For an A-Z list, see Category:Argentine films.
The cinema of Paraguay has historically been small. However, this has begun to change in recent years with films like El Toque del Oboe (1998); María Escobar (2002); O Amigo Dunor (2005), which competed for Best Movie in the Rotterdam International Film Festival; Hamaca Paraguaya (2006), which was screened at the Cannes Film Festival, gaining critical acclaim both in Paraguay and abroad; 7 cajas (2012); Latas Vacías (2014); and Luna de Cigarras (2014).
Enrique Carreras was a Peruvian-born Argentine film director, screenwriter and film producer. He was one of the most prolific film directors in the history of the Cinema of Argentina.
Carlos Rinaldi was an Argentine film director. He began his career in 1937 with Argentina Sono Film, working in editing. Subsequently, he joined Associated Argentine Artists, where he was responsible for the editing of the company's entire production, earning recognition as the leading editor of his time. Rinaldi made his directorial debut with La cuna vacía in 1949 and directed numerous films until 1980.
Leopoldo Torre Nilsson, also known as Leo Towers and as Babsy, was an Argentine film director, producer and screenwriter.
The National Institute of Cinema and Audiovisual Arts was an agency of the Government of Argentina. It promotes the Argentine film industry by funding qualified Argentine film production companies and supporting new filmmakers. The Institute was established on 14 May 1968 by law nº 17.741. The INCAA also organizes the Mar del Plata International Film Festival, Ventana Sur film market, and has its own film school called ENERC.
Lucas Demare was an Argentine film director, screenwriter, and film producer prominent in the Cinema of Argentina in the 1940s, 1950s and 1960s.
Fuad Jorge Jury, better known by his stage name Leonardo Favio, was an Argentine singer, actor and filmmaker. He is considered one of Argentina's best film directors and one of the country's most enduring cultural figures, as well as a popular singer-songwriter throughout Latin America.
The Grupo Cine Liberación was an Argentine film movement that took place during the end of the 1960s. It was founded by Fernando Solanas, Octavio Getino and Gerardo Vallejo. The idea of the group was to give rise to historical, testimonial and film-act cinema, to contribute to the debate and offer an open space for dialogue and freedom of expression that was illegal at that time. With strong anti-imperialist ideas, he harshly criticized Peronism and neocolonialism. In the subsequent years other films directors revolved around the active core of the Cine Liberación group.
The Hour of the Furnaces is a 1968 Argentine film directed by Octavio Getino and Fernando Solanas. 'The paradigm of revolutionary activist cinema', it addresses the politics of the 'Third worldist' films and Latin-American manifesto of the late 1960s. It is a key part of the 'Third Cinema', a movement that emerged in Latin America around the same time as the film's release. The work is a four-hour trilogy, divided into chapters and united by the theme of dependency and liberation. The first part - "Neo-Colonialism and Violence" - is conceived for diffusion in all types of circuits, and is the one presented at Cannes Classics.
Bilateral relations between the Argentine Republic and the Republic of India, have existed for decades. Argentina has an embassy in Delhi and a Consulate General in Mumbai whilst India has an embassy in Buenos Aires. Both countries are members of G20, Group of 24 and Group of 77.
