A list of films produced in Argentina in 1969:
Pornographic films (pornos), erotic films, adult films, blue films, sex films, or 18+ films, are films that represent sexually explicit subject matter in order to arouse, fascinate, or satisfy the viewer. Pornographic films represent sexual fantasies and usually include erotically stimulating material such as nudity (softcore) and sexual intercourse (hardcore). A distinction is sometimes made between "erotic" and "pornographic" films on the basis that the latter category contains more explicit sexuality, and focuses more on arousal than storytelling; the distinction is highly subjective.
Salta is the capital and largest city in the Argentine province of the same name. With a population of 618,375 according to the 2010 census, it is also the 7th most-populous city in Argentina. The city serves as the cultural and economic center of the Valle de Lerma Metropolitan Area, which is home to over 50.9% of the population of Salta Province and also includes the municipalities of La Caldera, Vaqueros, Campo Quijano, Rosario de Lerma, Cerrillos, La Merced and San Lorenzo. Salta is the seat of the Capital Department, the most populous department in the province.
Boris Claudio "Lalo" Schifrin is an Argentine-American pianist, composer, arranger, and conductor. He is best known for his large body of film and TV scores since the 1950s, incorporating jazz and Latin American musical elements alongside traditional orchestrations. He is a five-time Grammy Award winner; he has been nominated for six Academy Awards and four Emmy Awards.
A sexploitation film is a class of independently produced, low-budget feature film that is generally associated with the 1960s and early 1970s, and that serves largely as a vehicle for the exhibition of non-explicit sexual situations and gratuitous nudity. The genre is a subgenre of exploitation films. The term "sexploitation" has been used since the 1940s.
Libertad Lamarque Bouza was an Argentine and Mexican actress and singer, became one of the most iconic stars of the Golden Age of cinema in both Argentina and Mexico. She achieved fame throughout Latin America, and became known as "La Novia de América". By the time she died in 2000, she had appeared in 65 films and six telenovelas, had recorded over 800 songs and had made innumerable theatrical appearances.
Narciso Ibáñez Menta was a Spanish theatre, film, and television actor. He developed much of his career in Argentina, during the Golden Age of Argentine cinema of the 1930s and 1940s.
Fernando Ezequiel "Pino" Solanas was an Argentine film director, screenwriter, score composer and politician. His films include; La hora de los hornos (1968), Tangos: el exilio de Gardel (1985), Sur (1988), El viaje (1992), La nube (1998) and Memoria del saqueo (2004), among many others. He was National Senator representing the Autonomous City of Buenos Aires for six years, from 2013 to 2019.
The Mar del Plata International Film Festival is an international film festival that takes place every November in the city of Mar del Plata, Argentina. It is the only competitive feature festival recognized by the FIAPF in Latin America, and the oldest in this category in the Americas. The festival is organized by the National Institute of Cinema and Audiovisual Arts (INCAA).
This is an index to pages listing Argentine films ordered by year of release. For an A-Z list, see Category:Argentine films.
Daniel Tinayre was a French-born Argentine film director, screenwriter and film producer notable for his work during the classical era of Argentine cinema (1930s–1950s) and the 1960s.
The cinema of Paraguay has historically been small. However, this has begun to change in recent years with films like El Toque del Oboe (1998); María Escobar (2002); O Amigo Dunor (2005), which competed for Best Movie in the Rotterdam International Film Festival; Hamaca Paraguaya (2006), which was screened at the Cannes Film Festival, gaining critical acclaim both in Paraguay and abroad; 7 cajas (2012); Latas Vacías (2014); and Luna de Cigarras (2014).
Fernando Ayala was an Argentine film director, screenwriter and film producer of the classic era. He is widely considered one of the most important Argentine film directors and producers in the history of the cinema of Argentina.
Pierre Bruno Hugo Fontana, otherwise known as Hugo del Carril, was an Argentine film actor, film director and tango singer of the Golden Age of Argentine cinema.
Enrique Carreras was a Peruvian-born Argentine film director, screenwriter and film producer. He was one of the most prolific film directors in the history of the cinema of Argentina and a prominent figure of the classical era of Argentine cinema.
Armando Bó was an Argentine film actor, director, producer, screenwriter and score composer. He began his career as an actor and producer during the Golden Age of Argentine cinema of the 1930s and 1940s. In 1956, Bó met Isabel Sarli and cast her as the lead actress in his film Thunder Among the Leaves (1957), in which she made the first full frontal nude in the history of Argentine cinema. Bó and Sarli became both romantic and commercial partners, and the duo turned to the sexploitation genre in the 1960s and 1970s, these films being considered emblematic of the genre.
Eliseo Alberto Subiela was an Argentine film director and writer. His works are considered to be in the 'magic realism' genre.
Fuad Jorge Jury, better known by his stage name Leonardo Favio, was an Argentine singer, actor and filmmaker. He is considered one of Argentina's best film directors and one of the country's most enduring cultural figures, as well as a popular singer-songwriter throughout Latin America.
The Grupo Cine Liberación was an Argentine film movement that took place during the end of the 1960s. It was founded by Fernando Solanas, Octavio Getino and Gerardo Vallejo. The idea of the group was to give rise to historical, testimonial and film-act cinema, to contribute to the debate and offer an open space for dialogue and freedom of expression that was illegal at that time. With strong anti-imperialist ideas, he harshly criticized Peronism and neocolonialism. In the subsequent years other films directors revolved around the active core of the Cine Liberación group.
Pedro Jorge Rigato Delissetche, better known by his stage names George Rigaud, Georges Rigaud or Jorge Rigaud, was an Argentine film actor who appeared in 194 films between 1932 and 1981.
