A list of films produced in Argentina in 1984:
Mercedes may refer to:
Astor Pantaleón Piazzolla was an Argentine tango composer, bandoneon player, and arranger. His works revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. A virtuoso bandoneonist, he regularly performed his own compositions with a variety of ensembles. In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of Tango music".
César Milstein, CH, FRS was an Argentine biochemist in the field of antibody research. Milstein shared the Nobel Prize in Physiology or Medicine in 1984 with Niels Kaj Jerne and Georges J. F. Köhler for developing the hybridoma technique for the production of monoclonal antibodies.
A sexploitation film is a class of independently produced, low-budget feature film that is generally associated with the 1960s and early 1970s, and that serves largely as a vehicle for the exhibition of non-explicit sexual situations and gratuitous nudity. The genre is a subgenre of exploitation films. The term "sexploitation" has been used since the 1940s.
Héctor Benjamín Alterio Onorato is an Argentine theatre, film and television actor, well known both in Argentina and Spain.
Cinema of Argentina refers to the film industry based in Argentina. The Argentine cinema comprises the art of film and creative movies made within the nation of Argentina or by Argentine filmmakers abroad.
Evita may refer to:
Ricardo Alberto Darín is an Argentine actor, film director and film producer, considered one of the best and most prolific actors of Argentine cinema.
María Luisa Bemberg was an Argentine film writer, director and actress. She was one of the first Argentine female directors with a powerful presence both in the filmmaking and the intellectual world of Latin America, particularly during her most active period, from 1970 to 1990.
This is an index to pages listing Argentine films ordered by year of release. For an A-Z list, see Category:Argentine films.
Lautaro Murúa was a Chilean-Argentine actor, film director, and screenwriter. He is one of the best known actors in the cinema of Argentina.
Héctor Olivera is an Argentine film director, producer and screenwriter. Olivera worked mainly in the cinema of Argentina, but also has directed or contributed to several films made for the United States market.
Enrique Carreras was a Peruvian-born Argentine film director, screenwriter and film producer. He was one of the most prolific film directors in the history of the Cinema of Argentina.
State of Reality is a 1984 Argentine historical drama film directed by Alejandro Doria and starring Luis Brandoni, Darío Grandinetti and Lito Cruz. The film won the 1985 Silver Condor Awards for Best Film, Best Director, Best Original Screenplay and Best Supporting Actress.
Sergio Renán was an Argentine actor, film director, and screenwriter.
The cinema of Uruguay has a role in the culture of Uruguay and is a part of Latin American cinema. Since the late 1990s, Uruguayan cinema has undergone a process of evolution, during which its films have received positive reviews and been internationally recognized. Over 120 films, fiction and non-fiction, have been produced since then.
Bilateral relations between the Argentine Republic and the Republic of India, have existed for decades. Argentina has an embassy in Delhi and a Consulate General in Mumbai whilst India has an embassy in Buenos Aires. Both countries are members of G20, Group of 24 and Group of 77.
Alejandro Doria was a noted Argentine cinema and television director.
Jeanine Meerapfel is a German-Argentine film director and screenwriter. She has directed twenty films since 1966. In 1984, she was a member of the jury at the 34th Berlin International Film Festival.
The 100 Greatest Films of Argentine Cinema, also known as the Survey of Argentine cinema, are a series of opinion polls carried out to establish a list of the greatest films of Argentine cinema of all time. The original survey was carried out by the Museo del Cine Pablo Ducrós Hicken in the years 1977, 1984, 1991 and 2000. In 2022, a new edition was held, organized by the film magazines La vida útil, Taipei and La tierra quema, with support from INCAA, the Mar del Plata International Film Festival, the FestiFreak International Film Festival of La Plata, the Casa de la Cultura of General Roca and the Museo del Cine Pablo Ducrós Hicken.
